Bride's Toilet
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Bride's Toilet
''Bride's Toilet'' is an oil on canvas painting, painted by Hungarian-Indian artist Amrita Sher-Gil (1913–1941) in 1937. A work of modernism, the painting draws influence from the frescoes of Ajanta and the miniatures of Mughal art, thereby resulting in a masterful amalgam of Indian and European styles. Part of Sher-Gil's well known South Indian trilogy, comprising also ''Brahmacharis'' and ''South Indian Villagers Going to Market'', ''Bride's Toilet'' explores the simplicity and uniqueness of rural life, a recurring subject in her later paintings. When Sher-Gil returned to India in 1934, her approach towards art changed significantly. A number of later artworks revolved around the poor and the underprivileged, the commonfolk and their struggles. ''Bride's Toilet'' depicts a bride's chamber, wherein a young light-skinned woman, presumably the titular bride, is seated. She is half-naked; her palms are covered in mehndi. She is surrounded by two other women and two children. O ...
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Amrita Sher-Gil
Amrita Sher-Gil (30 January 1913 – 5 December 1941) was a Hungarian-Indian painter. She has been called "one of the greatest avant-garde women artists of the early 20th century" and a pioneer in modern Indian art. Drawn to painting from an early age, Sher-Gil started formal lessons at the age of eight. She first gained recognition at the age of 19, for her oil painting ''Young Girls'' (1932) (shown below). Sher-Gil depicted everyday life of the people in her paintings. Sher-Gil traveled throughout her life to various countries including Turkey, France, and India, deriving heavily from precolonial Indian art styles as well as contemporary culture. Sher-Gil is considered an important painter of 20th-century India, whose legacy stands on a level with that of the pioneers from the Bengali Renaissance, Bengal Renaissance. She was also an avid reader and a pianist. Sher-Gil's paintings are among the most expensive by Indian women painters today, although few acknowledged her work wh ...
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National Gallery Of Modern Art
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New Delhi
New Delhi (, , ''Naī Dillī'') is the capital of India and a part of the National Capital Territory of Delhi (NCT). New Delhi is the seat of all three branches of the government of India, hosting the Rashtrapati Bhavan, Parliament House, and the Supreme Court of India. New Delhi is a municipality within the NCT, administered by the NDMC, which covers mostly Lutyens' Delhi and a few adjacent areas. The municipal area is part of a larger administrative district, the New Delhi district. Although colloquially ''Delhi'' and ''New Delhi'' are used interchangeably to refer to the National Capital Territory of Delhi, both are distinct entities, with both the municipality and the New Delhi district forming a relatively small part of the megacity of Delhi. The National Capital Region is a much larger entity comprising the entire NCT along with adjoining districts in neighbouring states, including Ghaziabad, Noida, Gurgaon and Faridabad. The foundation stone of New Delhi was l ...
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Modernism
Modernism is both a philosophy, philosophical and arts movement that arose from broad transformations in Western world, Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, and social organization which reflected the newly emerging industrial society, industrial world, including features such as urbanization, architecture, new technologies, and war. Artists attempted to depart from traditional forms of art, which they considered outdated or obsolete. The poet Ezra Pound's 1934 injunction to "Make it New" was the touchstone of the movement's approach. Modernist innovations included abstract art, the stream-of-consciousness novel, montage (filmmaking), montage cinema, atonal and twelve-tone music, divisionist painting and modern architecture. Modernism explicitly rejected the ideology of Realism (arts), realism and made use of the works of the past by the employment of reprise, incorpor ...
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Ajanta Caves
The Ajanta Caves are approximately thirty rock-cut Buddhist cave monuments dating from the second century BCE to about 480 CE in the Aurangabad district of Maharashtra state in India. The caves include paintings and rock-cut sculptures described as among the finest surviving examples of ancient Indian art, particularly expressive paintings that present emotions through gesture, pose and form. They are universally regarded as masterpieces of Buddhist religious art. The caves were built in two phases, the first starting around the second century BCE and the second occurring from 400 to 650 CE, according to older accounts, or in a brief period of 460–480 CE according to later scholarship. The site is a protected monument in the care of the Archaeological Survey of India, and since 1983, the Ajanta Caves have been a UNESCO World Heritage Site. The Ajanta Caves constitute ancient monasteries (Chaityas) and worship-halls (Viharas) of different Buddhist traditions carved into ...
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Mughal Painting
Mughal painting is a style of painting on paper confined to miniature (illuminated manuscript), miniatures either as book illustrations or as single works to be kept in albums (muraqqa), from the territory of the Mughal Empire in South Asia. It emerged from Persian miniature painting (itself partly of Chinese painting, Chinese origin) and developed in the court of the Mughal Empire of the 16th to 18th centuries. Battles, legendary stories, hunting scenes, wildlife, royal life, mythology, as well as other subjects have all been frequently depicted in paintings. The Mughal emperors were Muslims and they are credited with consolidating Islam in South Asia, and spreading Muslim (and particularly Persian) arts and culture as well as the faith. Mughal painting immediately took a much greater interest in realistic portraiture than was typical of Persian miniatures. Animals and plants were the main subject of many miniatures for albums, and were more realistically depicted. Although man ...
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Mehndi
Mehndi () is a form of body art and temporary skin decoration from the Indian subcontinent usually drawn on hands or legs. They are decorative designs that are created on a person's body, using a paste, created from the powdered dry leaves of the henna plant (''Lawsonia inermis''). It is a popular form of body art in South Asia including countries such as India, Bangladesh, Pakistan, Maldives, Sri Lanka, Nepal and resembles similar traditions of henna as body art found in North Africa, East Africa and the Middle East. In the West, mehndi is commonly known as henna tattoo. Henna has been used as a dye for the skin since ancient times. There are many variations and designs. Women usually apply mehndi designs to their hands and feet, though some, including cancer patients and women with alopecia occasionally decorate their scalps. The standard color of henna is brown, but other design colors such as white, red, black and gold are sometimes used. ''Mehndi'' in Indian tradition ...
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Amrita Sher-Gil's Paintings At Lahore (1937)
The Hungarian-born Indian artist Amrita Sher-Gil, exhibited 33 of her paintings at her One-man Show in the ballroom at Faletti's Hotel in Lahore, Presidencies and provinces of British India, British India, held from 21 to 27 November 1937. Four paintings were sold in total; ''The Little Girl in Blue'' (1934), ''The Story Teller (painting), The Story'' (1937), ''Pink Self-portrait'', and ''The Vina Player'' (1937). At the opening, Punjab's finance minister, Manohar Lal (economist), Manohar Lal, praised the self-portrait she did not like. Charles Fabri commended the exhibition in general, though criticised the show for being too ornate. The attendance was good. With eight Indian anna, annas per entry, the exhibition made around ₹25 a day from entrance fees alone. Opening The Hungarian-born Indian artist Amrita Sher-Gil exhibited 33 of her paintings, dubbed her "One-man Show", in the ballroom at Faletti's Hotel in Lahore, Presidencies and provinces of British India, British India ...
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