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Brazilian Folk Music
The music of Brazil encompasses various regional musical styles influenced by European, American, African and Amerindian forms. Brazilian music developed some unique and original styles such as forró, repente, coco de roda, axé, sertanejo, samba, bossa nova, MPB, música nativista, pagode, tropicália, choro, maracatu, embolada (coco de repente), frevo, brega, modinha and Brazilian versions of foreign musical styles, such as rock, pop music, soul, hip-hop, disco music, country music, ambient, industrial and psychedelic music, rap, classical music, fado, and gospel. Samba has become the most known form of Brazilian music worldwide, especially because of the country's carnival, although bossa nova, which had Antônio Carlos Jobim as one of its most acclaimed composers and performers, have received much attention abroad since the 1950s, when the song "Desafinado", interpreted by João Gilberto, was first released. The first four winners of the Shell Brazilian Musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of The United States
The music of the United States reflects the country's multi-ethnic population through a diverse array of styles. It is a mixture of music influenced by the music of Europe, Indigenous peoples, West Africa, Latin America, Middle East, North Africa, amongst many other places. The country's most internationally renowned genres are traditional pop, jazz, blues, country, bluegrass, rock, rock and roll, R&B, pop, hip hop, soul, funk, gospel, disco, house, techno, ragtime, doo-wop, folk music, americana, boogaloo, tejano, reggaeton, surf, and salsa. American music is heard around the world. Since the beginning of the 20th century, some forms of American popular music have gained a near global audience. Native Americans were the earliest inhabitants of the land that is today known as the United States and played its first music. Beginning in the 17th century, settlers from the United Kingdom, Ireland, Spain, Germany, and France began arriving in large numbers, bringing wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pixinguinha
Alfredo da Rocha Viana Filho, known as Pixinguinha (; April 23, 1897February 17, 1973) was a Brazilian composer, arranger, flautist and saxophonist born in Rio de Janeiro. Pixinguinha is considered one of the greatest Brazilian composers of popular music, particularly within the genre of music known as choro. By integrating the music of the older ''choro'' composers of the 19th century with contemporary jazz-like harmonies, Afro-Brazilian rhythms, and sophisticated arrangements, he introduced ''choro'' to a new audience and helped to popularize it as a uniquely Brazilian genre. He was also one of the first Brazilian musicians and composers to take advantage of the new professional opportunities offered to musicians by the new technologies of radio broadcasting and studio recording. Pixinguinha composed dozens of ''choros'', including some of the best-known works in the genre such as "Carinhoso", "Glória", "Lamento" and "Um a Zero". Early life and early career Pixinguinha was the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
João Gilberto
João Gilberto (born João Gilberto Prado Pereira de Oliveira – ; 10 June 1931 – 6 July 2019) was a Brazilian guitarist, singer and composer who was a pioneer of the musical genre of bossa nova in the late 1950s. Around the world, he was often called "father of bossa nova"; in his native Brazil, he was referred to as ''"O Mito"'' ("The Legend"). Early life João Gilberto was born in Juazeiro, Bahia, the son of Joviniano Domingos de Oliveira, a wealthy merchant, and Martinha do Prado Pereira de Oliveira. He lived in his native city until 1942, when he began to study in Aracaju, Sergipe, returning to Juazeiro in 1946. At the age of 14, Gilberto got his first guitar from his grandfather despite disapproval from Gilberto's father. Still in Juazeiro, he formed his first band, called "Enamorados do Ritmo". Gilberto moved to Salvador, Bahia, in 1947. During his three years in the city, he dropped out of his studies to dedicate himself exclusively to music and at the age of 18 b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Desafinado
"Desafinado" (a Portuguese word, usually rendered into English as "Out of Tune", or as "Off Key") is a 1959 bossa nova song and jazz standard composed by Antônio Carlos Jobim with lyrics (in Portuguese) by Newton Mendonça. Background "Desafinado" was originally a response to critics who claimed that bossa nova was a new genre for singers who can't sing. The English language lyrics were written by Jon Hendricks and "Jessie Cavanaugh" (a pseudonym used by The Richmond Organisation). Another English lyric, more closely based on the original Portuguese lyric (but not a translation) was written by Gene Lees, and appears on some recordings as well. Chart performance The version by Stan Getz and Charlie Byrd (from the album ''Jazz Samba'') was a major hit in 1962, reaching number 15 and number 4 on ''Billboard''′s pop and easy-listening charts, respectively; their definitive rendering also reached number 11 in the UK. Ella Fitzgerald's version made number 38. Accolades The song ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antônio Carlos Jobim
Antônio Carlos Brasileiro de Almeida Jobim (25 January 1927 – 8 December 1994), also known as Tom Jobim (), was a Brazilian composer, pianist, guitarist, songwriter, arranger, and singer. Considered one of the great exponents of Brazilian music, Jobim internationalized bossa nova and, with the help of important American artists, merged it with jazz in the 1960s to create a new sound, with popular success. As a result, he is sometimes known as the "father of bossa nova". Jobim was a primary force behind the creation of the bossa nova style, and his songs have been performed by many singers and instrumentalists internationally since the early 1960s. In 1965, the album ''Getz/Gilberto'' was the first jazz record to win the Grammy Award for Album of the Year. It also won Best Jazz Instrumental Album – Individual or Group and Best Engineered Album, Non-Classical. The album's single '" Garota de Ipanema (The Girl from Ipanema)'", composed by Jobim, has become one of the most r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brazilian Carnival
The Carnival of Brazil ( pt, Carnaval do Brasil, ) is an annual Brazilian festival held the Friday afternoon before Ash Wednesday at noon, which marks the beginning of Lent, the forty-day period before Easter. During Lent, Roman Catholics and some other Christians traditionally abstained from the consumption of meat and poultry, hence the term "carnival", from ''carnelevare'', "to remove (literally, "raise") meat." Rhythm, participation, and costumes vary from one region of Brazil to another. In the southeastern cities of Rio de Janeiro, São Paulo, and Vitória, Espírito Santo, Vitória, huge organized parades are led by samba schools. Those official parades are meant to be watched by the public, while minor parades (''blocos'') allowing public participation can be found in other cities, like Belo Horizonte, also in the southeastern region. The northeastern cities of Recife, Olinda, Salvador, Bahia, Salvador, and Porto Seguro have organized groups parading through streets, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gospel Music
Gospel music is a traditional genre of Christian music, and a cornerstone of Christian media. The creation, performance, significance, and even the definition of gospel music varies according to culture and social context. Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music is characterized by dominant vocals and strong use of harmony with Christian lyrics. Gospel music can be traced to the early 17th century. Hymns and sacred songs were often repeated in a call and response fashion, heavily influenced by ancestral African music. Most of the churches relied on hand-clapping and foot-stomping as rhythmic accompaniment. Most of the singing was done a cappella.Jackson, Joyce Marie. "The changing nature of gospel music: A southern case study." ''African American Review'' 29.2 (1995): 185. Academic Search Premier. EBSCO. Web. October 5, 2010. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fado
Fado (; "destiny, fate") is a music genre that can be traced to the 1820s in Lisbon, Portugal, but probably has much earlier origins. Fado historian and scholar Rui Vieira Nery states that "the only reliable information on the history of fado was orally transmitted and goes back to the 1820s and 1830s at best. But even that information was frequently modified within the generational transmission process that made it reach us today." Although the origins are difficult to trace, today fado is commonly regarded as simply a form of song which can be about anything, but must follow a certain traditional structure. In popular belief, fado is a form of music characterized by mournful tunes and lyrics, often about the sea or the life of the poor, and infused with a sentiment of resignation, fate and melancholy. This is loosely captured by the Portuguese word ''saudade'', or longing, symbolizing a feeling of loss (a permanent, irreparable loss and its consequent lifelong damage). This is s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rapping
Rapping (also rhyming, spitting, emceeing or MCing) is a musical form of vocal delivery that incorporates "rhyme, rhythmic speech, and street vernacular". It is performed or chanted, usually over a backing beat or musical accompaniment. The components of rap include "content" (what is being said), "flow" (rhythm, rhyme), and "delivery" (cadence, tone). Rap differs from spoken-word poetry in that it is usually performed off-time to musical accompaniment. Rap is a primary ingredient of hip hop music commonly associated with that genre; however, the origins of rap predate hip-hop culture by many years. Precursors to modern rap include the West African griot tradition, Cockney rhyming slang, certain vocal styles of blues, jazz, 1960s African-American poetry and ''Sprechgesang''. The use of rap in popular music originated in the Bronx, New York City in the 1970s, alongside the hip hop genre and cultural movement. Rapping developed from the role of master of ceremonies (MC) at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelic Music
Psychedelic music (sometimes called psychedelia) is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as LSD, psilocybin mushrooms, mescaline, and cannabis to experience synesthesia and altered states of consciousness. Psychedelic music may also aim to enhance the experience of using these drugs and has been found to have a significant influence on psychedelic therapy. Psychedelia embraces visual art, movies, and literature, as well as music. Psychedelic music emerged during the 1960s among folk and rock bands in the United States and the United Kingdom, creating the subgenres of psychedelic folk, psychedelic rock, acid rock, and psychedelic pop before declining in the early 1970s. Numerous spiritual successors followed in the ensuing decades, including progressive rock, krautrock, and heavy metal. Since the 1970s, revivals have included psychedelic funk, neo-psychedelia, and stoner rock as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Industrial Music
Industrial music is a genre of music that draws on harsh, mechanical, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments (tape music, musique concrète, white noise, synthesizers, sequencers, etc.) and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries. The first industrial artists experimented with noise and aesthetically controversial topics, musically and visually, such as fascism, sexual perversion, and the occult. Prominent industrial musicians include Throbbing Gristle, Monte Cazazza, SPK, Boyd Rice, Cabaret Voltaire, and Z'E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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