Born To Be Bad (album)
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Born To Be Bad (album)
''Born to Be Bad'' is the seventh studio album by George Thorogood and the Destroyers George Lawrence Thorogood (born February 24, 1950) is an American musician, singer and songwriter from Wilmington, Delaware. His "high-energy boogie-blues" sound became a staple of 1980s rock radio, with hits like his original songs " Bad to th .... It was released in February 1988 on the EMI label.[ Allmusic.com - Born to Be Bad - Overview] The album peaked at #32 on the Billboard 200, ''Billboard'' 200, and was on the charts for 24 weeks.[ Allmusic.com - Born to Be Bad - Charts & Awards] Track listing # "Shake Your Money Maker (song), Shake Your Money Maker" (Elmore James) – 3:29 # "You Talk Too Much" (George Thorogood) – 4:35 # "Highway 49" (Big Joe Williams) – 5:46 # "Born to Be Bad" (Thorogood) – 3:34 # "You Can't Catch Me" (Chuck Berry) – 3:45 # "I'm Ready" (Sylvester Bradford, Fats Domino, Al Lewis (lyricist), Al Lewis) – 3:20 # "Treat Her Right (Roy Head so ...
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George Thorogood And The Destroyers
George Lawrence Thorogood (born February 24, 1950) is an American musician, singer and songwriter from Wilmington, Delaware. His "high-energy boogie-blues" sound became a staple of 1980s rock radio, with hits like his original songs "Bad to the Bone" and "I Drink Alone". He has also helped to popularize older songs by American icons, such as " Move It on Over", " Who Do You Love?", and "House Rent Blues/One Bourbon, One Scotch, One Beer". With his band, the Delaware Destroyers, Thorogood has released over 20 albums, two of which have been certified Platinum and six have been certified Gold. He has sold 15 million records worldwide. Thorogood and his band continue to tour extensively and in 2014 the band celebrated their 40th anniversary of performing. Music career Thorogood began his career as a solo acoustic performer in the style of Robert Johnson and Elmore James after being inspired in 1970 by a John P. Hammond concert. In 1973, he formed a band, the Delaware Destroyers, wi ...
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Chuck Berry
Charles Edward Anderson Berry (October 18, 1926 – March 18, 2017) was an American singer, songwriter and guitarist who pioneered rock and roll. Nicknamed the " Father of Rock and Roll", he refined and developed rhythm and blues into the major elements that made rock and roll distinctive with songs such as " Maybellene" (1955), "Roll Over Beethoven" (1956), "Rock and Roll Music" (1957) and " Johnny B. Goode" (1958). Writing lyrics that focused on teen life and consumerism, and developing a music style that included guitar solos and showmanship, Berry was a major influence on subsequent rock music.Campbell, M. (ed.) (2008). ''Popular Music in America: And the Beat Goes On''. 3rd ed. Cengage Learning. pp. 168–169. Born into a middle-class black family in St. Louis, Berry had an interest in music from an early age and gave his first public performance at Sumner High School. While still a high school student, he was convicted of armed robbery and was sent to a reformator ...
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Music Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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Drums
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching Drum stick, drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a snare drum stand, stand * A bass drum, played with a percussion mallet, beater moved by a foot-operated pedal * One or more Tom drum, tom-toms, including Rack tom, rack toms and/or floor tom, floor toms * One or more Cymbal, cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock music, rock and pop music, pop to blues and jazz. __TOC__ ...
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Saxophone
The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to produce a sound wave inside the instrument's body. The pitch is controlled by opening and closing holes in the body to change the effective length of the tube. The holes are closed by leather pads attached to keys operated by the player. Saxophones are made in various sizes and are almost always treated as transposing instruments. Saxophone players are called '' saxophonists''. The saxophone is used in a wide range of musical styles including classical music (such as concert bands, chamber music, solo repertoire, and occasionally orchestras), military bands, marching bands, jazz (such as big bands and jazz combos), and contemporary music. The saxophone is also used as a solo and melody instrument or as a member of a horn section in som ...
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Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ...
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Vocals
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music education or ...
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Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ...
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Hank Snow
Clarence Eugene "Hank" Snow (May 9, 1914 – December 20, 1999) was a Canadian-American country music artist. Most popular in the 1950s, he had a career that spanned more than 50 years, he recorded 140 albums and charted more than 85 singles on the ''Billboard'' country charts from 1950 until 1980. His number-one hits include the self-penned songs " I'm Moving On", " The Golden Rocket" and "The Rhumba Boogie" and famous versions of "I Don't Hurt Anymore", "Let Me Go, Lover!", "I've Been Everywhere", " Hello Love", as well as other top 10 hits. Snow was an accomplished songwriter whose clear, baritone voice expressed a wide range of emotions including the joys of freedom and travel as well as the anguish of tortured love. His music was rooted in his beginnings in small-town Nova Scotia where, as a frail, youngster, he endured extreme poverty, beatings and psychological abuse as well as physically punishing labour during the Great Depression. Through it all, his musically talen ...
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I'm Movin' On (Hank Snow Song)
"I'm Moving On" is a 1950 country standard written by Hank Snow. It is Snow's most recorded song. Recording and lyrics According to Snow, he proposed the song for his first session for RCA Records in 1949, but recording director Stephen H. Sholes turned it down. "Later on, in the spring of 1950, in Nashville, Mr. Sholes had not remembered the song, so I recorded it," Snow recalled. The song has four bars of verse followed by eight bars of chorus with the final lines referring back to the verse: Charts and critical reception The single reached number one on the ''Billboard'' country singles chart and stayed there for 21 weeks, tying a record for the most weeks atop the chart.Joel Whitburn, ''Joel Whitburn's Top Country Songs 1944 to 2005'', Record Research, 2005 It was the first of seven number-one ''Billboard'' country hits Snow scored throughout his career on that chart. The song's success led to Snow joining the Grand Ole Opry cast in 1950. "I'm Moving On" is one of three s ...
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Howlin' Wolf
Chester Arthur Burnett (June 10, 1910January 10, 1976), better known by his stage name Howlin' Wolf, was an American blues singer and guitarist. He is regarded as one of the most influential blues musicians of all time. Over a four-decade career, he recorded in genres such as blues, rhythm and blues, rock and roll, and psychedelic rock. He also helped bridge the gap between Delta blues and Chicago blues. Born into poverty in Mississippi as one of six children, he went through a rough childhood where his mother kicked him out of her house, and he moved in with his great-uncle, who was particularly abusive. He then ran away to his father's house where he finally found a happy family, and in the early 1930s became a protégé of legendary Delta blues guitarist and singer, Charley Patton. He started a solo career in the Deep South, playing with other notable blues musicians of the era, and at the end of a decade had made a name for himself in the Mississippi Delta. After going t ...
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Smokestack Lightning
"Smokestack Lightning" (also "Smoke Stack Lightning" or "Smokestack Lightnin'") is a blues song recorded by Howlin' Wolf in 1956. It became one of his most popular and influential songs. It is based on earlier blues songs, and numerous artists later interpreted it. Background Wolf had performed "Smokestack Lightning" in one form or another at least by the early 1930s, when he was performing with Charley Patton in small Delta communities. The song, described as "a hypnotic one-chord drone piece", draws on earlier blues, such as Tommy Johnson's "Big Road Blues", the Mississippi Sheiks' "Stop and Listen Blues", and Charley Patton's "Moon Going Down". Wolf said the song was inspired by watching trains in the night: "We used to sit out in the country and see the trains go by, watch the sparks come out of the smokestack. That was smokestack lightning." In 1951, he recorded the song as "Crying at Daybreak". It contains the line "O-oh smokestack lightnin', shinin', just like gold, oh ...
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