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Bounce (Sarah Connor Song)
"Bounce" is a song by German recording artist Sarah Connor, taken from her second studio album, '' Unbelievable'' (2002). Written by Bülent Aris, Toni Cottura, and Anthony Freeman, with production helmed by the former, the song samples Mary J. Blige's 2001 song "Family Affair", while featuring guest vocals by Wyclef Jean. "Bounce" was originally released as the album's fourth and final single in Central Europe on 21 July 2003, amid Connor's first pregnancy. It reached the top 20 in Austria, Germany, and Switzerland. In the United States, radio programmers at 106.9 K-HITS in Tulsa, Oklahoma, received an import copy of the single and gave it airplay, which cued Epic Records to promote the song nationwide. The song subsequently reached number 11 on '' Billboard''s Top 40 Mainstream Pop Airplay (also called Mainstream Top 40, Pop Songs, and Top 40/ CHR) is a 40-song music chart published weekly by ''Billboard'' Magazine that ranks the most popular songs of pop music being pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarah Connor (singer)
Sarah Connor (born Sarah Marianne Corina Lewe; 13 June 1980) is a German singer and songwriter. She rose to prominence after she signed with X-Cell Records in 2000 and released her debut album ''Green Eyed Soul'' (2001) the following year. She followed it with a series of successful albums, including '' Unbelievable'' (2002), ''Key to My Soul'' (2003), '' Naughty but Nice'' (2005), '' Christmas in My Heart'' (2005), '' Soulicious'' (2007), '' Sexy as Hell'' (2008) and '' Real Love'' (2010). Several songs from these albums became hit singles on the pop record charts, including the number-one hits "From Sarah with Love", "Music is the Key", "Just One Last Dance", " Living to Love You" and "From Zero to Hero". In 2015, Connor's first German language project '' Muttersprache'' became her second chart-topper after a decade. Her popularity was further enhanced by the ProSieben reality television series ''Sarah & Marc in Love'' (2005) and '' Sarah & Marc Crazy in Love'' (2008) alongsid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop Songs
Pop Airplay (also called Mainstream Top 40, Pop Songs, and Top 40/ CHR) is a 40-song music chart published weekly by ''Billboard'' Magazine that ranks the most popular songs of pop music being played on a panel of Top 40 radio stations in the United States. The rankings are based on radio airplay detections as measured by Nielsen Broadcast Data Systems (Nielsen BDS), a subsidiary of the U.S.' leading marketing research company. Consumer researchers, Nielsen Audio (formerly ''Arbitron''), refers to the format as contemporary hit radio (CHR). The current number-one song as of the chart dated December 24, 2022 is "Anti-Hero" by Taylor Swift. History The chart debuted in ''Billboard'' Magazine in its issued date October 3, 1992, with the introduction of two Top 40 airplay charts, Mainstream and Rhythm-Crossover. Both Top 40 charts measured "actual monitored airplay" from data compiled by Broadcast Data Systems (BDS). The Top 40/Mainstream chart was compiled from airplay on radio st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarah Connor (singer) Songs
Sarah Connor may refer to: * Sarah Connor (singer), German pop and R&B singer ** ''Sarah Connor'' (album), 2004 album by the singer above * Sarah Connor (''Terminator''), fictional character in the ''Terminator'' movie franchise ** '' Terminator: The Sarah Connor Chronicles'', television series featuring the above fictional character See also * * * Sarah O'Connor, American molecular biologist * Sarah (other) Sarah is a biblical matriarch and the wife of Abraham. Sarah may also refer to: Books * ''Sarah'' (Card novel), a 2000 novel by Orson Scott Card * ''Sarah'' (Johnson book), a 2008 biography of Sarah Palin * ''Sarah'' (LeRoy novel), a 2001 no ... * Connor (other) {{hndis, name=Connor, Sarah ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2003 Singles
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the 9th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival ''Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio & Records
''Radio & Records'' (''R&R'') was a trade publication providing news and airplay information for the radio and music industries. It started as an independent trade from 1973 to 2006 until VNU Media took over in 2006 and became a relaunched sister trade to '' Billboard'', until its final issue in 2009. History The company was founded in 1973 and published its first issue on October 5 of that year. Founders included Bob Wilson and Robert Kardashian. The publication was issued in a weekly print edition, and it also issued a bi-annual Directory. R&R published its print edition from 1973 through August 4, 2006. Its weekly columns and features were intended to inform and educate the radio industry by each format, in addition to format-specific charts based on radio airplay. With the June 25, 1999, issue, the charts became populated by data from Mediabase, a company that monitors and tracks radio airplay in cities across the U.S. From 1987 to 2002 the magazine was owned by Westwood One, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Hit Radio
Contemporary hit radio (also known as CHR, contemporary hits, hit list, current hits, hit music, top 40, or pop radio) is a radio format that is common in many countries that focuses on playing current and recurrent popular music as determined by the Top 40 music charts. There are several subcategories, dominantly focusing on rock, pop, or urban music. Used alone, ''CHR'' most often refers to the CHR-pop format. The term ''contemporary hit radio'' was coined in the early 1980s by ''Radio & Records'' magazine to designate Top 40 stations which continued to play hits from all musical genres as pop music splintered into Adult contemporary, Urban contemporary, Contemporary Christian and other formats. The term "top 40" is also used to refer to the actual list of hit songs, and, by extension, to refer to pop music in general. The term has also been modified to describe top 50; top 30; top 20; top 10; hot 100 (each with its number of songs) and hot hits radio formats, but carrying more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythmic Contemporary
Rhythmic contemporary, also known as Rhythmic Top 40, Rhythmic CHR or rhythmic crossover, is a primarily American music-radio format that includes a mix of EDM, upbeat rhythmic pop, hip hop and upbeat R&B hits. Rhythmic contemporary never uses hard rock or country in its airplay, but it may occasionally use a reggae, Latin, reggaeton, or a urban contemporary gospel hit. Essentially, the format is a cross between mainstream radio and urban contemporary radio formats. Format history Although some top-40 stations such as CKLW in Windsor, Ontario, made their mark by integrating a large amount of R&B and soul product into their predominantly pop playlists as early as 1967, such stations were still considered mainstream top 40 (a cycle that continues to dominate the current Top 40/CHR chart). It was not until the disco era of the late 1970s that such stations came to be considered as a format of their own as opposed to top-40 or soul. This development was largely spurred by the high ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maxi Single
A maxi single or maxi-single (sometimes abbreviated to MCD or CDM) is a music single release with more than the usual two tracks of an A-side song and a B-side song. The first maxi singles Mungo Jerry's first single, "In the Summertime" was the first maxi single in the world. The term came into wide use in the 1970s, where it usually referred to 7-inch vinyl singles featuring one track on the A-side and two on the B-side. The 1975 reissue of David Bowie's "Space Oddity", where the featured song is coupled with "Changes" and "Velvet Goldmine", is a typical example. By the mid-1970s, it was used to refer to 12" vinyl singles with three or four tracks (or an extended or remixed version of the lead single/song) on the A-side, with an additional two or three tracks on the B-side; the B-side was initially used by DJs. Later, in the 1980s, a typical practice was to release a two-song single on 7" vinyl and cassette, and a maxi-single on 12" vinyl. These first 12" maxi-singles were prom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CD Single
A CD single (sometimes abbreviated to CDS) is a music single in the form of a compact disc. The standard in the Red Book for the term ''CD single'' is an 8 cm (3-inch) CD (or Mini CD). It now refers to any single recorded onto a CD of any size, particularly the CD5, or 5-inch CD single. The format was introduced in the mid-1980s but did not gain its place in the market until the early 1990s. With the rise in digital downloads in the early 2010s, sales of CD singles have decreased. Commercially released CD singles can vary in length from two songs (an A side and B side, in the tradition of 7-inch 45-rpm records) up to six songs like an EP. Some contain multiple mixes of one or more songs (known as remixes), in the tradition of 12-inch vinyl singles, and in some cases, they may also contain a music video for the single itself (this is an enhanced CD) as well as occasionally a poster. Depending on the nation, there may be limits on the number of songs and total length for s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival, CBS, RCA, WEA and Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licenses and royalties. The association has more than 100 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a Board of Directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian Recording Industry Association, which was established by the six major record companies operati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
