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Bouguereau
William-Adolphe Bouguereau (; 30 November 1825 – 19 August 1905) was a French academic painter. In his realistic genre paintings, he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life, he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau and his work. He finished 822 known paintings, but the whereabouts of many are still unknown. Life and career Formative years William-Adolphe Bouguereau was born in La Rochelle, France, on 30 November 1825, into a family of wine and olive oil merchants.Wissma ...
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Elizabeth Jane Gardner
Elizabeth Jane Gardner Bouguereau (October 4, 1837 – January 28, 1922) was an American academic and salon painter, who was born in Exeter, New Hampshire. She was an American expatriate who died in Paris where she had lived most of her life. She studied in Paris under the figurative painter Hugues Merle (1823–1881), the well-known salon painter Jules Joseph Lefebvre (1836–1911), and finally under William-Adolphe Bouguereau (1825–1905). After Bouguereau's wife died, Gardner became his paramour and after the death of his mother, who bitterly opposed the union, she married him in 1896. She adopted his subjects, compositions, and even his smooth facture, channeling his style so successfully that some of her work might be mistaken for his. In fact, she was quoted as saying, "I know I am censured for not more boldly asserting my individuality, but I would rather be known as the best imitator of Bouguereau than be nobody!" Gardner's best known work may be ''The Shepherd David ...
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The Birth Of Venus (Bouguereau)
''The Birth of Venus'' (french: La Naissance de Vénus) is one of the most famous paintings by 19th-century Painting, painter William-Adolphe Bouguereau. It depicts not the actual birth of Venus (mythology), Venus from the sea, but her transportation in a shell as a fully mature woman from the sea to Paphos in Cyprus. She is considered the epitome of the Classical Greek and Roman ideal of the female form and beauty, on par with ''Venus de Milo''. For Bouguereau, it is considered a ''tour de force''. The canvas stands at just over high, and wide. The subject matter, as well as the composition, resembles a previous rendition of this subject, Sandro Botticelli's ''The Birth of Venus (Botticelli), The Birth of Venus'', as well as Raphael's ''Galatea (Raphael), The Triumph of Galatea''. Description At the center of the painting, Venus (mythology), Venus stands nude on a scallop shell being pulled by a dolphin, one of her symbols. Fifteen Putto, putti, including Cupid and his lover ...
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Academic Art
Academic art, or academicism or academism, is a style of painting and sculpture produced under the influence of European academies of art. Specifically, academic art is the art and artists influenced by the standards of the French Académie des Beaux-Arts, which was practiced under the movements of Neoclassicism and Romanticism, and the art that followed these two movements in the attempt to synthesize both of their styles, and which is best reflected by the paintings of William-Adolphe Bouguereau, Thomas Couture, and Hans Makart. In this context it is often called "academism," "academicism," " art pompier" (pejoratively), and "eclecticism," and sometimes linked with "historicism" and "syncretism." Academic art is closely related to Beaux-Arts architecture, which developed in the same place and holds to a similar classicizing ideal. The academies in history The first academy of art was founded in Florence in Italy by Cosimo I de' Medici, on 13 January 1563, under the influe ...
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Academic Art
Academic art, or academicism or academism, is a style of painting and sculpture produced under the influence of European academies of art. Specifically, academic art is the art and artists influenced by the standards of the French Académie des Beaux-Arts, which was practiced under the movements of Neoclassicism and Romanticism, and the art that followed these two movements in the attempt to synthesize both of their styles, and which is best reflected by the paintings of William-Adolphe Bouguereau, Thomas Couture, and Hans Makart. In this context it is often called "academism," "academicism," " art pompier" (pejoratively), and "eclecticism," and sometimes linked with "historicism" and "syncretism." Academic art is closely related to Beaux-Arts architecture, which developed in the same place and holds to a similar classicizing ideal. The academies in history The first academy of art was founded in Florence in Italy by Cosimo I de' Medici, on 13 January 1563, under the influe ...
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The Bohemian (Bouguereau Painting)
''The Bohemian'' is a painting by William-Adolphe Bouguereau completed in 1890. It depicts a barefooted young woman sitting on a concrete bench on the south bank of the Seine across from Notre Dame de Paris resting a violin in her lap. Her right arm is resting on her thigh while the palm of her left hand is pressed down on her left knee so that she does not lean on the violin. Her hands are clasped with the fingers pointing forward while her shoulders are wrapped in a shawl dyed maroon and light green, and she is wearing a gray dress that extends to her ankles. The bow of the violin has been stuck through diagonally under the fingerboard. To her right is a maple tree. The subject is a model employed by Bouguereau for this and other paintings, including ''The Shepherdess''. It was owned by the Minneapolis Institute of Art The Minneapolis Institute of Art (Mia) is an arts museum located in Minneapolis, Minnesota, United States. Home to more than 90,000 works of art represent ...
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Dante And Virgil
''Dante and Virgil'' is an 1850 oil on canvas painting by the French academic painter William-Adolphe Bouguereau. It is on display at the Musée d'Orsay in Paris. The painting depicts a scene from Dante's ''Divine Comedy'', which narrates a journey through Hell by Dante and his guide Virgil. In the scene the author and his guide are looking on as two damned souls are entwined in eternal combat. One of the souls is an alchemist and heretic named Capocchio. He is being bitten on the neck by the trickster Gianni Schicchi, who had used fraud to claim another man's inheritance. It was Bougereau's third and ultimately unsuccessful attempt to win the coveted Prix de Rome, even though he had submitted a work that he knew would appeal to the judges. He did however succeed in his efforts later in the year when ''Shepherds Find Zenobia on the Banks of the Araxes ''Shepherds Find Zenobia on the Banks of the Araxes'' is an 1850 oil on canvas painting by William Bouguereau, now in the Écol ...
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Shepherds Find Zenobia On The Banks Of The Araxes
''Shepherds Find Zenobia on the Banks of the Araxes'' is an 1850 oil on canvas painting by William Bouguereau, now in the École nationale supérieure des Beaux-Arts. Its subject is drawn from Tacitus's '' Histories'' (XII.51), in which Rhadamistus, king of Armenia, tried to kill his wife Zenobia to prevent her falling into enemy hands and then threw her into the river Araxes before riding on. Still alive, she was found by shepherds "in a quiet backwater", who bandaged her wounds and took her to Artaxata, whence she travelled on to meet Tiridates. Preparatory drawings for the work survive in the École des beaux-arts and the Musée d'Orsay. Paul Baudry won the main Prix de Rome for 1850, but Bouguereau won a consolation second prize, which he used to pay for a stay at the Villa Medici The Villa Medici () is a Mannerist villa and an architectural complex with a garden contiguous with the larger Borghese gardens, on the Pincian Hill next to Trinità dei Monti in Rome, Italy. T ...
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Figure Painting
A figure painting is a work of fine art in any of the painting media with the primary subject being the human figure, whether clothed or nude. Figure painting may also refer to the activity of creating such a work. The human figure has been one of the constant subjects of art since the first stone age cave paintings, and has been reinterpreted in various styles throughout history. Unlike figure drawings which are usually nudes, figure paintings are often clothed depictions which may be either historically accurate or symbolic. Figure painting is not synonymous with figurative art, which may depict real objects of any kind (including humans and animals). Clothed figures Portraiture A portrait painting focuses on the creation of a likeness of a particular individual or group. Everyday life Genre painting portray ordinary people engaged in common activities. Narrative paintings Historical paintings depict events in a narrative, which may be allegorical. Nude figures ...
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Ingres
Jean-Auguste-Dominique Ingres ( , ; 29 August 1780 â€“ 14 January 1867) was a French Neoclassicism, Neoclassical Painting, painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romanticism (art), Romantic style. Although he considered himself a History painting, painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Picasso, Matisse and other modernists. Born into a modest family in Montauban, he travelled to Paris to study in the studio of Jacques-Louis David, David. In 1802 he made his Paris Salon, Salon debut, and won the Prix de Rome for his painting ''The Ambassadors of Agamemnon in the tent of Achilles''. By the time he departed in 1806 for his residency in Rom ...
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Prix De Rome
The Prix de Rome () or Grand Prix de Rome was a French scholarship for arts students, initially for painters and sculptors, that was established in 1663 during the reign of Louis XIV of France. Winners were awarded a bursary that allowed them to stay in Rome for three to five years at the expense of the state. The prize was extended to architecture in 1720, music in 1803 and engraving in 1804. The prestigious award was abolished in 1968 by André Malraux, then Minister of Culture, following the May 68 riots that called for cultural change. History The Prix de Rome was initially created for painters and sculptors in 1663 in France, during the reign of Louis XIV. It was an annual bursary for promising artists having proved their talents by completing a very difficult elimination contest. To succeed, a student had to create a sketch on an assigned topic while isolated in a closed booth with no reference material to draw on. The prize, organised by the Académie Royale de Peinture ...
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École Des Beaux-Arts
École des Beaux-Arts (; ) refers to a number of influential art schools in France. The term is associated with the Beaux-Arts style in architecture and city planning that thrived in France and other countries during the late nineteenth century and the first quarter of the twentieth century. The most famous and oldest École des Beaux-Arts is the École nationale supérieure des Beaux-Arts in Paris, now located on the city's left bank across from the Louvre, at 14 rue Bonaparte (in the 6th arrondissement). The school has a history spanning more than 350 years, training many of the great artists in Europe. Beaux-Arts style was modeled on classical "antiquities", preserving these idealized forms and passing the style on to future generations. History The origins of the Paris school go back to 1648, when the Académie des Beaux-Arts was founded by Cardinal Mazarin to educate the most talented students in drawing, painting, sculpture, engraving, architecture and other media. Loui ...
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La Rochelle
La Rochelle (, , ; Poitevin-Saintongeais: ''La Rochéle''; oc, La Rochèla ) is a city on the west coast of France and a seaport on the Bay of Biscay, a part of the Atlantic Ocean. It is the capital of the Charente-Maritime department. With 75,735 inhabitants in 2017, La Rochelle is the most populated commune in the department and ranks fifth in the New Aquitaine region after Bordeaux, the regional capital, Limoges, Poitiers and Pau. Its inhabitants are called "les Rochelaises" and "les Rochelais". Situated on the edge of the Atlantic Ocean the city is connected to the Île de Ré by a bridge completed on 19 May 1988. Since the Middle-Ages the harbour has opened onto a protected strait, the Pertuis d'Antioche and is regarded as a "Door océane" or gateway to the ocean because of the presence of its three ports (fishing, trade and yachting). The city has a strong commercial tradition, having an active port from very early on in its history. La Rochelle underwent sustained ...
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