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Brasamba!
''Brasamba!'' is an album by saxophonist Bud Shank, pianist Clare Fischer and guitarist Joe Pass released on the Pacific Jazz label. accessed December 15, 2015 Reception rated the album with 3 stars.Track listing ''All compositions by Clare Fischer, except as indicated'' # "Brasamba" (Bud Shank) - 3:53 # "Ontem a Noite" - 4:14 # " Autumn Leaves" ( |
Pacific Jazz Records
Pacific Jazz Records was a Los Angeles-based record company and label best known for cool jazz or West coast jazz. It was founded in 1952 by producer Richard Bock (1927–1988) and drummer Roy Harte (1924–2003). Harte, in 1954, also co-founded Nocturne Records with jazz bassist Harry Babasin (1921–1988). Some of the musicians who recorded for Pacific Jazz included Chet Baker, Paul Desmond, Gerry Mulligan, Joe Pass, Gerald Wilson, the Jazz Crusaders, Don Ellis, Clare Fischer, Jim Hall, Groove Holmes, Les McCann, Wes Montgomery, and Art Pepper. In 1957, Pacific Jazz Records changed its name to World Pacific Records to expand into a full-line label, with the Pacific Jazz label retained for jazz releases. In 1958 Richard Bock and World Pacific were instrumental in introducing Indian traditional music to the West via Ravi Shankar, who also recorded for World Pacific. Bock sold the label to Liberty Records in 1965, although he remained as an adviser until 1970. Liberty was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clare Fischer
Douglas Clare Fischer (October 22, 1928 – January 26, 2012) was an American keyboardist, composer, arranger, and bandleader. After graduating from Michigan State University (from which, five decades later, he would receive an honorary doctorate), he became the pianist and arranger for the vocal group the Hi-Lo's in the late 1950s. Fischer went on to work with Donald Byrd and Dizzy Gillespie, and became known for his Latin and bossa nova recordings in the 1960s. He composed the Latin jazz standard "Morning", and the jazz standard "Pensativa". Consistently cited by jazz pianist and composer Herbie Hancock as a major influence ("I wouldn't be me without Clare Fischer"Hancock, Herbie; as told to Michael J. West"Herbie Hancock Remembers Clare Fischer" ''JazzTimes''. April 5, 2013. Retrieved 2013-05-24.), he was nominated for eleven Grammy Awards during his lifetime, winning for his landmark album, '' 2+2'' (1981), the first of Fischer's records to incorporate the vocal ensemble writin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milt Holland
Milton Holland (born Milton Olshansky; February 7, 1917 – November 4, 2005) was an American drummer, percussionist, ethnomusicologist, and writer in the Los Angeles music scene. He pioneered the use of African, South American, and Indian percussion styles in jazz, pop and film music, traveling extensively in those regions to collect instruments and learn styles of playing them. Early life Holland was born Milton Olshansky in Chicago, Illinois, where he attended Theodore Roosevelt High School. His first instrument was the violin. He pursued a passion for percussion, playing in clubs and shows and on CBS Radio in Chicago. By the age of twelve, he was playing at speakeasies for the likes of Al Capone. Career In the early 1940s, Holland toured and recorded with The Raymond Scott Orchestra. He studied tabla at University of California, Los Angeles and from 1963 through 1978 with tabla master Chatur Lal, Ramnad Easwaran and others. He traveled through India extensively in the ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chuck Flores
Charles Walter "Chuck" Flores (January 5, 1935 - November 24, 2016) was an American jazz drummer. One of the relatively small number of musicians associated with West Coast jazz who were actually from the West Coast, Flores was born in Orange, California, and grew up in Santa Ana. He is best known for the work he did with saxophonist Bud Shank in the 1950s, and for his two-year stint with Woody Herman, from 1954 to 1955, but also performed and recorded with such musicians as Carmen McRae, Art Pepper, Maynard Ferguson, Al Cohn, and Shelly Manne, who had been his drum teacher. Manne and others considered Flores an underrated drummer. In later years, Flores became a highly sought after and renowned educator whose students included: Danny Seraphine, Chad Wackerman, John Wackerman, Brooks Wackerman, Ray Mehlbaum, Pete Parada, Jamie Wollam, Jose Ruiz and Zack Stewart. Flores was a longtime faculty member at Musicians Institute in Los Angeles. Discography As leader * ''Flores Azules'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bossa Nova Jazz Samba
''Bossa Nova Jazz Samba'' is an album by saxophonist Bud Shank and pianist Clare Fischer released on the Pacific Jazz Records, Pacific Jazz label, and is in the genre of bossa nova. accessed December 15, 2015 Track listing ''All compositions by Clare Fischer, except as indicated'' # "Samba da Borboleta" - 3:32 # "Illusao" - 3:22 # "Pensativa" - 3:28 # "Joao" - 3:54 # "Misty (song), Misty" (Erroll Garner) - 2:35 # "Que Mais?" - 3:56 # "Wistful Samba" - 4:16 # "Samba Guapo" - 4:20Personnel *Bud Shank - alto saxophone *Clare Fischer - piano *Ralph Pena - Double bass, bass *Larry Bunker, Frank Guerrero, Milt Holland, Bob Neel - percussionReferences {{Authority control 1962 albums Pacific Jazz Reco ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surging Ahead
''Surging Ahead'' is the second album by American composer/arranger/keyboardist Clare Fischer, released in 1963 by Pacific Jazz Records. Reception '' The Atlanta Daily World's'' Albert Anderson received Fischer's sophomore outing much as he had the debut: ''The former arranger for the Hi-Lo's, Fischer has worked quietly behind the jazz scenes until recently, when he waxed his first album. It was a big hit for him. Here, Fischer and the trio play the blues the way they ought to be played - with deep feeling. Just dig his version of "Things Ain't What They Used to Be," and you'll get the message. The group's playing on this number really reflects pensiveness. This is the top tune, but the entire fare is delightful. Each of the sidemen contribute substantially to the session. A solid entry for Fischer and Co.'' Track listing Side 1 # "Billie's Bounce" (Charlie Parker) # "Way Down East" (Larry Adler) # "Satin Doll" (Billy Strayhorn) # " This Can't Be Love" (Richard Rodgers-Lorenz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry Bunker
Lawrence Benjamin Bunker (November 4, 1928 – March 8, 2005) was an American jazz drummer, vibraphonist, and percussionist. A member of the Bill Evans Trio in the mid-1960s, he also played timpani with the Los Angeles Philharmonic orchestra. Biography Born in Long Beach, California, Bunker was a central figure on the West Coast jazz scene, one of the relatively few who actually were from the region. In the 1950s and 1960s he appeared at Howard Rumsey's Lighthouse in Hermosa Beach, and performed with Shorty Rogers and His Giants and others. At first he played primarily drums, but increasingly he focused on vibraphone and was later highly regarded for his playing of timpani and various percussion instruments. A dependable and in-demand studio drummer and vibist, Bunker achieved particular distinction by recording with Billie Holiday, Ella Fitzgerald, Peggy Lee, Diana Krall, and many other jazz greats. In 1952, he was the drummer in one of Art Pepper's first groups. In 1953 an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bud Shank
Clifford Everett "Bud" Shank Jr. (May 27, 1926 – April 2, 2009) was an American alto saxophonist and flautist. He rose to prominence in the early 1950s playing lead alto and flute in Stan Kenton's Innovations in Modern Music Orchestra and throughout the decade worked in various small jazz combos. He spent the 1960s as a first-call studio musician in Hollywood. In the 1970s and 1980s, he performed regularly with the L. A. Four. Shank ultimately abandoned the flute to focus exclusively on playing jazz on the alto saxophone. He also recorded on tenor and baritone sax. His most famous recording is probably the version of "Harlem Nocturne" used as the theme song in ''Mickey Spillane's Mike Hammer''. He is also well known for the alto flute solo on the song "California Dreamin'" recorded by The Mamas & the Papas in 1965. Biography Bud Shank was born in Dayton, Ohio, United States. He began with clarinet in Vandalia, Ohio, but had switched to saxophone before attending the Universi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
