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Bossy (Kelis Song)
"Bossy" is a song by American R&B singer Kelis featuring American rapper Too Short. The song features a Roland 808 drum machine and interpolates " Diamonds on My Neck" by Smitty, which in turns uses a sample of "Dangerous MC's" by The Notorious B.I.G. "Bossy" was released in the United States in April 2006 as the lead single from Kelis' fourth studio album, ''Kelis Was Here'' (2006). The song peaked at number 16 on the US ''Billboard'' Hot 100, making it the singer's second-biggest Hot 100 hit as well as Too Short's first top-40 hit. "Bossy" also entered the top 10 in Finland and the top 20 in Australia, New Zealand, and Spain and top 30 in UK. On December 11, 2006, the song was certified double platinum by the Recording Industry Association of America (RIAA). Chart performance "Bossy" debuted on the U.S. ''Billboard'' Hot 100 in early 2006 and peaked at number 16 on the date issued August 5, 2006, becoming her third Hot 100 entry and her second biggest hit after 2003's " Mil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kelis
Kelis Rogers-Mora (; born August 21, 1979), known mononymously as Kelis, is an American singer, songwriter and a professionally trained chef. At age 14, she was admitted to New York's Fiorello H. LaGuardia High School of Music & Art and Performing Arts, where she learned to play the saxophone and won a spot in the Girls Choir of Harlem. After she graduated from high school in 1997, Kelis took on a variety of jobs before landing a backup vocal slot on an album track called "Fairytalez", released by the American hip hop group Gravediggaz. She then began working with music producers Pharrell Williams and Chad Hugo, known as The Neptunes, which ultimately resulted in her being signed to Virgin Records in 1998. Kelis released her debut studio album ''Kaleidoscope'' with Virgin Records on December 7, 1999. Inspired by jazz and disco music from the 1970s, the album was a critical and international success. It spawned three singles: "Caught Out There", " Good Stuff", and " Get Along W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lil Star
"Lil Star" is the second international single from Kelis' fourth studio album, ''Kelis Was Here'' (2006). Released outside US (where "Blindfold Me" served as the second single), the single features Cee-Lo, who was at the time half of the duo Gnarls Barkley. Following the moderate success of " Bossy", the single has proven to be a return to form for Kelis; it debuted at number eight in Ireland and was also a huge hit in the United Kingdom reaching number three on the UK Singles Chart. The track was hailed by many music fans and critics as Kelis' "comeback" single, despite the fact "Bossy" was written specifically for Kelis' return to music. Background and lyrics "Lil Star" features Kelis singing about the times when she has self-doubt. "I can't be confident and bold and obnoxious all the time", Kelis says. "What kind of person would I be? I'm a human being and I have other sides, too. I'm not always secure and I'm not always confident. I have moments where I get self-conscious." T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival, CBS, RCA, WEA and Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licenses and royalties. The association has more than 100 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a Board of Directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian Recording Industry Association, which was established by the six major record companies operati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tasty (Kelis Album)
''Tasty'' is the third studio album by American singer Kelis, released on December 5, 2003, by Star Trak Entertainment and Arista Records. As executive producer, Kelis enlisted previous collaborators the Neptunes to produce the album, as well as new collaborators such as Raphael Saadiq, Dallas Austin, André 3000, Rockwilder, and Dame Blackmon "Grease". It also features guest vocals from Saadiq, André 3000, and then-boyfriend Nas. The album was met with positive reviews from critics, who praised its originality and viewed it as an improvement on Kelis' previous albums, ''Kaleidoscope'' (1999) and '' Wanderland'' (2001). ''Tasty'' debuted at number 27 on the ''Billboard'' 200 with first-week sales of 93,600 copies, earning Kelis the best sales week of her career in the United States. The album also became her highest-peaking album in the United Kingdom, where it peaked at number 11 on the UK Albums Chart. It spawned four singles: "Milkshake", " Trick Me", "Millionaire", and " In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival ''Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling black music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three charts were consolid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard Charts
The ''Billboard'' charts tabulate the relative weekly popularity of songs and albums in the United States and elsewhere. The results are published in '' Billboard'' magazine. ''Billboard'' biz, the online extension of the ''Billboard'' charts, provides additional weekly charts, as well as year-end charts. The two most important charts are the ''Billboard'' Hot 100 for songs and ''Billboard'' 200 for albums, and other charts may be dedicated to a specific genre such as R&B, country, or rock, or they may cover all genres. The charts can be ranked according to sales, streams, or airplay, and for main song charts such as the Hot 100 song chart, all three data are used to compile the charts. For the ''Billboard'' 200 album chart, streams and track sales are included in addition to album sales. The weekly sales and streams charts are monitored on a Friday-to-Thursday cycle since July 2015; previously it was on a Monday-to-Sunday cycle. Radio airplay song charts, however, follow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recording Industry Association Of America
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C. RIAA was formed in 1952. Its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the stereophonic record groove and the dimensions of 33 1/3, 45, and 78 rpm records. RIAA says its current mission includes: #to protect intellectual property rights and the First Amendment rights of artists #to perform research about the music industry #to monitor and review relevant laws, regulations, and policies Between 2001 and 202 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lead Single
A lead single (also known as a debut single) is the first single to be released from a studio album by an artist or a band, usually before the album itself is released and also occasionally on the same day of the album's release date. Release strategies Artists often choose songs that are more up-tempo, yet representative of the album's sound, as lead singles. Such songs are often catchier and attract the attention of listeners. The subsequent single might then be slower in tempo, in order to demonstrate the range of the album. Female vocalists like Mariah Carey and Christina Aguilera often maintain a formula of an up-tempo first lead single with a slow ballad follow-up. For example, two singles were released by Miley Cyrus before her album ''Bangerz'' - an up-tempo track called, "We Can't Stop" was released as the first single, and a slow-ballad song, "Wrecking Ball" as the second. This was a successful practice of 1980s heavy metal bands. Girls Aloud chose to use " The Show ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Notorious B
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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