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Boston Hardcore
Hardcore punk (also known as simply hardcore) is a punk rock music genre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Southern California which arose as a reaction against the still predominant hippie cultural climate of the time. It was also inspired by Washington D.C. and New York punk rock and early proto-punk. Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of mainstream rock" and often addresses social and political topics with "confrontational, politically-charged lyrics." Hardcore sprouted underground scenes across the United States in the early 1980s, particularly in Los Angeles, San Francisco, Washington, D.C., Boston, and New York, as well as in Canada and the United Kingdom. Hardcore has spawned the straight edge movement and its associa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minor Threat
Minor Threat was an American hardcore punk band, formed in 1980 in Washington, D.C. by vocalist Ian MacKaye and drummer Jeff Nelson. MacKaye and Nelson had played in several other bands together, and recruited bassist Brian Baker and guitarist Lyle Preslar to form Minor Threat. They added a fifth member, Steve Hansgen, in 1982, playing bass, while Baker switched to second guitar. The band was relatively short-lived, disbanding after only three years together, but had a strong influence on the punk scene, both stylistically and in establishing a " do it yourself" ethic for music distribution and concert promotion. Minor Threat's song " Straight Edge" became the eventual basis of the straight edge movement, which emphasized a lifestyle without alcohol or other drugs, or promiscuous sex. AllMusic described Minor Threat's music as "iconic" and noted that their groundbreaking music "has held up better than hat ofmost of their contemporaries." Along with the fellow Washington, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Speed Metal
Speed metal is an extreme subgenre of heavy metal music that originated in the late 1970s from new wave of British heavy metal (NWOBHM) roots.K. Kahn-Harris, ''Extreme Metal: Music and Culture on the Edge'' (Berg Publishers, 2007), , p. 31. It is described by AllMusic as "extremely fast, abrasive, and technically demanding" music. It is usually considered less abrasive and more melodic than thrash metal, showing less influence from hardcore punk. However, speed metal is usually faster and more aggressive than traditional heavy metal, also showing more inclination to virtuoso soloing and featuring short instrumental passages between couplets. Speed metal songs frequently make use of highly expressive vocals, but are usually less likely to employ "harsh" vocals than thrash metal songs. Origins New wave of British heavy metal One of the key influences on the development of speed metal was the new wave of British heavy metal, or NWOBHM. This was a heavy metal movement that started ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazzcore
Punk jazz is a genre of music that combines elements of jazz, especially improvisation, with the instrumentation and performance style of punk rock. The term was first used to describe James Chance and the Contortions' 1979 album '' Buy''. Punk jazz is closely related to free jazz, no wave, and loft jazz, and has since significantly inspired post-hardcore and alternative hip hop. Notable proponents of the genre include John Zorn, Arto Lindsay, Elliott Sharp, and James Chance, among others. History 1980s The first to use this fusion of genres were The Stooges, on the Fun House album, more specifically in 2 songs, the title "Fun House" and "1970" as always, they were people ahead of their time since they did this in the year 1970, several years before the genre expanded. Late 1970s New York no wave bands broke with blues rock-influenced punk in a style that instead combined elements such as free jazz noise, experimental drone rock, and other avant-garde influences. Ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grindcore
Grindcore is an extreme fusion genre of heavy metal and hardcore punk that originated in the mid-1980s, drawing inspiration from abrasive-sounding musical styles, such as thrashcore, crust punk, hardcore punk, extreme metal, and industrial. Grindcore is considered a more noise-filled style of hardcore punk while using hardcore's trademark characteristics such as heavily distorted, down-tuned guitars, grinding overdriven bass, high-speed tempo, blast beats, and vocals which consist of growls, shouts and high-pitched shrieks. Early groups like Napalm Death are credited with laying the groundwork for the style. It is most prevalent today in North America and Europe, with popular contributors such as Brutal Truth and Nasum. Lyrical themes range from a primary focus on social and political concerns, to gory subject matter and black humor. A trait of grindcore is the "microsong" much shorter than average for punk or metal; several bands have produced songs that are only seconds i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Hardcore
Digital hardcore is a fusion genre that combines hardcore punk with electronic dance music genres such as breakbeat, techno, and drum and bass while also drawing on heavy metal and noise music. It typically features fast tempos and aggressive sound samples. The style was pioneered by Alec Empire of the German band Atari Teenage Riot during the early 1990s, and often has sociological or far-left lyrical themes. Characteristics Digital hardcore music is typically fast and abrasive, combining the speed, heaviness and attitude of hardcore punk, thrash metal, and riot grrrl with electronic music such as hardcore techno, gabber, jungle, drum and bass, glitch, and industrial rock. Some bands, like Atari Teenage Riot, incorporate elements of hip-hop music, such as freestyle rap. According to Jeff Terich of ''Treble Media'', digital hardcore is "on the verge of reaching speeds incompatible with popular music, as if the rapid acceleration of BPMs would render the idea of rhythm i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deathcore
Deathcore is an extreme metal subgenre that combines death metal with metalcore. The genre consists of death metal guitar riffs, blast beats, and metalcore breakdowns. While there are some precursors to the concept of death metal fused with metalcore/hardcore elements seen in the 1990s, deathcore itself emerged in the early 2000s and gained prominence beginning in the mid-2000s within the southwestern United States, especially Arizona and inland southern California (mostly the Coachella Valley), which are home to many notable bands and various festivals. Some of the genre's earliest examples include Antagony, Despised Icon, and the Red Chord. Deathcore's expansion in the mid-2000s saw bands like All Shall Perish, Through the Eyes of the Dead, Bring Me the Horizon, Suicide Silence, Carnifex, Job for a Cowboy, Chelsea Grin and Whitechapel taking off. In the 2010s, deathcore bands began experimenting with an eclectic selection of other genres. The genre is noted for its criticism ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crossover Thrash
Crossover thrash (often abbreviated to crossover) is a fusion genre of thrash metal and hardcore punk. The genre lies on a continuum between heavy metal and hardcore punk. Other genres on the same continuum, such as metalcore and grindcore, may overlap with crossover thrash. Terminological ambiguity The genre is often confused with thrashcore, which is essentially a faster hardcore punk rather than a more punk-oriented form of metal."Powerviolence: The Dysfunctional Family of Bllleeeeaaauuurrrgghhh!!". ''Terrorizer'' no. 172. July 2008. p. 36-37. Throughout the early and mid 1980s, the term "thrash" was often used as a synonym for hardcore punk (as in the ''New York Thrash'' compilation of 1982). The term "thrashcore" to distinguish acts of the genre from others was not coined until at least 1993. Many crossover bands, such as D.R.I., began as influential thrashcore bands. The "-core" suffix of "thrashcore" is sometimes used to distinguish it from crossover thrash and thrash ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Hardcore
Christian hardcore or Christcore is a subcategory of hardcore punk bands which promote Christian belief. The method and extent of doing so varies between bands. Christian hardcore bands have often openly stated their beliefs and employ Christian imagery in their lyrics, and may be considered a part of the Christian music industry. Fans of Christian hardcore music are not exclusively believers in the Christian religion. Owing to innovation in the hardcore movement such as Extol, Nobody Special, Zao, Living Sacrifice, and the hardcore movement in general, the audience has become less exclusive. Related genres *Christian punk *Christian rock *Christian alternative rock *Christian metal See also *List of Christian hardcore bands References External linksChristian Hardcore Interviews and InformationRock and Pop > Christian Punk and Hardcore in the Yahoo! Directory Magazines and sitesHM [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thrashcore
Thrashcore (also known as fastcore) is a fast-tempo subgenre of hardcore punk that emerged in the early 1980s. Thrashcore is essentially sped-up hardcore, often using blast beats. Songs can be very brief, and thrashcore is in many ways a less dissonant, less metallic forerunner of grindcore. The genre is sometimes associated with the skateboarder subculture. Terminological ambiguity Thrashcore is often confused with crossover thrash and sometimes thrash metal.Felix von Havoc''Maximum Rock'n'Roll'' #198 Retrieved June 20, 2008."Powerviolence: The Dysfunctional Family of Bllleeeeaaauuurrrgghhh!!". ''Terrorizer'' no. 172. July 2008. p. 36-37. Further confusion is added by the fact that many crossover bands, such as D.R.I., began as influential thrashcore bands. Throughout the '80s, the term "thrash" was in use as a synonym for hardcore punk (as in the ''New York Thrash'' compilation of 1982). It eventually came to be used for the faster, more intense style of hardcore punk. The te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodic Hardcore
Melodic hardcore is a broadly defined subgenre of hardcore punk with a strong emphasis on melody in its guitar work. It generally incorporates fast rhythms, melodic and often distorted guitar riffs, and vocal styles tending towards shouting and screaming. Nevertheless, the genre has been very diverse, with different bands showcasing very different styles. Many pioneering melodic hardcore bands (such as Bad Religion and Descendents), have proven influential across the spectrum of punk rock, as well as rock music more generally. The term "melodic punk" is often used to describe both melodic hardcore and skate punk bands. Characteristics Melodic hardcore is broadly defined, however generally incorporates fast rhythms, melodic and often distorted guitar riffs, and vocal styles tending towards shouting and screaming. Many notable bands, such as Dag Nasty and Lifetime use minor interval chords on guitar, such as minor ninth and seventh chords, as well as fifth or ninth harmonies on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beatdown Hardcore
Beatdown hardcore (also known as heavy hardcore, brutal hardcore, toughguy, moshcore, or simply beatdown) is a subgenre of hardcore punk with prominent elements of heavy metal. Beatdown hardcore features aggressive vocals, down-tuned electric guitars, gang vocals, heavy guitar riffs, and heavy breakdowns. The genre emerged in the late 1980s and early 1990s with bands such as Killing Time, Madball, and Sheer Terror. In the 1990s and early 2000s, many other beatdown bands emerged, such as Hatebreed, Bulldoze, Shai Hulud, and Strife. Bands such as Terror and Death Before Dishonor gained cult followings in the 2000s. New York hardcore bands such as Agnostic Front, Warzone, Sick of It All, and Cro-Mags and the thrash metal subgenre crossover thrash (e.g.: Suicidal Tendencies and Dirty Rotten Imbeciles) paved the way for beatdown. Beatdown paved the way for metalcore, another subgenre of hardcore with far more heavy metal elements. Bands like Integrity, Earth Crisis and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Powerviolence
Powerviolence (sometimes written as power violence) is an extremely dissonant and fast subgenre of hardcore punk which is closely related to thrashcore and grindcore. In contrast with grindcore, which is a "crossover" idiom containing musical aspects of heavy metal, powerviolence is just an augmentation of the most challenging qualities of hardcore punk. Like its predecessors, it is usually socio-politically charged and iconoclastic. History Siege are considered the pioneers of powerviolence. Additionally, Infest have received credit for having an early impact on the genre. The microgenre solidified into its commonly recognized form in the early 1990s. This is best exemplified by bands such as Man Is the Bastard, Crossed Out, Neanderthal, No Comment and Capitalist Casualties. Powerviolence groups took inspiration from Siege, Hüsker Dü, SSD, Deep Wound, Neon Christ, Hirax, Impact Unit, Dirty Rotten Imbeciles, Negative FX and Corrosion of Conformity. Spazz vocalist and bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
