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Bossa Nova Keyboardists
Bossa nova () is a style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a "different beat" that altered the harmonies with the introduction of unconventional chords and an innovative syncopation of traditional samba from a single rhythmic division. The "bossa nova beat" is characteristic of a samba style and not of an autonomous genre. According to the Brazilian journalist Ruy Castro, the bossa beat – which was created by the drummer Milton Banana – was "an extreme simplification of the beat of the samba school", as if all instruments had been removed and only the tamborim had been preserved. In line with this thesis, musicians such as Baden Powell, Roberto Menescal, and Ronaldo Bôscoli also claim that this beat is related to the tamborim of the samba school. One of the major innovations of bossa nova was the way to synthesize the rhythm of samba on the classical guitar. According to musicologist Gilberto Mende ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samba
Samba (), also known as samba urbano carioca (''urban Carioca samba'') or simply samba carioca (''Carioca samba''), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song " Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samba", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tamborim
A ''tamborim'' ( or ) is a small, round Brazilian frame drum of Portuguese and African origin. The frame is 6" in width and may be made of metal, plastic, or wood. The head is typically made of nylon and is normally very tightly tuned in order tore and a minimum of sustain. The drum is devoid of snares or jingles. They are frequently confused with the more common tambourine. The size and weight of the tamborim compare with those of the small frame drums of the Orff Schulwerk. The tamborim is used in many genres of Brazilian music. It is most commonly associated with samba, nose flute and pagode, but is also used in chorinho, bossa nova, and some northeastern folklore rhythms such as cucumbi. It is also played in samba music and in carnivals or festivals. Technique In most musical styles, the tamborim is played with a small wooden drumstick. In samba-batucada, it is played with a beater made of several nylon or polyacetal threads bound together. On rare occasions, it may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Brazil
The music of Brazil encompasses various regional musical styles influenced by European, American, African and Amerindian forms. Brazilian music developed some unique and original styles such as forró, repente, coco de roda, axé, sertanejo, samba, bossa nova, MPB, música nativista, pagode, tropicália, choro, maracatu, embolada (coco de repente), frevo, brega, modinha and Brazilian versions of foreign musical styles, such as rock, pop music, soul, hip-hop, disco music, country music, ambient, industrial and psychedelic music, rap, classical music, fado, and gospel. Samba has become the most known form of Brazilian music worldwide, especially because of the country's carnival, although bossa nova, which had Antônio Carlos Jobim as one of its most acclaimed composers and performers, have received much attention abroad since the 1950s, when the song " Desafinado", interpreted by João Gilberto, was first released. The first four winners of the Shell Brazilian Musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manhã De Carnaval
"Manhã de Carnaval" ("Carnival Morning") is a song by Brazilian composer Luiz Bonfá and lyricist Antônio Maria. "Manhã de Carnaval" appeared as a principal theme in the 1959 Portuguese-language film ''Orfeu Negro'' by French director Marcel Camus. The film's soundtrack also included songs by Antônio Carlos Jobim and Vinícius de Moraes, as well as the composition by Bonfá "Samba de Orfeu". "Manhã de Carnaval" appears in the film, including versions sung or hummed by both the principal characters (Orfeu and Euridice), as well as an instrumental version, so that the song has been described as the main musical theme of the film. In the portion of the film in which the song is sung by the character Orfeu, portrayed by Breno Mello, the song was dubbed by Agostinho dos Santos. The song was initially rejected for inclusion in the film by Camus, but Bonfá was able to convince the director that the music for ''Manhã de Carnaval'' was superior to the song Bonfá composed as a replace ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Standard
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications (sheet music collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. Not all jazz standards were written by jazz composers. Many are originally Tin Pan Alley popular songs, Broadway show tunes or songs from Hollywood musicals – the Great American Songbook. In Europe, jazz standards and "fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of ethnic music (such as gypsy melodies) that have been played with a jazz feel by well known jazz players. A commonly played song can only be considered a jazz standard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black Orpheus
''Black Orpheus'' (Portuguese: ''Orfeu Negro'' ) is a 1959 romantic tragedy film made in Brazil by French director Marcel Camus and starring Marpessa Dawn and Breno Mello. It is based on the play '' Orfeu da Conceição'' by Vinicius de Moraes, which is itself an adaptation of the Greek legend of Orpheus and Eurydice, set in the modern context of a ''favela'' in Rio de Janeiro during '' Carnaval''. The film was an international co-production among production companies in Brazil, France and Italy. The film is particularly noted for its soundtrack by two Brazilian composers: Antônio Carlos Jobim, whose song " A felicidade" opens the film; and Luiz Bonfá, whose "Manhã de Carnaval" and "Samba de Orfeu" have become classics of ''bossa nova''. The songs sung by the character Orfeu were dubbed by singer Agostinho dos Santos. Lengthy passages of the film were shot in the Morro da Babilônia, a ''favela'' in the Leme neighbourhood of Rio de Janeiro. ''Black Orpheus'' won the Palm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surdo
The surdo is a large bass drum used in many kinds of Brazilian music, such as Axé/Samba-reggae and samba, where it plays the lower parts from a percussion section. It is also notable for its association with the cucumbi genre of the Ancient Near East. Surdo sizes normally vary between and diameter, with some as large as . In Rio de Janeiro, surdos are generally deep. Surdos used in the northeast of Brazil are commonly shallower, at deep.Surdos may have shells of wood, galvanized steel, or aluminum. Heads may be goatskin or plastic. A Rio bateria will commonly use surdos that have skin heads (for rich tone) and aluminum shells (for lower weight). Surdos are worn from a waist belt or shoulder strap, oriented with the heads roughly horizontal. The bottom head is not played. Surdo drummers beat the drums using hard or soft mallets. The floor tom of a drum kit is often used as the more modern substitute of the surdo, especially in Brazilian Latin jazz. Rio-style Carnival samba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Batucada
Batucada is a substyle of samba and refers to a percussive style, usually performed by an ensemble, known as a bateria. Batucada is characterized by its repetitive style and fast pace. As is Samba, the Batucada is a Brazilian musical expression with African roots. Overview/Instruments The wide variety of instruments used in a batucada include: *Repinique, a high-pitched tom-tom like drum played with a single stick (or two long sticks) and the hand. Traditionally the leader of the ensemble uses the repinique (also referred to as 'repique') to direct and solo. *Surdo, a large drum with an average size of 50 cm in diameter. It provides the downbeat, the bass downbeat of the rhythm. When only one surdo is playing, it accentuates the 2nd and 4th beat of every measure. When a second surdo is playing, it is tuned slightly higher and is played accentuating the first and third beats of the measure. A third surdo de terceira or Surdo-mor syncopates in between the beats. *Tamborim, a smal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
João Gilberto
João Gilberto (born João Gilberto Prado Pereira de Oliveira – ; 10 June 1931 – 6 July 2019) was a Brazilian guitarist, singer and composer who was a pioneer of the musical genre of bossa nova in the late 1950s. Around the world, he was often called "father of bossa nova"; in his native Brazil, he was referred to as ''"O Mito"'' ("The Legend"). Early life João Gilberto was born in Juazeiro, Bahia, the son of Joviniano Domingos de Oliveira, a wealthy merchant, and Martinha do Prado Pereira de Oliveira. He lived in his native city until 1942, when he began to study in Aracaju, Sergipe, returning to Juazeiro in 1946. At the age of 14, Gilberto got his first guitar from his grandfather despite disapproval from Gilberto's father. Still in Juazeiro, he formed his first band, called "Enamorados do Ritmo". Gilberto moved to Salvador, Bahia, in 1947. During his three years in the city, he dropped out of his studies to dedicate himself exclusively to music and at the age of 18 b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilberto Mendes
Gilberto Mendes (13 October 1922 – 1 January 2016) was a 20th-century Brazilian avant-garde composer, and one of the pioneering fathers of the company New Consonant Music. Biography Gilberto Mendes was born in Santos, Brazil, in 1922. He studied piano with Antonieta Rudge and harmony with Sabino de Benedictis. The influence of Villa-Lobos is evident in his early works, in some way preceding the advent of bossa nova in his early songs. His contact with the poets of the Noigandres group gave him the ideological inspiration to feed his talent. He attended the Santos Conservatory from 1941 to 1948, where he studied harmony with and piano with Antonietta Rudge. He later studied composition under Cláudio Santoro in 1954 and under George Olivier Toni from 1958 to 1960. In 1962 and 1968 he attended the Darmstadt International Summer Courses for New Music where he attended classes given by Pierre Boulez, Henri Pousseur, and Karlheinz Stockhausen. In 1962 he created the New M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Guitar
The classical guitar (also known as the nylon-string guitar or Spanish guitar) is a member of the guitar family used in classical music and other styles. An acoustic wooden string instrument with strings made of gut or nylon, it is a precursor of the modern acoustic and electric guitars, both of which use metal strings. Classical guitars derive from the Spanish vihuela and gittern of the fifteenth and sixteenth century. Those instruments evolved into the seventeenth and eighteenth-century baroque guitar—and by the mid-nineteenth century, early forms of the modern classical guitar. For a right-handed player, the traditional classical guitar has twelve frets clear of the body and is properly held up by the left leg, so that the hand that plucks or strums the strings does so near the back of the sound hole (this is called the classical position). However, the right-hand may move closer to the fretboard to achieve different tonal qualities. The player typically holds the left leg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samba School
A samba school ( pt, Escola de samba) is a dancing, marching, and drumming (Samba Enredo) club. They practice and often perform in a huge square-Compound (enclosure), compounds ("quadras de samba") and are devoted to practicing and exhibiting samba, an Afro-Brazilian dance and drumming style. Although the word "school" is in the name, samba schools do not offer instruction in a formal setting. Samba schools have a strong community basis and are traditionally associated with a particular neighborhood. They are often seen to affirm the cultural validity of the Afro-Brazilian heritage in contrast to the mainstream education system,Dils A., Albright A., (eds.) "Moving History / Dancing Cultures - A Dance History Reader", Wesleyan University Press 2001:169. and have evolved often in contrast to authoritarian development. The phrase "escola de samba" is popularly held to derive from the schoolyard location of the first group's early rehearsals. In Rio de Janeiro especially, they are most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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