Bornean Traditional Tattooing
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Bornean Traditional Tattooing
Borneo traditional tattooing is a hand tapping style of tattooing with two sticks, developed by some of the ancient tribes of Borneo. Borneo tattooing designs The most common of Borneo designs are thick black tribal work, which all have different meanings. Nature is the main focus when designing a traditional Bornean tattooing such as leaves, animals, fruits, trees and branches. Tattoos When a young man returns from a successful sojourn (bejalai), he can get a full body tattoo (kalingai or pantang) from a tattoo master who will design the overall design using outline first followed by blackening. The ink will be mixed with various protective charms and motives. The tattoo initiation ceremony is started by giving offerings to deities, thanking and requesting for more assistance and protection in subsequent activities. The Bungai Terung, which translates to the eggplant Borneo flower, is the first tattoo an Iban individual would receive. The Bungai Terung is a tattoo which ...
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Tattoo
A tattoo is a form of body modification made by inserting tattoo ink, dyes, and/or pigments, either indelible or temporary, into the dermis layer of the skin to form a design. Tattoo artists create these designs using several Process of tattooing, tattooing processes and techniques, including hand-tapped traditional tattoos and modern tattoo machines. The history of tattooing goes back to Neolithic times, practiced across the globe by many cultures, and the symbolism and impact of tattoos varies in different places and cultures. Tattoos may be decorative (with no specific meaning), symbolic (with a specific meaning to the wearer), or pictorial (a depiction of a specific person or item). Many tattoos serve as Rite of passage, rites of passage, marks of status and rank, symbols of religious and spiritual devotion, decorations for bravery, marks of fertility, pledges of love, amulets and talismans, protection, and as punishment, like the marks of outcasts, slaves and convicts. E ...
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Sicanje
or is a Serbo-Croatian name for a widespread custom mostly among Roman Catholic Croat women and girls of the central regions of Bosnia and Herzegovina, as well as the Dalmatia region of Croatia. The phenomenon predates the Slavic migration to the Balkans, and consequently Christianity itself, but it was possible to trace its appearance until the middle of the 20th century. History Tattooing of women and girls in Bosnia and Herzegovina is colloquially called or , and it was a widespread custom mostly among Roman Catholic Croats in the central regions. The custom is thought to predate the Slavic migration to the Balkans and even Christianity. In the 1st century BC, the Greek historian Strabo wrote of tattooing among inhabitants of this area, namely Illyrians and Thracians, along with other customs. Vlach women from Greece, Macedonia and Herzegovina also utilized tattoos. Archaeologist Ćiro Truhelka researched these types of tattoos in the late 19th century, becoming one of th ...
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Deq (tattoo)
Deq ( ku, deq, ) or xal ( ku, xał, ) are the traditional and unique tattoos pertaining to Kurds. Deq is more commonly found among Kurdish women, but is also observed among men. However, the practice of deq has become less common due to the influence of Islam and has been substituted with henna. Unlike the henna, deq is not temporary. Efforts have been made to revitalize the usage of deq as a way of reasserting one's Kurdish identity. Deq is also practiced by Yazidis and to a higher degree. History The origins of deq are unknown. In the early 6th century, Aëtius of Amida wrote about the deq and how it was prepared which he published in his work ''Medicae Artis Principes.'' In this work, he explained that the deq material was prepared by crushing and mixing pine wood (preferably its bark), some corroded bronze, gum and oil from trees. Beside this mixture, corroded bronze was also mixed with vinegar to create a second mixture. Then, leek juice and water is mixed together. The ...
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Irezumi
(also spelled or sometimes ) is the Japanese word for tattoo, and is used in English to refer to a distinctive style of Japanese tattooing, though it is also used as a blanket term to describe a number of tattoo styles originating in Japan, including tattooing traditions from both the Ainu people and the Ryukyuan Kingdom. All forms of are applied by hand, using wooden handles and metal needles attached via silk thread. This method also requires special ink known as ink (also called ); tattooing practiced by both the Ainu people and the Ryukyuan people uses ink derived from the indigo plant. It is a painful and time-consuming process, practiced by a limited number of specialists known as . typically have one or more apprentices working for them, whose apprenticeship can last for a long time period; historically, were admired as figures of bravery and roguish sex appeal. During the Edo period, ("tattoo punishment") was a criminal penalty. The location of the tattoo was dete ...
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Tattooing In Burma
Tattooing in Burma was a widespread custom practiced by various ethnic groups, including the Bamar, Shan, and Karen, until the 20th century. Tattooing was a distinguishing cultural marker and a symbol of strength, courage and intimidation for Lethwei fighters. Origins Among the Bamar, the custom of tattooing originates from the Shan people, who believed that tattoos had magical or spiritual connotations, used in a similar manner as amulets and protective charms. This practice coincided with the Shan States' control of Upper Burma from the 14th to 17th centuries, as the Shan, themselves tattooed, introduced this practice to the Bamar. The Arakanese people who are related to the Bamar did not practice tattooing. Similarly, the Mon people did practice tattooing, but did not tattoo their thighs unlike the Bamar. However, with the onset of colonial rule in Burma, the practice of tattooing quickly became extinct, particularly in Burmese towns. During the 1930s, tattooing saw a resu ...
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Yantra Tattooing
Yantra tattooing or Sak Yant ( th, สักยันต์ ) is a form of tattooing using Indian yantra designs. It consists of sacred geometrical, animal and deity designs accompanied by Pali phrases that are said to offer power, protection, fortune, charisma and other benefits for the bearer. History Tattoos believed to offer protection and other benefits have been recorded everywhere throughout both mainland Southeast Asia and as far south as Indonesia and the Philippines. Over the centuries the tradition spread to what is now Cambodia, Laos, Thailand, and parts of Myanmar.Cummings, Joe, (2011) ''Sacred Tattoos of Thailand: Exploring the Magic, Masters and Mystery of Sak Yan'', Marshall Cavendish. While the tradition itself originates with indigenous tribal animism, it became closely tied to the Hindu-Buddhist concept of yantra or mystical geometric patterns used during meditation. Tattoos of yantra designs were believed to hold magic power, and were used much like the kolam t ...
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Tā Moko
' is the permanent marking or "tattoo" as traditionally practised by Māori, the indigenous people of New Zealand. It is one of the five main Polynesian tattoo styles (the other four are Marquesan, Samoan, Tahitian and Hawaiian). (tattooists) were considered ', or inviolable and sacred. Background Tattoo arts are common in the Eastern Polynesian homeland of the Māori people, and the traditional implements and methods employed were similar to those used in other parts of Polynesia. In pre-European Māori culture, many if not most high-ranking persons received . ''Moko'' were associated with ''mana'' and high social status; however, some very high-status individuals were considered too ''tapu'' to acquire ''moko'', and it was also not considered suitable for some ''tohunga'' to do so. Receiving constituted an important milestone between childhood and adulthood, and was accompanied by many rites and rituals. Apart from signalling status and rank, another reason for the pract ...
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Marquesan Tattoo
The Marquesas Islands were colonized by seafaring Polynesians as early as 300 AD, thought to originate from Samoa. The dense population was concentrated in the narrow valleys and consisted of warring tribes. Much of Polynesia, including the original settlers of Hawaii, Tahiti, Rapa Iti and Easter Island, was settled by Marquesans, believed to have departed from the Marquesas as a result more frequently of overpopulation and drought-related food shortages, than because of the nearly constant warfare that eventually became a prominent feature of the islands' culture. Almost the entire remainder of Polynesia, with the exception of a few areas of western Polynesia as well as the majority of the Polynesian outliers, was colonized by Marquesan descendants centered in Tahiti. Culture 1595–1945 Native Marquesan culture was devastated in the period following the arrival of European explorers. The primary cause of its collapse can be directly linked to the catastrophic effects of alie ...
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Peʻa
The Pea is the popular name of the traditional male tatau (tattoo) of Samoa, also known as the . It covers the body from the middle of the back to the knees, and consists of heavy black lines, arrows, and dots. History The tattoo was originally made of bone or sharpened boar husk into a comb style with serrated teeth shaped like needles. It was then attached to a small patch of sea turtle which was connected to a wooden handle. In the 1830s, English missionaries attempted to abolish the pe'a by banning it in missionary schools. The purpose of this was to “westernise” the Samoans, but during the time that tattooing was banned, it was still done in secret. Because of this, Samoa is the only Polynesian country that has managed to retain its traditional tattoos in modern times, although it is done to a much lesser extent than it used to be. In present times, the traditional design of Pe'a continues to be a source of sacred cultural heritage, as an act of honour. Description The ...
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Batok
Batok, batek, patik, or batik, among other names, are general terms for indigenous tattoos of the Philippines. Tattooing on both sexes was practiced by almost all ethnic groups of the Philippine Islands during the pre-colonial era. Like in other Austronesian groups, these tattoos were made traditionally with hafted tools tapped with a length of wood (called the "mallet"). Each ethnic group had specific terms and designs for tattoos, which are also often the same designs used in other artforms and decorations like in pottery and weaving. Tattoos range from being restricted only to certain parts of the body to covering the entire body. Tattoos were symbols of tribal identity and kinship, as well as bravery, beauty, and social or wealth status. Tattooing traditions were lost as Filipinos were converted to Christianity during the Spanish colonial era. Tattooing were also lost in some groups (like the Tagalog and the Moro people) shortly before the colonial period due to their (the ...
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History Of Tattooing
Tattooing has been practiced across the globe since at least Neolithic times, as evidenced by mummified preserved skin, ancient art and the archaeological record. Both ancient art and archaeological finds of possible tattoo tools suggest tattooing was practiced by the Upper Paleolithic period in Europe. However, direct evidence for tattooing on mummified human skin extends only to the 4th millennium BC. The oldest discovery of tattooed human skin to date is found on the body of Ötzi the Iceman, dating to between 3370 and 3100 BC. Other tattooed mummies have been recovered from at least 49 archaeological sites, including locations in Greenland, Alaska, Siberia, Mongolia, western China, Egypt, Sudan, the Philippines and the Andes. These include Amunet, Priestess of the Goddess Hathor from ancient Egypt (c. 2134–1991 BC), multiple mummies from Siberia including the Pazyryk culture of Russia and from several cultures throughout Pre-Columbian South America. Ancient practices Pres ...
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