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Bravebird
''Bravebird'' is the second studio album by American R&B-soul singer-songwriter Amel Larrieux, released in the United States on January 20, 2004 by her independent label Blisslife Records. The album features the single "For Real", which reached number forty-five on ''Billboard''s Hot R&B/Hip-Hop Songs chart, becoming Larrieux's second highest-charting solo single on the chart after 1999's "Get Up". Album information On the significance of the album title and song "Bravebird", Larrieux told Barnes & Noble: "I read a story in a magazine genital mutilation] and wrote about it. I guess it was a gift to her to extol her bravery. [The album title] became appropriate also because true supporters of my music found ways to hear the song before it got on the album. It had been floating around to DJs two years ago. And I do shows and perform the song, so everybody knew it. So I started referring to y fansas brave birds when I write messages to them on my web site." It is likely she was ...
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Amel Larrieux
Amel Eliza Larrieux (née Stowell; born March 8, 1973) is an American singer-songwriter and keyboardist. Larrieux rose to fame in the mid-1990s as a founding member of the duo Groove Theory along with Bryce Wilson. After leaving the group in 1999, she released her debut solo album, '' Infinite Possibilities'', the following year on Epic Records. In late 2003, Larrieux and her husband, producer Laru Larrieux, founded the independent label Blisslife Records, on which she has released four albums so far. Larrieux cites Ella Fitzgerald, Prince, Sade, Rickie Lee Jones, Stevie Wonder, Shawn Colvin, Chaka Khan, John Lennon, Patrice Rushen, Jimi Hendrix, and Joni Mitchell as her musical influences. The Japanese star vocalist Hikaru Utada cites Larrieux as her musical influence. Life and career Early life Larrieux was born Amel Eliza Stowell on March 8, 1973, in New York City. Groove Theory In 1991, Larrieux met Mantronix member Bryce Wilson at Rondor Music. Wilson, who wanted to begi ...
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Infinite Possibilities
''Infinite Possibilities'' is the debut studio album from American R&B artist Amel Larrieux, released February 15, 2000 on 550 Music and distributed through Epic Records. The album peaked at seventy-nine on the ''Billboard'' 200 chart. Release and reception The album peaked at seventy-nine on the U.S. ''Billboard'' 200 and reached the twenty-first spot on the R&B Albums chart. Derrick Mathis of Allmusic gave the album a good review, remarking that "as far as Larrieux's future is concerned, the possibilities are indeed, infinite." Track listing Chart history Album Singles "—" denotes releases that did not chart. Personnel Information taken from Allmusic. *drums (snare) – Janaki *executive production – Amel Larrieux *fender rhodes – Kwamé, Amel Larrieux *keyboard bass – Amel Larrieux *producer – Amel Larrieux, Laru Larrieux *rainstick – Amel Larrieux *vocals – Amel Larrieux *vocals (background) – Amel Larrieux Notes External links * * Infinite Pos ...
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Morning (Amel Larrieux Album)
''Morning'' is the third studio album by American contemporary R&B, R&B-soul music, soul singer-songwriter Amel Larrieux, released in the United States on April 25, 2006. Larrieux's second album released on her own independent label, Blisslife Records, it peaked at number seventy-four on the Billboard 200, ''Billboard'' 200 and number eight on the Top R&B/Hip-Hop Albums, becoming the singer's highest-charting solo album on both charts to date. The album spawned the singles "Weary", which charted at number twenty-nine on the Billboard Hot Adult R&B Airplay and "No One Else", which was included on the soundtrack to Tyler Perry's 2007 film ''Why Did I Get Married?'' Track listing All songs written by Amel Larrieux and Laru Larrieux. # "Trouble" – 2:47 # "Unanswered Question" – 3:34 # "No One Else" – 3:24 # "Earn My Affections" – 3:35 # "Weary" – 3:52 # "Morning" – 3:46 # "Gills and Tails" – 4:59 # "Magic" – 4:02 # "Just Once" – 3:36 # "Mountain of When" – 4:38 ...
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Barnes & Noble
Barnes & Noble Booksellers is an American bookseller. It is a Fortune 1000 company and the bookseller with the largest number of retail outlets in the United States. As of July 7, 2020, the company operates 614 retail stores across all 50 U.S. states. Barnes & Noble operates mainly through its Barnes & Noble Booksellers chain of bookstores. The company's headquarters are at 33 E. 17th Street on Union Square in New York City. After a series of mergers and bankruptcies in the American bookstore industry since the 1990s, Barnes & Noble stands alone as the United States' largest national bookstore chain. Previously, Barnes & Noble operated the chain of small B. Dalton Bookseller stores in malls until they announced the liquidation of the chain. The company was also one of the nation's largest manager of college textbook stores located on or near many college campuses when that division was spun off as a separate public company called Barnes & Noble Education in 2015. During the ...
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2004 Albums
4 (four) is a number, numeral and digit. It is the natural number following 3 and preceding 5. It is the smallest semiprime and composite number, and is considered unlucky in many East Asian cultures. In mathematics Four is the smallest composite number, its proper divisors being and . Four is the sum and product of two with itself: 2 + 2 = 4 = 2 x 2, the only number b such that a + a = b = a x a, which also makes four the smallest squared prime number p^. In Knuth's up-arrow notation, , and so forth, for any number of up arrows. By consequence, four is the only square one more than a prime number, specifically three. The sum of the first four prime numbers two + three + five + seven is the only sum of four consecutive prime numbers that yields an odd prime number, seventeen, which is the fourth super-prime. Four lies between the first proper pair of twin primes, three and five, which are the first two Fermat primes, like seventeen, which is the third. On the other hand, ...
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Top R&B/Hip-Hop Albums
Top R&B/Hip-Hop Albums is a music chart published weekly by '' Billboard'' magazine that ranks R&B and hip hop albums based on sales in the United States and is compiled by Nielsen SoundScan. The chart debuted as Hot R&B LPs in the issue dated January 30, 1965 in an effort by the magazine to further expand into the field of rhythm and blues music. It then went through several name changes, being known as Soul LPs in the 1970s and Top Black Albums in the 1980s, before returning to the R&B identification in 1990 and affixing a hip hop designation in 1999 to reflect the latter's growing sales and relationship to R&B during the decade. From 1965 through 2009, the chart was compiled based on reported sales at a core panel of stores with a "higher-than-average volume" of R&B and/or hip-hop album sales to monitor buying trends of the African-American community. This panel included more independent and smaller chain stores compared to the high percentage of mass merchants that account fo ...
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Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ...
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Audio Mastering
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in cas ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ...
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Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound * Audio signal, an electrical representation of sound *Audio frequency, a frequency in the audio spectrum * Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing *Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment *AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 *Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD Computing *, an HTML element, see HTML5 audio See also *Acoustic (other) *Audible (other) *A ...
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Art Director
Art director is the title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, film industry, film and television, the Internet, and video games. It is the charge of a sole art director to supervise and unify the vision of an artistic production. In particular, they are in charge of its overall visual appearance and how it visual communication, communicates visually, stimulates moods, contrasts features, and psychologically appeals to a target audience. The art director makes decisions about visual elements, what artistic style (visual arts), style(s) to use, and when to use motion graphic design, motion. One of the biggest challenges art directors face is translating desired moods, messages, concepts, and underdeveloped ideas into imagery. In the brainstorming process, art directors, colleagues and clients explore ways the finished piece or scene could look. At times, the art director is responsible for solidifying the vision of the col ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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