Brentwood Cathedral
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Brentwood Cathedral
The Cathedral of St Mary and St Helen is a Roman Catholic cathedral in Brentwood, Essex, England. It is the seat of the Diocese of Brentwood. History Brentwood Cathedral began in 1861 as a parish church built in a Gothic style. This relatively small building was raised to cathedral status in 1917. Between 1989 and 1991 the church was enlarged in an Italianate classical style by the Driehaus Prize winner Quinlan Terry. The original church building on the south (liturgical east) side was retained. The new Brentwood Cathedral was dedicated by Basil Hume, Cardinal Basil Hume on 31 May 1991. The donors chose to remain anonymous and the money was given solely for this purpose. In 2022 the cathedral was Listed building, listed at Grade II*. Architecture The architect Quinlan Terry took his inspiration from the early Italian Renaissance crossed with the English Baroque of Christopher Wren. This, it was felt, would be appropriate for the town and its conservation area, but above all it w ...
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Quinlan Terry
John Quinlan Terry Order of the British Empire, CBE (born 24 July 1937) is a British architect. He was educated at Bryanston School and the Architectural Association School of Architecture. He was a pupil of architect Raymond Erith, with whom he formed the partnership ''Erith & Terry''. Quinlan Terry is a well-known representative of New Classical architecture and the favourite architect of King Charles III. He has a keen interest in how traditional architecture contributes to the debate on sustainability and has lectured frequently on the subject. Quinlan Terry continues to practise full time with partners Roger Barrell and Eric Cartwright under the name Quinlan Terry Architects LLP. Work In the United Kingdom Terry works principally in classical Palladian architectural styles. The firm, Quinlan Terry Architects LLP, continues the architectural style of the practice started by Raymond Erith in 1928, and specialises in high quality traditional building, mostly in classic ...
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Roman Catholic
Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *'' Epistle to the Romans'', shortened to ''Romans'', a letter in the New Testament of the Christian Bible Roman or Romans may also refer to: Arts and entertainment Music * Romans (band), a Japanese pop group * ''Roman'' (album), by Sound Horizon, 2006 * ''Roman'' (EP), by Teen Top, 2011 *" Roman (My Dear Boy)", a 2004 single by Morning Musume Film and television * Film Roman, an American animation studio * ''Roman'' (film), a 2006 American suspense-horror film * ''Romans'' (2013 film), an Indian Malayalam comedy film * ''Romans'' (2017 film), a British drama film * ''The Romans'' (''Doctor Who''), a serial in British TV series People *Roman (given name), a given name, including a list of people and fictional characters *Roman (surname), including a list of people named Roman or Romans *Ῥωμ ...
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Nave
The nave () is the central part of a church, stretching from the (normally western) main entrance or rear wall, to the transepts, or in a church without transepts, to the chancel. When a church contains side aisles, as in a basilica-type building, the strict definition of the term "nave" is restricted to the central aisle. In a broader, more colloquial sense, the nave includes all areas available for the lay worshippers, including the side-aisles and transepts.Cram, Ralph Adams Nave The Catholic Encyclopedia. Vol. 10. New York: Robert Appleton Company, 1911. Accessed 13 July 2018 Either way, the nave is distinct from the area reserved for the choir and clergy. Description The nave extends from the entry—which may have a separate vestibule (the narthex)—to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave, the structure is sometimes said to have three naves. ...
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Cathedra
A ''cathedra'' is the raised throne of a bishop in the early Christian basilica. When used with this meaning, it may also be called the bishop's throne. With time, the related term ''cathedral'' became synonymous with the "seat", or principal church, of a bishopric. The word in modern languages derives from a normal Greek word καθέδρα 'kathédra'' meaning "seat", with no special religious connotations, and the Latin ''cathedra'', specifically a chair with arms. It is a symbol of the bishop's teaching authority in the Catholic Church, the Orthodox Church, and the Anglican Communion churches. Etymology The English word "cathedra", plural cathedrae, comes from the Latin word for "armchair", itself derived from the Greek. After the 4th century, the term's Roman connotations of authority reserved for the Emperor were adopted by bishops. It is closely related to the etymology of the word chair. ''Cathedrae apostolorum'' The term appears in early Christian literature in ...
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Epping, Essex
Epping is a market town and civil parish in the Epping Forest district of the County of Essex, England. The town is northeast from the centre of London, is surrounded by the northern end of Epping Forest, and on a ridge of land between the River Roding and River Lea valleys. Epping is the terminus for London Underground's Central line. The town has a number of historic Grade I and II and Grade III listed buildings. The weekly market, which dates to 1253, is held each Monday. In 2001 the parish had a population of 11,047 which increased to 11,461 at the 2011 Census. Epping became twinned with the German town of Eppingen in north-west Baden-Württemberg in 1981. History "Epinga", a small community of a few scattered farms and a chapel on the edge of the forest, is mentioned in the ''Domesday Book'' of 1086. However, the settlement referred to is known today as Epping Upland. It is not known for certain when the present-day Epping was first settled. By the mid-12th century a ...
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Pipe Organ
The pipe organ is a musical instrument that produces sound by driving pressurized air (called ''wind'') through the organ pipes selected from a keyboard. Because each pipe produces a single pitch, the pipes are provided in sets called ''ranks'', each of which has a common timbre and volume throughout the keyboard compass. Most organs have many ranks of pipes of differing timbre, pitch, and volume that the player can employ singly or in combination through the use of controls called stops. A pipe organ has one or more keyboards (called '' manuals'') played by the hands, and a pedal clavier played by the feet; each keyboard controls its own division, or group of stops. The keyboard(s), pedalboard, and stops are housed in the organ's ''console''. The organ's continuous supply of wind allows it to sustain notes for as long as the corresponding keys are pressed, unlike the piano and harpsichord whose sound begins to dissipate immediately after a key is depressed. The smallest po ...
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Composite Order
The Composite order is a mixed order, combining the volutes of the Ionic order capital with the acanthus leaves of the Corinthian order.Henig, Martin (ed.), ''A Handbook of Roman Art'', p. 50, Phaidon, 1983, In many versions the composite order volutes are larger, however, and there is generally some ornament placed centrally between the volutes. The column of the composite order is typically ten diameters high, though as with all the orders these details may be adjusted by the architect for particular buildings. The Composite order is essentially treated as Corinthian except for the capital, with no consistent differences to that above or below the capital. The Composite order is not found in ancient Greek architecture and until the Renaissance was not ranked as a separate order. Instead it was considered as an imperial Roman form of the Corinthian order. Though the Arch of Titus, in the forum in Rome and built in 82 AD, is sometimes cited as the first prominent survivin ...
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Corinthian Order
The Corinthian order (Greek: Κορινθιακός ρυθμός, Latin: ''Ordo Corinthius'') is the last developed of the three principal classical orders of Ancient Greek architecture and Roman architecture. The other two are the Doric order which was the earliest, followed by the Ionic order. In Ancient Greek architecture, the Corinthian order follows the Ionic in almost all respects other than the capitals of the columns. When classical architecture was revived during the Renaissance, two more orders were added to the canon: the Tuscan order and the Composite order. The Corinthian, with its offshoot the Composite, is the most ornate of the orders. This architectural style is characterized by slender fluted columns and elaborate capitals decorated with acanthus leaves and scrolls. There are many variations. The name ''Corinthian'' is derived from the ancient Greek city of Corinth, although the style had its own model in Roman practice, following precedents set by the Tem ...
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Palladian Window
Palladian architecture is a European architectural style derived from the work of the Venetian architect Andrea Palladio (1508–1580). What is today recognised as Palladian architecture evolved from his concepts of symmetry, perspective and the principles of formal classical architecture from ancient Greek and Roman traditions. In the 17th and 18th centuries, Palladio's interpretation of this classical architecture developed into the style known as Palladianism. Palladianism emerged in England in the early 17th century, led by Inigo Jones, whose Queen's House at Greenwich has been described as the first English Palladian building. Its development faltered at the onset of the English Civil War. After the Stuart Restoration, the architectural landscape was dominated by the more flamboyant English Baroque. Palladianism returned to fashion after a reaction against the Baroque in the early 18th century, fuelled by the publication of a number of architectural books, including Pall ...
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Ionic Order
The Ionic order is one of the three canonic orders of classical architecture, the other two being the Doric and the Corinthian. There are two lesser orders: the Tuscan (a plainer Doric), and the rich variant of Corinthian called the composite order. Of the three classical canonic orders, the Corinthian order has the narrowest columns, followed by the Ionic order, with the Doric order having the widest columns. The Ionic capital is characterized by the use of volutes. The Ionic columns normally stand on a base which separates the shaft of the column from the stylobate or platform while the cap is usually enriched with egg-and-dart. The ancient architect and architectural historian Vitruvius associates the Ionic with feminine proportions (the Doric representing the masculine). Description Capital The major features of the Ionic order are the volutes of its capital, which have been the subject of much theoretical and practical discourse, based on a brief and obscure passage i ...
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Tuscan Order
The Tuscan order (Latin ''Ordo Tuscanicus'' or ''Ordo Tuscanus'', with the meaning of Etruscan order) is one of the two classical orders developed by the Romans, the other being the composite order. It is influenced by the Doric order, but with un-fluted columns and a simpler entablature with no triglyphs or guttae. While relatively simple columns with round capitals had been part of the vernacular architecture of Italy and much of Europe since at least Etruscan architecture, the Romans did not consider this style to be a distinct architectural order (for example, the Roman architect Vitruvius did not include it alongside his descriptions of the Greek Doric, Ionic, and Corinthian orders). Its classification as a separate formal order is first mentioned in Isidore of Seville's ''Etymologies'' and refined during the Italian Renaissance. Sebastiano Serlio described five orders including a "Tuscan order", "the solidest and least ornate", in his fourth book of ''Regole generali di ...
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Cupola
In architecture, a cupola () is a relatively small, most often dome-like, tall structure on top of a building. Often used to provide a lookout or to admit light and air, it usually crowns a larger roof or dome. The word derives, via Italian, from lower Latin ''cupula'' (classical Latin ''cupella''), (Latin ''cupa''), indicating a vault resembling an upside-down cup. Background The cupola evolved during the Renaissance from the older oculus. Being weatherproof, the cupola was better suited to the wetter climates of northern Europe. The chhatri, seen in Indian architecture, fits the definition of a cupola when it is used atop a larger structure. Cupolas often serve as a belfry, belvedere, or roof lantern above a main roof. In other cases they may crown a spire, tower, or turret. Barns often have cupolas for ventilation. Cupolas can also appear as small buildings in their own right. The square, dome-like segment of a North American railroad train caboose that contains the seco ...
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