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Bratatat!
''Bratatat!'' is a 1963 pop art painting by Roy Lichtenstein in his comic book style of using Ben-Day dots and a text balloon. Background Lichtenstein was a trained United States Army pilot, draftsman and artist as well as a World War II veteran who never saw active combat. His list of aeronautical themed works is extensive. Within that genre, Lichtenstein has produced several works featuring pilots situated in cockpits during air combat such as '' Jet Pilot'' (1962), ''Brattata'' (1962), ''Bratatat!'' (1963), and ''Okay Hot-Shot, Okay!'' (1963). ''Bratatat!'' along with ''Whaam!'' and '' Varoom!'' are among Lichtenstein's most recognizable onomatopoeic works. The source of ''Bratatat!'' is '' All-American Men of War'' #90 (March–April 1962, DC Comics). ''Bratatat!'' depicts a jet fighter pilot engaged in military conflict. The black and white sketch of this work has been on a worldwide tour, accompanied by DC Comics artwork. The painting is symbolic of Lichtenstein's p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bratatat! Source
''Bratatat!'' is a 1963 pop art painting by Roy Lichtenstein in his comic book style of using Ben-Day dots and a text balloon. Background Lichtenstein was a trained United States Army pilot, draftsman and artist as well as a World War II veteran who never saw active combat. His list of aeronautical themed works is extensive. Within that genre, Lichtenstein has produced several works featuring pilots situated in cockpits during air combat such as '' Jet Pilot'' (1962), ''Brattata'' (1962), ''Bratatat!'' (1963), and ''Okay Hot-Shot, Okay!'' (1963). ''Bratatat!'' along with ''Whaam!'' and '' Varoom!'' are among Lichtenstein's most recognizable onomatopoeic works. The source of ''Bratatat!'' is '' All-American Men of War'' #90 (March–April 1962, DC Comics). ''Bratatat!'' depicts a jet fighter pilot engaged in military conflict. The black and white sketch of this work has been on a worldwide tour, accompanied by DC Comics artwork. The painting is symbolic of Lichtenstein's portf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brattata
''Brattata'' is a 1962 pop art painting by Roy Lichtenstein in his comic book style of using Ben-Day dots and a text balloon. The work is held in the collection at the Tehran Museum of Contemporary Art. It is one of several Lichtenstein works from '' All-American Men of War'' issue #89, but is a reworking of its source panel. Background According to the University of Michigan Library, at one time the work was held in the Fischmann collection. St. Louis businessman and financier, Milton Fischmann died in May 1974, and the work is now in the collection of the Tehran Museum of Contemporary Art. A trained draftsman and artist, Lichtenstein was a United States Army pilot who served in World War II without ever seeing active combat. His list of aeronautical-themed works is extensive. Within that genre, Lichtenstein has featured pilots situated in cockpits during air combat in many of his works, such as '' Jet Pilot'' (1962), ''Brattata'' (1962), '' Bratatat!'' (1963), and ''O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jet Pilot (Roy Lichtenstein)
''Jet Pilot'' is a 1962 pop art work done in pencil, graphite pencil by Roy Lichtenstein. Like many of Lichtenstein's works from this time period, it was inspired by a comic book image, but he made notable modifications of the source in his work. Background In the mid-1970s the work was owned by Richard Brown Baker, who had acquired the work in May 1963. As of 2013 it is owned by the Yale University Art Gallery, which also hosts the related work ''Blam (Roy Lichtenstein), Blam''. Lichtenstein was a trained United States Army pilot, draftsman and artist as well as a World War II (WWII) veteran who never saw active combat. His list of aeronautical themed works is extensive. Within that genre, Lichtenstein has produced several works featuring pilots situated in cockpits during air combat such as ''Jet Pilot'' (1962), ''Brattata'' (1962), ''Bratatat!'' (1963), and ''Okay Hot-Shot, Okay!'' (1963). ''Jet Pilot'' is one of several drawings that Lichtenstein has done in a Frottage (a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Okay Hot-Shot, Okay!
''Okay Hot-Shot, Okay!'' (sometimes ''Okay Hot-Shot'') is a 1963 pop art painting by Roy Lichtenstein that uses his Ben-Day dots style and a text balloon. It is one of several examples of military art that Lichtenstein created between 1962 and 1964, including several with aeronautical themes like this one. It was inspired by panels from four different comic books that provide the sources for the plane, the pilot, the text balloon and the graphic onomatopoeia, "VOOMP!". Lichtenstein made several alterations to the source images as he compiled them into this composition. He used themes in this work that relate to those expressed in several of his other works. The narrative content is also said to relate to themes from other works, but instead of Lichtenstein's own works it relates to Jackson Pollock's contemporaneous works. Background During the late 1950s and early 1960s a number of American painters began to adapt the imagery and motifs of comic strips. Lichtenstein made ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crak!
''Crak!'' (sometimes ''Crack!'') is a 1963 pop art lithograph by Roy Lichtenstein in his comic book style of using Ben-Day dots and a text balloon. It was used in marketing materials for one of Lichtenstein's early shows. It is one of several of his works related to military art and monocular vision. Background When Lichtenstein had his first solo show at The Leo Castelli Gallery in New York City in February 1962, it sold out before opening. The exhibition included ''Engagement Ring An engagement ring, also known as a betrothal ring, is a ring indicating that the person wearing it is engaged to be married, especially in Western cultures. A ring is presented as an engagement gift by a partner to their prospective spouse when ...'', ''Blam (Roy Lichtenstein), Blam'' and ''The Refrigerator''. The show ran from February 10 through March 3, 1962. After a west coast exhibition at Ferus Gallery in Los Angeles from April 1–27, 1963, Lichtenstein had his second solo exhibitio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Varoom!
''Varoom!'' is a 1963 pop art painting by Roy Lichtenstein that depicts an explosion and the onomatopoeic sound that gives it its name. Background In the early- and mid-1960s Lichtenstein produced several of his most notable works, many with themes of war or romance, but others with themes of explosions or brushstrokes. Several of Lichtenstein's large-scale depictions of explosions, such as ''Varoom!'' are iconic. ''Varoom!'' along with ''Whaam!'' and ''Bratatat!'' are among Lichtenstein's most recognizable onomatopoeic works and was in a sense part of Lichtenstein's response to action painting. Lichtenstein's list of aeronautically themed works is extensive. ''Varoom!'' is an explosion that is regarded as part of that theme. ''Varoom!'', which depicts an instantaneous explosion, is composed of the primary colors presented over a light dotted background. Black and white specs add crackle to the composition. The block-lettered text, "VAROOM!", stands out, giving a title t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Takka Takka (Roy Lichtenstein)
''Takka Takka'' is a 1962 pop art painting by Roy Lichtenstein in his comic book style of using Ben-Day dots and a story panel. This work is held in the collection of the Museum Ludwig. The title comes from the onomatopoeic graphics that depict the sound that comes from a machine gun. Background Lichtenstein was a trained United States Army pilot, draftsman and artist as well as a World War II (WWII) veteran who never saw active combat. The work depicts a machine gun firing as it is situated above the camouflage of palm fronds during the Battle of Guadalcanal. The image shows shell casings and a grenade in mid flight. An explosion is stylized with the titular phrase. The source of ''Takka Takka'' is the comic book ''Battlefield Action'' #40 (February 1962, Charlton Comics Group). Lichtenstein's reinterpretation of the original comic image eliminates the horizon line and other indications of depth of field. He also eliminates the human element by removing a hand, a helme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whaam!
''Whaam!'' is a 1963 diptych painting by the American artist Roy Lichtenstein. It is one of the best-known works of pop art, and among Lichtenstein's most important paintings. ''Whaam!'' was first exhibited at the Leo Castelli Gallery in New York City in 1963, and purchased by the Tate Gallery, London, in 1966. It has been on permanent display at Tate Modern since 2006. The left-hand panel shows a fighter plane firing a rocket that, in the right-hand panel, hits a second plane which explodes in flames. Lichtenstein adapted the image from several comic-book panels. He transformed his primary source, a panel from a 1962 war comic book, by presenting it as a diptych while altering the relationship of the graphical and narrative elements. ''Whaam!'' is regarded for the temporal, spatial and psychological integration of its two panels. The painting's title is integral to the action and impact of the painting, and displayed in large onomatopoeia in the right panel. Lichtenstein s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Statesman
The ''New Statesman'' is a British political and cultural magazine published in London. Founded as a weekly review of politics and literature on 12 April 1913, it was at first connected with Sidney and Beatrice Webb and other leading members of the socialist Fabian Society, such as George Bernard Shaw, who was a founding director. Today, the magazine is a print–digital hybrid. According to its present self-description, it has a liberal and progressive political position. Jason Cowley, the magazine's editor, has described the ''New Statesman'' as a publication "of the left, for the left" but also as "a political and literary magazine" with "sceptical" politics. The magazine was founded by members of the Fabian Society as a weekly review of politics and literature. The longest-serving editor was Kingsley Martin (1930–1960), and the current editor is Jason Cowley, who assumed the post in 2008. The magazine has recognised and published new writers and critics, as well as e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
