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Brahma Jinalaya
The Brahma Jinalaya, sometimes called as the Greater Jain Temple of Lakkundi, is an early 11th-century Mahavira temple in Lakkundi, Gadag District of Karnataka state, India. The temple is attributed to Attiyabbe (Danacintamani Attimbbe), the wife of the local governor Dandanayaka Nagadeva. It faces east, has a mukhamandapa, a gudhamandapa and its sanctum is covered by a sur-temple style vimana superstructure. The temple is notable for its reliefs depicting Jaina artwork, statues of the Tirthankaras and the two Hindu statues of Brahma and Saraswati inside its inner mandapa. The temple was ruined and mutilated during or after the wars of the 13th-century. It was rediscovered by British archaeologists led by Henry Cousens in "deserted, filthy condition, occupied by a colony of bats" with beheaded Mahavira statue outside. Now cleaned and restored, the Jain temple of Lakkundi is one of many historic Chalukya era Jain and Hindu temples found in Lakkundi. It is the oldest major Jain tem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jainism
Jainism ( ), also known as Jain Dharma, is an Indian religions, Indian religion. Jainism traces its spiritual ideas and history through the succession of twenty-four tirthankaras (supreme preachers of ''Dharma''), with the first in the current time cycle being Rishabhadeva, whom the tradition holds to have lived millions of years ago, the twenty-third ''tirthankara'' Parshvanatha, whom historians date to the 9th century BCE, and the twenty-fourth ''tirthankara'' Mahāvīra, Mahavira, around 600 BCE. Jainism is considered to be an eternal ''dharma'' with the ''tirthankaras'' guiding every time cycle of the Jain cosmology, cosmology. The three main pillars of Jainism are ''Ahimsa in Jainism, ahiṃsā'' (non-violence), ''anekāntavāda'' (non-absolutism), and ''aparigraha'' (asceticism). Jain monks, after positioning themselves in the sublime state of soul consciousness, take five main vows: ''ahiṃsā'' (non-violence), ''satya'' (truth), ''Achourya, asteya'' (not stealing), ''b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adam Hardy
Professor Adam Hardy is an architect and architectural historian, and Professor of Asian Architecture at the Welsh School of Architecture, Cardiff University. He is Director of PRASADA, a centre bringing together research and practice in South Asian art and architecture. His research is largely in the history of architecture in South Asia, particularly Hindu temple architecture, as well as that of Indian Buddhist and Jain temples. Going against a prevailing tendency to focus narrowly, his work has embraced most of the subcontinent, and a very long time span, while at the same time involving detailed formal analysis. He has tried to bring to light a meaningful way of looking at what at first sight seem bewilderingly complex structures. The work has revealed striking structural homologies between architecture and other branches of culture, and shown how, within a number of regional traditions, forms evolve in a characteristic way, notwithstanding conspicuous artistic inventiveness ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shist
Schist ( ) is a medium-grained metamorphic rock showing pronounced schistosity. This means that the rock is composed of mineral grains easily seen with a low-power hand lens, oriented in such a way that the rock is easily split into thin flakes or plates. This texture reflects a high content of platy minerals, such as micas, talc, chlorite, or graphite. These are often interleaved with more granular minerals, such as feldspar or quartz. Schist typically forms during regional metamorphism accompanying the process of mountain building (orogeny) and usually reflects a medium grade of metamorphism. Schist can form from many different kinds of rocks, including sedimentary rocks such as mudstones and igneous rocks such as tuffs. Schist metamorphosed from mudstone is particularly common and is often very rich in mica (a ''mica schist''). Where the type of the original rock (the protolith) is discernible, the schist is usually given a name reflecting its protolith, such as ''schistose met ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sandstone
Sandstone is a clastic sedimentary rock composed mainly of sand-sized (0.0625 to 2 mm) silicate grains. Sandstones comprise about 20–25% of all sedimentary rocks. Most sandstone is composed of quartz or feldspar (both silicates) because they are the most resistant minerals to weathering processes at the Earth's surface. Like uncemented sand, sandstone may be any color due to impurities within the minerals, but the most common colors are tan, brown, yellow, red, grey, pink, white, and black. Since sandstone beds often form highly visible cliffs and other topographic features, certain colors of sandstone have been strongly identified with certain regions. Rock formations that are primarily composed of sandstone usually allow the percolation of water and other fluids and are porous enough to store large quantities, making them valuable aquifers and petroleum reservoirs. Quartz-bearing sandstone can be changed into quartzite through metamorphism, usually related to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pattadakal
Pattadakal, also called Paṭṭadakallu or Raktapura, is a complex of 7th and 8th century CE Hindu and Jain temples in northern Karnataka (India). Located on the west bank of the Malaprabha River in Bagalakote district, this UNESCO World Heritage Site is from Badami and about from Aihole, both of which are historically significant centres of Chalukya monuments.World Heritage Sites – Pattadakal – More Detail Archaeological Survey of India, Government of India (2012) The monument is a protected site under Indian law and is managed by the (ASI). UNESCO has described Pattadakal as "a harmonious ble ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Badami Chalukyas
The Chalukya dynasty () was a Classical Indian dynasty that ruled large parts of southern and central India between the 6th and the 12th centuries. During this period, they ruled as three related yet individual dynasties. The earliest dynasty, known as the "Badami Chalukyas", ruled from Vatapi (modern Badami) from the middle of the 6th century. The Badami Chalukyas began to assert their independence at the decline of the Kadamba kingdom of Banavasi and rapidly rose to prominence during the reign of Pulakeshin II. After the death of Pulakeshin II, the Eastern Chalukyas became an independent kingdom in the eastern Deccan. They ruled from Vengi until about the 11th century. In the western Deccan, the rise of the Rashtrakutas in the middle of the 8th century eclipsed the Chalukyas of Badami before being revived by their descendants, the Western Chalukyas, in the late 10th century. These Western Chalukyas ruled from Kalyani (modern Basavakalyan) until the end of the 12 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoysala Architecture
Hoysala architecture is the building style in Hindu temple architecture developed under the rule of the Hoysala Empire between the 11th and 14th centuries, in the region known today as Karnataka, a state of India. Hoysala influence was at its peak in the 13th century, when it dominated the Southern Deccan Plateau region. Large and small temples built during this era remain as examples of the Hoysala architectural style, including the Chennakesava Temple at Belur, the Hoysaleswara Temple at Halebidu, and the Kesava Temple at Somanathapura.Hardy (1995), pp. 243–245Foekema (1996), p. 47, p. 59, p. 87 Other examples of Hoysala craftsmanship are the temples at Belavadi, Amruthapura, Hosaholalu, Mosale, Arasikere, Basaralu, Kikkeri and Nuggehalli.Hardy (1995), p. 320, p. 321, p. 324, p. 325, p. 329, p. 332, p. 334, p. 339, p. 340, p. 346Foekema (1996), p. 53, p. 37, p. 71, p. 81, p. 41, p. 43, p. 83 Study of the Hoysala architectural style has revealed a negligible Indo-Aryan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soapstone
Soapstone (also known as steatite or soaprock) is a talc-schist, which is a type of metamorphic rock. It is composed largely of the magnesium rich mineral talc. It is produced by dynamothermal metamorphism and metasomatism, which occur in the zones where tectonic plates are subducted, changing rocks by heat and pressure, with influx of fluids, but without melting. It has been a medium for carving for thousands of years. Terminology The definitions of the terms "steatite" and "soapstone" vary with the field of study. In geology, steatite is a rock that is to a very large extent composed of talc. The mining industry will define steatite as a high-purity talc rock that is suitable for manufacturing of, for example, insulators, the lesser grades of the mineral can be called simply "talc rock". Steatite can be used both in lumps ("block steatite", "lava steatite", "lava grade talc"), and in the ground form. While the geologists logically will use "steatite" to designate both forms, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percy Brown (art Historian)
Percy Brown (1872–1955) was a renowned British scholar, artist, art critic, historian and archaeologist, well known as an author on Indian architecture and art, especially for his studies on Greco-Bactrian art. Life and career Brown was born in Birmingham in 1872. He began his studies at a local art school and then studied at the Royal College of Art, where he graduated in 1898. He was part of the Indian Education Service for 28 years, from 1899 until 1927. He became principal of the Mayo School of Arts (today the National College of Arts) in Lahore and curator of the Lahore Museum. In 1909, he left Lahore to be succeeded in the position of principal of the Mayo School of Arts by Ram Singh, who held this post until 1913. The same year, he became the principal of the Government School of Art in Kolkata. He retired in 1927 and became secretary and curator A curator (from la, cura, meaning "to take care") is a manager or overseer. When working with cultural organizations, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandapa
A mandapa or mantapa () is a pillared hall or pavilion for public rituals in Indian architecture, especially featured in Hindu temple architecture. Mandapas are described as "open" or "closed" depending on whether they have walls. In temples, one or more mandapas very often lie between the sanctuary and the temple entrance, on the same axis. In a large temple other mandapas may be placed to the sides, or detached within the temple compound. Temple architecture In the Hindu temple the ''mandapa'' is a porch-like structure through the (''gopuram'') (ornate gateway) and leading to the temple. It is used for religious dancing and music and is part of the basic temple compound. The prayer hall was generally built in front of the temple's ''sanctum sanctorum'' (''garbhagriha''). A large temple would have many ''mandapa''. If a temple has more than one ''mandapa'', each one is allocated for a different function and given a name to reflect its use. For example, a ''mandapa'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antarala
Antarala (Sanskrit: अन्तराल, lit. ''intermediate space'') is a small antechamber or foyer between the garbhagriha (shrine) and the mandapa A mandapa or mantapa () is a pillared hall or pavilion for public rituals in Indian architecture, especially featured in Hindu temple architecture. Mandapas are described as "open" or "closed" depending on whether they have walls. In temples, ..., more typical of north Indian temples. Antarala are commonly seen in Chalukyan Style temples in which the 'Vimana' and the 'Mandapa' are connected through the 'Antarala'. Notes Hindu temple architecture {{India-hindu-temple-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garbhagriha
A ''garbhagriha'' or ''sannidhanam'' is the ''sanctum sanctorum'', the innermost sanctuary of a Hindu and Jain temples where resides the ''murti'' (idol or icon) of the primary deity of the temple. In Jainism, the main deity is known as the ''Mulnayaka''. Literally the word means "womb chamber", from the Sanskrit words ''garbha'' for womb and ''griha'' for house. Although the term is often associated with Hindu temples, it is also found in Jain and Buddhist temples. Traditionally, in Hinduism only 'priests' (''pujari'') are allowed to enter this chamber, though in modern practice this is often considerably relaxed. Architecture The room has a single entrance, normally facing east to be accessed by the rising sun, and no windows. It is normally square, and at least approximately a cube, with the representation of the temple's deity placed in the centre, so that it can be seen by worshippers outside. Relative to the size of the temple, and especially the large tower arising o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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