Boymerang
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Boymerang
Boymerang was the drum and bass project of the English post-rock musician Graham Sutton. Formation Following the release of the Bark Psychosis album ''Hex'' in 1994, Sutton became interested in drum and bass. He began buying Jungle records at the Lucky Spin record shop in North London and going to Islington's Paradise Club. One of the final Bark Psychosis performances, at the 1994 Phoenix Festival was Sutton and fellow band member Daniel Gish playing drum and bass. Sutton stated that he felt invigorated by the drum and bass scene after the grueling and insular band experience of ''Hex''. "I never thought I'd want to feel part of something," he said in 1996. "I've thrived on being outside anything that was happening. The whole scene is the most exciting thing that this country's seen since punk." Boymerang's self-titled debut EP, from early 1995, was the first release on the Leaf label. Sutton has said this EP was a version of the set from the Phoenix festival.Leech, Jeanette (20 ...
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Bark Psychosis
Bark Psychosis are an English post-rock band/musical project from east London formed in 1986. They were one of the bands that Simon Reynolds cited when coining "post-rock" as a musical style in 1994, and are thus considered one of the key bands defining the genre. In its original form, the group was a quartet of Graham Sutton, Daniel Gish, John Ling and Mark Simnett. This line-up (with contributions from other passing members) recorded most of the early EPs and the seminal 1994 album '' Hex''. Sutton has remained the consistent core member of the group, which is currently a flexible and intermittently active project in which he is supported by an altering roster of guest musicians (including experimental guitarist Colin Bradley (of Dual) and Talk Talk drummer Lee Harris). Sound and influences Bark Psychosis' sound has covered various musical styles including minimalism, introverted indie rock, psychedelia, post-punk, cool jazz, outright mechanical/industrial noise, and el ...
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Graham Sutton (musician)
Graham Sutton (born 1972) is an English musician and record producer based in Hackney, UK. He is best known as the leader and key figure of seminal post-rock band Bark Psychosis, as well as being a producer for alternative rock bands since the late 1990s. Personal projects Bark Psychosis Sutton first came to attention as the main figure in the band Bark Psychosis in which he played guitar, sampler and assorted keyboards as well as handling lead vocals where necessary. Founded in 1986, Bark Psychosis developed a growing reputation in avant-garde rock circles culminating in the 21-minute ''Scum'' single in 1992 and the album '' Hex'' in 1994, following which the group split up. Secretly revived in 1999, Bark Psychosis formally returned in 2004 as a Sutton solo project with collaborators rather than a band, and released the new album '' ///Codename: Dustsucker''. Boymerang Sutton led the drum and bass dance music project Boymerang from late 1994 until an unspecified da ...
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The Leaf Label
The Leaf Label is a British independent record label based in Yorkshire, England. Initially an electronic music label, releasing mainly instrumental music, the company's approach now features artists spanning jazz and post-punk. History The Leaf Label was created in late 1994 by Tony Morley; at that time, press officer at 4AD in London, along with his friend Julian Carrera, then working for music press company Stone Immaculate. The pair ran the label as a hobby until the end of 1996, during which time they released a series of eight 12" singles, of mainly electronic music. The label debuted in early 1995 with a 12" release by Boymerang, a project by Graham Sutton of the post-rock band Bark Psychosis, and early releases also included two volumes of the 'Invisible Soundtracks' series of EPs. Following his recovery from a serious road accident in 1995, Morley decided to leave 4AD at the end of 1996, setting up his own independent promo company No9, and parting company with Carrera ...
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Drum And Bass
Drum and bass (also written as drum & bass or drum'n'bass and commonly abbreviated as D&B, DnB, or D'n'B) is a genre of electronic dance music characterized by fast breakbeats (typically 165ā€“185 beats per minute) with heavy bass and sub-bass lines, samples, and synthesizers. The genre grew out of the UK's rave scene in the 1990s. The popularity of drum and bass at its commercial peak ran parallel to several other UK dance styles. A major influence was the original Jamaican dub and reggae sound that influenced jungle's bass-heavy sound. Another feature of the style is the complex syncopation of the drum tracks' breakbeat. Drum and bass subgenres include breakcore, ragga jungle, hardstep, darkstep, techstep, neurofunk, ambient drum and bass, liquid funk (a.k.a. liquid drum and bass), jump up, drumfunk, sambass, and drill 'n' bass. Drum and bass has influenced many other genres like hip hop, big beat, dubstep, house, trip hop, ambient music, techno, jazz, rock and pop. ...
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Post-rock
Post-rock is a form of experimental rock characterized by a focus on exploring textures and timbre over traditional rock song structures, chords, or riffs. Post-rock artists are often instrumental, typically combining rock instrumentation with electronics. The genre emerged within the indie and underground music scene of the 1980s and early 1990s. However, due to its abandonment of rock conventions, it often bears little resemblance musically to contemporary indie rock, borrowing instead from diverse sources including ambient, electronica, jazz, krautrock, dub, and minimalist classical. Artists such as Talk Talk and Slint have been credited with producing foundational works in the style in the early 1990s. The term post-rock itself was notably employed by journalist Simon Reynolds in a review of the 1994 Bark Psychosis album '' Hex''. It later solidified into a recognizable trend with the release of Tortoise's 1996 album ''Millions Now Living Will Never Die''. The term has ...
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Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise ...
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Virgin Books
Virgin Books is a British book publisher 90% owned by the publishing group Random House, and 10% owned by Virgin Group, the company originally set up by Richard Branson as a record company. History Virgin established its book publishing arm in the late 1970s; in the latter part of the 1980s Virgin purchased several existing companies, including WH Allen, well known among ''Doctor Who'' fans for their Target Books imprint; Virgin Books was incorporated into WH Allen in 1989, but in 1991 WH Allen was renamed Virgin Publishing Ltd. Virgin Publishing's early success came with the ''Doctor Who'' New Adventures novels, officially licensed full-length novels carrying on the story of the popular science-fiction television series following its cancellation in 1989. Virgin published this series from 1991 to 1997, as well as a range of ''Doctor Who'' reference books from 1992 to 1998 under the Doctor Who Books imprint. In recent times the company is best known for its commercial non- ...
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Oldschool Jungle
Jungle is a genre of dance music that developed out of the UK rave scene and sound system culture in the 1990s. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples, and synthesised effects, combined with the deep basslines, melodies, and vocal samples found in dub, reggae and dancehall, as well as hip hop and funk. Many producers frequently sampled the " Amen break" or other breakbeats from funk and jazz recordings.Archived aGhostarchiveand thWayback Machine Jungle was a direct precursor to the drum and bass genre which emerged in the mid-1990s. Origin The breakbeat hardcore scene of the early 1990s was beginning to fragment by 1992/1993, with different influences becoming less common together in tracks. The piano and uplifting vocal style that was prevalent in breakbeat hardcore started to lay down the foundations of 4-beat/happy hardcore, whilst tracks with dark-themed samples and industrial s ...
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Phoenix Festival
The Phoenix Festival was set up by John Vincent Power of the Mean Fiddler Music Group in 1993 as an alternative to the established Glastonbury and Reading Festivals. It was held at Long Marston Airfield near Stratford-upon-Avon and was one of the first four-day festivals in Britain. History The first year of the festival (1993) featured headline performances by Sonic Youth, Hole, Faith No More and The Black Crowes, and included other notable acts such as Manic Street Preachers, Julian Cope, The Young Gods and House of Pain. However, the event was marred by controversy. Travelers and refused free entry, blocked the entrance meaning many spent their Friday night in their vehicles in long queues. Festival goers were made to put out camp fires and turn off sound systems at midnight. These rules were in contrast to the 24-hour culture of the Glastonbury Festival, with which many of those present at Phoenix were familiar. There were even demands for refunds, and the festival's reputati ...
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Melody Maker
''Melody Maker'' was a British weekly music magazine, one of the world's earliest music weeklies; according to its publisher, IPC Media, the earliest. It was founded in 1926, largely as a magazine for dance band musicians, by Leicester-born composer, publisher Lawrence Wright; the first editor was Edgar Jackson. In January 2001, it was merged into "long-standing rival" (and IPC Media sister publication) ''New Musical Express''. 1950sā€“1960s Originally the ''Melody Maker'' (''MM'') concentrated on jazz, and had Max Jones, one of the leading British proselytizers for that music, on its staff for many years. It was slow to cover rock and roll and lost ground to the ''New Musical Express'' (''NME''), which had begun in 1952. ''MM'' launched its own weekly singles chart (a top 20) on 7 April 1956, and an LPs charts in November 1958, two years after the ''Record Mirror'' had published the first UK Albums Chart. From 1964, the paper led its rival publications in terms of approac ...
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Astralwerks
Astralwerks is an American record label primarily focused on electronic music owned by Universal Music Group. Its material is distributed via Capitol Music Group in the United States. The label was founded in 1993 and, in its early years, featured prominent British acts like The Future Sound of London, Fatboy Slim and The Chemical Brothers. In recent years, its roster has expanded to include acts like Halsey, Marshmello, Porter Robinson, Illenium, Zhu and numerous others. In 2018, Astralwerks' headquarters were moved from its original home of New York City to Los Angeles. History Astralwerks was founded in New York City in July 1993 by Brian Long as an electronic and dance imprint of Caroline Records. Long had previously helped curate an electronic music compilation that was released on Caroline called ''Excursions in Ambience''. Caroline's parent company, Virgin Records, sold the label to Thorn EMI soon after Astralwerks' foundation. The first album released on Astralwerks w ...
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Spin (magazine)
''Spin'' (stylized in all caps) is an American music magazine founded in 1985 by publisher Bob Guccione, Jr. Now owned by Next Management Partners, the magazine is an online publication since it stopped issuing a print edition in 2012. History Early history ''Spin'' was established in 1985 by Bob Guccione, Jr. In August 1987, the publisher announced it would stop publishing ''Spin'', but Guccione Jr. retained control of the magazine and partnered with former MTV president David H. Horowitz to quickly revive the magazine. During this time, it was published by Camouflage Publishing with Guccione Jr. serving as president and chief executive and Horowitz as investor and chairman. In its early years, ''Spin'' was known for its narrow music coverage with an emphasis on college rock, grunge, indie rock, and the ongoing emergence of hip-hop, while virtually ignoring other genres, such as country and metal. It pointedly provided a national alternative to ''Rolling Stone's'' more e ...
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