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Bossa Nova Stories
''Bossa Nova Stories'' is the nineteenth studio album by Brazilian jazz artist Eliane Elias, released on 24 June 2008 by Blue Note Records. The album is a tribute to celebrate the 50th anniversary of the bossa nova music style. Reception Cristophen Loudon of ''Jazz Times'' wrote, "Chronologically, she is two years younger than the bossa nova and two years older than Antonio Carlos Jobim and Vinicius de Moraes' iconic 'The Girl From Ipanema,' the song that ignited the worldwide bossa-nova craze. Musically, with her honeyed voice, dense and luxurious as the finest Aubusson carpet, her equally sumptuous appeal as a pianist and her skill for subtle, cozy arrangements, Elias seems the living, breathing extension of the oxymoronic plush minimalism that defines bossa nova." Ken Dryden of AllMusic stated, "Eliane Elias returns to the music of her native Brazil with this collection of bossa nova favorites, though there are a few American standards and pop songs recast as bossa novas as ...
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Eliane Elias
Eliane Elias
BrowseBiography.com, 20 November 2011; retrieved 10 September 2014.
is a Brazilian jazz pianist, singer, composer and arranger.


Biography

Elias was born in São Paulo, Brazil on 19 March 1960. She started studying piano when she was seven, and at age twelve she was transcribing solos from jazz musicians. She began teaching piano when she was fifteen, and began performing at seventeen with Brazilian singer-songwriter Toquinho and touring with the poet Vinicius de Moraes. In 1981 she moved to New York City, where she attended The Juilliard School of Music. A year later she became part of the group Steps Ahead. In 1993 Elias signed with EMI Classics to record classical music, classical pieces, which were released on ''On the Clas ...
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The Girl From Ipanema
"Garota de Ipanema" ("The Girl from Ipanema") is a Brazilian bossa nova and jazz song. It was a worldwide hit in the mid-1960s and won a Grammy for Record of the Year in 1965. It was written in 1962, with music by Antônio Carlos Jobim and Portuguese lyrics by Vinícius de Moraes. English lyrics were written later by Norman Gimbel. The first commercial recording was in 1962, by Pery Ribeiro. The Stan Getz recording featuring the vocal debut of Astrud Gilberto became an international hit. This version had been shortened from the version on the album ''Getz/Gilberto'' (recorded in March 1963, released in March 1964), which had also included the Portuguese lyrics sung by Astrud's then husband João Gilberto. In the US, the single peaked at number five on the ''Billboard'' Hot 100, and went to number one for two weeks on the Easy Listening chart. Overseas it peaked at number 29 in the United Kingdom, and charted highly throughout the world. Numerous recordings have been used i ...
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Estate (song)
Bruno Martino (11 November 1925 – 12 June 2000) was an Italian composer, singer, and pianist. Career Martino learned to play the piano at the age of fourteen. A Jazz fan, he spent the early years of his career performing with European radio and night club orchestras. In the mid-1950s he was a member of the RAI orchestra. He later started composing music for popular Italian singers, eventually touring the world with his own orchestra. This resulted in a late-blossoming career as a singer.Michael SattlerBruno Martino michaelsattler.com Internationally he is best known for his 1960 song '' Estate'', a standard that has been performed by many jazz musicians and singers since the early 1960s, including João Gilberto, Joe Diorio, Chet Baker, Toots Thielemans, Shirley Horn, Eliane Elias, Michel Petrucciani, Monty Alexander, Mike Stern, John Pizzarelli and Robert Jospé. Martino's hit-song ''Dracula Cha Cha'' (later also called ''Dracula Cha Cha Cha'') was first heard in the Italian ...
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Newton Mendonça
Newton Ferreira de Mendonça (February 14, 1927 – November 22, 1960) was a musician, composer, and lyricist. He began as a pianist in 1950. Mendonça was born in Rio de Janeiro. In 1953 he started working with Antônio Carlos Jobim, something for which he is best known. Mendonça went on to co-compose music and lyrics for Desafinado, Meditação, and Samba de uma nota só. In 1959 he had his first heart attack, but his songs continued gaining attention. In 1960 his second heart attack proved fatal.All Music/ref> References Bibliography * De Stefano, Gildo, ''Il popolo del samba, La vicenda e i protagonisti della storia della musica popolare brasiliana'', Preface by Chico Buarque de Hollanda, Introduction by Gianni Minà, RAI-ERI, Rome 2005, * De Stefano, Gildo, ''Saudade Bossa Nova: musiche, contaminazioni e ritmi del Brasile'', Preface by Chico Buarque, Introduction by Gianni Minà, Logisma Editore, Firenze Florence ( ; it, Firenze ) is a city in Central It ...
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Antonio Carlos Jobim
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galician ...
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Desafinado
"Desafinado" (a Portuguese word, usually rendered into English as "Out of Tune", or as "Off Key") is a 1959 bossa nova song and jazz standard composed by Antônio Carlos Jobim with lyrics (in Portuguese) by Newton Mendonça. Background "Desafinado" was originally a response to critics who claimed that bossa nova was a new genre for singers who can't sing. The English language lyrics were written by Jon Hendricks and "Jessie Cavanaugh" (a pseudonym used by The Richmond Organisation). Another English lyric, more closely based on the original Portuguese lyric (but not a translation) was written by Gene Lees, and appears on some recordings as well. Chart performance The version by Stan Getz and Charlie Byrd (from the album ''Jazz Samba'') was a major hit in 1962, reaching number 15 and number 4 on ''Billboard''′s pop and easy-listening charts, respectively; their definitive rendering also reached number 11 in the UK. Ella Fitzgerald's version made number 38. Accolades The song ...
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Ira Gershwin
Ira Gershwin (born Israel Gershovitz; December 6, 1896 – August 17, 1983) was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 20th century. With George, he wrote more than a dozen Broadway shows, featuring songs such as "I Got Rhythm", "Embraceable You", " The Man I Love" and " Someone to Watch Over Me". He was also responsible, along with DuBose Heyward, for the libretto to George's opera ''Porgy and Bess''. The success the Gershwin brothers had with their collaborative works has often overshadowed the creative role that Ira played. His mastery of songwriting continued after George's early death in 1937. Ira wrote additional hit songs with composers Jerome Kern, Kurt Weill, Harry Warren and Harold Arlen. His critically acclaimed 1959 book ''Lyrics on Several Occasions'', an amalgam of autobiography and annotated anthology, is an important source for studying t ...
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George Gershwin
George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions ''Rhapsody in Blue'' (1924) and ''An American in Paris'' (1928), the songs " Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930), and the opera ''Porgy and Bess'' (1935), which included the hit " Summertime". Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris, intending to study with Nadia Boulanger, but she refused him, afraid that rigorous classical study would ruin his jazz-influenced style; Maurice Ravel voiced similar objections when Gershwin inq ...
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They Can't Take That Away From Me
"They Can't Take That Away from Me" is a 1937 popular song with music by George Gershwin and lyrics by Ira Gershwin. It was introduced by Fred Astaire in the 1937 film ''Shall We Dance'' and gained huge success. Overview The song is performed by Astaire on the lonely foggy deck of a ferry from New Jersey to Manhattan. It is sung to Ginger Rogers, who remains silent listening throughout. No dance sequence follows, which was unusual for the Astaire-Rogers numbers. Astaire and Rogers did dance to it later in their last movie ''The Barkleys of Broadway'' (1949) in which they played a married couple with marital issues. The song, in the context of ''Shall We Dance'', notes some of the things that Peter (Astaire) will miss about Linda (Rogers). The lyrics include "the way you wear your hat, the way you sip your tea", and "the way you hold your knife, the way we danced till three". Each verse is followed by the line "no, no, they can't take that away from me". The basic meaning of the s ...
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Harry Warren
Harry Warren (born Salvatore Antonio Guaragna; December 24, 1893 – September 22, 1981) was an American composer and the first major American songwriter to write primarily for film. He was nominated for the Academy Award for Best Original Song eleven times and won three Oscars for composing " Lullaby of Broadway", "You'll Never Know" and "On the Atchison, Topeka and the Santa Fe". He wrote the music for the first blockbuster film musical, '' 42nd Street'', choreographed by Busby Berkeley, with whom he would collaborate on many musical films. Over a career spanning six decades, Warren wrote more than 800 songs. Other well known Warren hits included "I Only Have Eyes for You", "You Must Have Been a Beautiful Baby", " Jeepers Creepers", "The Gold Diggers' Song (We're in the Money)", "That's Amore", "There Will Never Be Another You", "The More I See You", "At Last" and "Chattanooga Choo Choo" (the last of which was the first gold record in history). Warren was one of America's most ...
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Mack Gordon
Mack Gordon (born Morris Gittler; June 21, 1904 – February 28, 1959) was an American composer and lyricist for the stage and film. He was nominated for the best original song Oscar nine times in 11 years, including five consecutive years between 1940 and 1944, and won the award once, for "You'll Never Know". That song has proved among his most enduring, and remains popular in films and television commercials to this day. "At Last" is another of his best-known songs. Biography Gordon was born in Grodno, then part of the Russian Empire. He emigrated with his mother and older brother to New York City in May 1907; the ship they sailed on was the S/S ''Bremen''; their destination was to his father in Guttenberg, New Jersey. Gordon appeared in vaudeville as an actor and singer in the late 1920s and early 1930s, but his songwriting talents were always paramount. He formed a partnership with English pianist Harry Revel, that lasted throughout the 1930s. In the 1940s he worked with a str ...
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The More I See You
"The More I See You" is a popular song composed by Harry Warren, with lyrics by Mack Gordon. The song was first published in 1945. Other recordings "The More I See You" has been subsequently recorded by many artists, notably by: * Bing Crosby recorded a version of the song on his 1977 album ''Beautiful Memories''. * Chet Baker sings the song on his 1958 LP '' (Chet Baker Sings) It Could Happen to You''. *In 1966, Chris Montez released the most commercially successful and well-known recording of the song, his version went to number sixteen on the ''Billboard'' Hot 100 and spent four weeks at number two on the Easy Listening chart. It also went to number three on the UK Singles Chart. *Nancy Sinatra recorded a version of the song on her 1966 album '' Nancy in London''. *Andy Williams recorded a version of the song on his 1967 album ''Love, Andy''. *Joy Marshall recorded a version in 1966 *Ella Fitzgerald recorded a live version in 1967, accompanied by the Jimmy Jones Trio, whic ...
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