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Bossa Nova Bacchanal
''Bossa Nova Bacchanal'' is an album by American saxophonist Charlie Rouse recorded in 1962 and released in 1963 on the Blue Note label.Blue Note Records discography accessed November 16, 2010 It was the only album Rouse recorded as a leader for Blue Note. The CD reissue includes a bonus track recorded in 1965. Reception The review by Thom Jurek awarded the album 4 stars and stated "Rouse's embrace of bossa nova, as well as other Latin and Caribbean music, is firmly rooted in jazz -- and not American jazz trying to be Brazilian. Rhythmically, Rouse, who is a hard bopper if ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Rouse
Charlie Rouse (April 6, 1924 – November 30, 1988) was an American hard bop tenor saxophonist and flautist. His career is marked by his collaboration with Thelonious Monk, which lasted for more than ten years. Biography Rouse was born in Washington, D.C., United States. At first he worked with the clarinet, before turning to the tenor saxophone. Rouse began his career with the Billy Eckstine Orchestra in 1944, followed by the Dizzy Gillespie Big Band in 1945, the Duke Ellington Orchestra from 1949 to 1950, the Count Basie Octet in 1950, Bull Moose Jackson And His Buffalo Bearcats in 1953, and the Oscar Pettiford Sextet in 1955. He made his recording debut with Tadd Dameron in 1947, and in 1957 made a notable album with Paul Quinichette. He was a member of Thelonious Monk's quartet from 1959 to 1970. In the 1980s he was a founding member of the group Sphere, which began as a tribute to Monk. Charlie Rouse died from lung cancer on November 30, 1988, at University Hospital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frantz Casseus
Frantz Casseus (14 December 1915 – 3 June 1993) was a Haitian-American guitarist and composer. Born and raised in Port-au-Prince, Haiti, he spent most of his adult life in the United States where he immigrated in 1946 hoping to meet pianist Fats Waller. Though influenced by jazz and European classical music, Casseus's compositions maintained a focus on Haitian folk forms, which he incorporated into his recordings and his published compositions. Casseus was a frequent collaborator with Harry Belafonte who recorded his song "Merci Bon Dieu". Casseus played on Belafonte's successful 1955 adaptation of " Day-O", a Jamaican folk song. Between 1953 and 1969, Casseus recorded three albums for Smithsonian Folkways. Casseus wrote music until the last years of his life, but from the 1970s tendonitis in his left hand curtailed his performance and recording career. Casseus was an early guitar teacher to the American musician Marc Ribot (b. 1954), whose aunt and uncle were friends ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freddie Hubbard
Frederick Dewayne Hubbard (April 7, 1938 – December 29, 2008) was an American jazz trumpeter. He played bebop, hard bop, and post-bop styles from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop. Career beginnings Hubbard started playing the mellophone and trumpet in his school band at Arsenal Technical High School in Indianapolis, Indiana. Trumpeter Lee Katzman, former sideman with Stan Kenton, recommended that he begin studying at the Arthur Jordan Conservatory of Music (now the Jordan College of the Arts at Butler University) with Max Woodbury, the principal trumpeter of the Indianapolis Symphony Orchestra. In his teens, Hubbard worked locally with brothers Wes and Monk Montgomery, and worked with bassist Larry Ridley and saxophonist James Spaulding. In 1958, at the age of 20, he moved to New York and began playing with some of the best jazz players of the era, including Philly Joe Jones, Sonny Rollin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shekere
The shekere (from Yoruba Ṣẹ̀kẹ̀rẹ̀) is a West African percussion instrument consisting of a dried gourd with beads or cowries woven into a net covering the gourd. The Shekere originated in a tribe in Nigeria called the Yoruba. The instrument is common in West African and Latin American folkloric traditions as well as some of the popular music styles. In performance it is shaken and/or hit against the hands. The shekere is made from vine gourds that grow on the ground. The shape of the gourd determines the sound of the instrument. A shekere is made by drying the gourd for several months then removing the pulp and seeds. After it is scrubbed, skillful bead work is added as well as colour. Varieties Throughout the African continent there are similar gourd/bead or gourd/seed percussion instruments. Some are the ''lilolo'', axatse (Ghana), ''djabara'' (Guinea), ''ushàkà'', ''chequere'' and ''saa saa'' (Liberia). The agbe is a gourd drum with cowrie shells and is usually ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conga
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlos "Patato" Valdes
Carlos Valdés Galán (November 4, 1926 – December 4, 2007), better known as Patato, was a Cuban conga player. In 1954, he emigrated from La Habana to New York City where he continued his prolific career as a sideman for several jazz and Latin music ensembles, and occasionally as a bandleader. He contributed to the development of the tunable conga drum which revolutionized the use of the instrument in the US. His experimental descarga albums recorded for Latin Percussion are considered the counterpart to the commercial salsa boom of the 1970s. Tito Puente once called him "the greatest conguero alive today". Nicknames Like most Cuban musicians, Carlos Valdés had several nicknames throughout his artistic career. Early on he was known as "El Toro" (''The Bull'') as a young dancer and boxer. In school he was known as "Patato" (''Potato'') due to his short stature; more disrespectfully he was known as "Remache" and "Tampón de bañera" around his neighbourhood. While playing al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willie Bobo
William Correa (February 28, 1934 – September 15, 1983), better known by his stage name Willie Bobo,[ Biography], ''AllMusic'' was an American Latin jazz percussionist of Puerto Rican descent. Bobo rejected the stereotypical expectations of Latino Music, Latino music and was noted for combining elements of jazz, Latin and rhythm and blues music. Early life Born William Correa to a Puerto Rican family, Bobo grew up in Spanish Harlem, New York City, United States. His father played the Cuatro (instrument), cuatro, a ten stringed guitar-like instrument. As a teenager, Bobo taught himself the Bongo drum, bongos and later the congas, timbales and Drum kit, drums. In 1947, Bobo started working as a Bandboy, band boy for Machito in order to gain entrance to the band's concerts, sometimes filling in on percussion. At age 12, he began his professional career as a dancer and two years later made his recording debut as a bongo player. Career He met Mongo Santamaría shortly after hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry Gales
Lawrence Bernard Gales (March 25, 1936 – September 12, 1995) was an American jazz double-bassist. Life Gales began playing bass at age 11, and attended the Manhattan School of Music in the late 1950s. In that decade and the beginning of the next he worked with J.C. Heard, Eddie "Lockjaw" Davis, Johnny Griffin, Herbie Mann, Junior Mance, and Joe Williams. From 1964 to 1969 he was a member of the Thelonious Monk Quartet, where he recorded extensively and toured worldwide.Scott Yanow, Larry Galesat Allmusic After 1969, Gales relocated to Los Angeles, where he worked frequently on the local scene with Erroll Garner, Willie Bobo, Red Rodney, Sweets Edison, Benny Carter, Blue Mitchell, Clark Terry, and Kenny Burrell. He also recorded with Buddy Tate, Bennie Green, Sonny Stitt, Mary Lou Williams, Jimmy Smith, Sonny Criss, and Big Joe Turner, among others. His first session as a leader was released in 1990 on Candid Records; comprising one original and five Thelonious Monk tunes, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chauncey "Lord" Westbrook
Chauncey (also Chauncy) Leon Westbrook (October 21, 1921 – November 2, 2006), known professionally as Chauncey "Lord" Westbrook, was an American jazz guitarist. Westbrook worked with Rex Stewart, Buddy Johnson (1953–57), Aretha Franklin, Charlie Rouse, Little Willie John, Ernestine Allen, Little Jimmy Scott, and Sammy Davis, Jr. He was a member of The Orioles in the early 1950s. In 1956 he recorded his solo album ''Get Out of Town'' for Morty Craft's newly acquired Melba Records. He was a session musician on Aretha Franklin’s first Columbia recording, Aretha: With The Ray Bryant Combo. Discography As leader * 1956: ''Get Out of Town'' (Melba Records LP) As sideman * 1955: "Rock 'n' Roll" – Buddy Johnson (Mercury) * 1956: "Please Say You're Mine" b/w "With All My Heart" - Jimmy Jones with Warren Lucky, Kelly Owens, Leonard Gaskin, Panama Francis * 1956: "Just Leave It to Me" b/w "Is It Too Soon" - Debutantes (Savoy 1191) * 1957: ''Walkin' '' - Buddy Johnson & His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
