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Born In The Delta
''Born in the Delta'' is an album by blues pianist Pinetop Perkins, released on May 27, 1997. Perkins was 83 years old when he recorded the album in 1996, having begun his recording career late in life. Musicians *Pinetop Perkins - piano, vocals *Tony O. - guitar (Anthony O. Melio is a member of Little Mike and the Tornadoes) *Jerry Portnoy - harmonica (on "Murmur Low") *Willie "Big Eyes" Smith - drums *Brad Vickers - bass Track listing #"Every Day I Have the Blues" - Peter Chatman, Memphis Slim #"For You My Love" - Paul Gayten #"Look on Yonder Wall" - Elmore James #"Blues After Hours" - Robert Bruce, William Feyne, Avery Parrish #"Murmur Low" - Arthur Spires #"How Long, How Long Blues" - Leroy Carr, J. Mayo Williams #"Baby What You Want Me to Do" - Jimmy Reed #"Blues Oh Blues" - Anthony Melio References 1997 albums Pinetop Perkins albums Telarc Records albums {{Blues-album-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinetop Perkins
Joe Willie "Pinetop" Perkins (July 7, 1913 – March 21, 2011) was an American blues pianist. He played with some of the most influential blues and rock-and-roll performers of his time and received numerous honors, including a Grammy Lifetime Achievement Award and induction into the Blues Hall of Fame. Life and career Early career Perkins was born in Belzoni, Mississippi and raised on a plantation in Honey Island, Mississippi. He began his career as a guitarist but then injured the tendons in his left arm in a knife fight with a chorus girl in Helena, Arkansas in the 1940s. Unable to play the guitar, he switched to the piano. He also moved from Robert Nighthawk's radio program on KFFA to Sonny Boy Williamson's ''King Biscuit Time''. He continued working with Nighthawk, however, accompanying him on "Jackson Town Gal" in 1950. In the 1950s, Perkins joined Earl Hooker and began touring. He recorded " Pinetop's Boogie Woogie" at Sam Phillips's Sun Studio in Memphis, T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
For You My Love
"For You My Love" is a 1949 song written by Paul Gayten. The song was recorded the same year by Larry Darnell, who had his most successful release with his version of the song. "For You My Love" went to number one on the U.S. R&B chart and was Larry Darnell's debut release. Cover Versions *In 1950, Nellie Lutcher and Nat King Cole Nathaniel Adams Coles (March 17, 1919 – February 15, 1965), known professionally as Nat King Cole, was an American singer, jazz pianist, and actor. Cole's music career began after he dropped out of school at the age of 15, and continued f ... released their version of the song, where it reached number eight on the R&B chart. References {{authority control 1949 songs 1949 singles 1950 singles Nat King Cole songs Male–female vocal duets Songs written by Paul Gayten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1997 Albums
File:1997 Events Collage.png, From left, clockwise: The movie set of ''Titanic (1997 film), Titanic'', the List of highest-grossing films, highest-grossing movie in history at the time; ''Harry Potter and the Philosopher's Stone'', is published; Comet Hale-Bopp passes by Earth and becomes one of the most observed comet, comets of the 20th century; Golden Bauhinia Square, where sovereignty of Hong Kong is Handover of Hong Kong, handed over from the United Kingdom to the People's Republic of China; the 1997 Central European flood kills 114 people in the Czech Republic, Poland, and Germany; Korean Air Flight 801 crashes during heavy rain on Guam, killing 229; Mars Pathfinder and Sojourner (rover), Sojourner land on Mars; flowers left outside Kensington Palace following the death of Diana, Princess of Wales, in a car crash in Paris., 300x300px, thumb rect 0 0 200 200 Titanic (1997 film) rect 200 0 400 200 Harry Potter rect 400 0 600 200 Comet Hale-Bopp rect 0 200 300 400 Death of Diana ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Reed
Mathis James Reed (September 6, 1925 – August 29, 1976) was an American blues musician and songwriter. His particular style of electric blues was popular with blues as well as non-blues audiences. Reed's songs such as "Honest I Do" (1957), "Baby What You Want Me to Do" (1960), "Big Boss Man (song), Big Boss Man" (1961), and "Bright Lights, Big City (song), Bright Lights, Big City" (1961) appeared on both Billboard (magazine), ''Billboard'' magazine's R&B chart, rhythm and blues and Hot 100 singles charts. Reed influenced other musicians, such as Elvis Presley, Hank Williams Jr., and the The Rolling Stones, Rolling Stones, who recorded his songs. Music critic Cub Koda describes him as "perhaps the most influential bluesman of all," due to his easily accessible style. Biography Reed was born in Dunleith, Mississippi, United States. He learned the harmonica and guitar from his friend Eddie Taylor. After several years of busking and performing there, he moved to Chicago, Illin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baby What You Want Me To Do
"Baby What You Want Me to Do" (sometimes called "You Got Me Running" or "You Got Me Runnin'") is a blues song that was written and recorded by Jimmy Reed in 1959. It was a record chart hit for Reed and, as with several of his songs, it has appeal across popular music genres, with numerous recordings by a variety of musical artists. Composition and recording "Baby What You Want Me to Do" is a mid-tempo blues shuffle in the key of E that features "Reed's unique, lazy loping style of vocals, guitar and harmonica." In a 1959 review by ''Billboard'' magazine, it was called "uninhibited and swampy ... deliver dfreely in classic, gutbucket fashion." Music critic Cub Koda describes it as "deceptively simple" and as "one of the true irreducibles of the blues, a song so basic and simple it seems like it's existed forever." However, unlike a typical twelve-bar blues, it includes chord substitutions in bars nine and ten: Backing Reed are his wife Mary "Mama" Reed on harmony vocal, E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leroy Carr
Leroy Carr (March 27, 1904 or 1905 – April 29, 1935) was an American blues singer, songwriter and pianist who developed a laid-back, crooning technique and whose popularity and style influenced such artists as Nat King Cole and Ray Charles. Music historian Elijah Wald has called him "the most influential male blues singer and songwriter of the first half of the 20th century". He first became famous for " How Long, How Long Blues", his debut recording released by Vocalion Records in 1928. Life and career Leroy Carr was born in Nashville, Tennessee on March 27, 1904 or 1905, and was raised in Indianapolis, Indiana. Carr was a self-taught piano player. After dropping out of high school, Carr travelled with a circus, and in the early 1920s served in the U.S. Army. Carr returned to Indianapolis and worked in a meat-packing plant. He was married in 1922. Carr worked as a bootlegger during prohibition, and became a known musician at parties. Carr had a longtime partnershi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
How Long, How Long Blues
"How Long, How Long Blues" (also known as "How Long Blues" or "How Long How Long") is a blues song recorded by the American blues duo Leroy Carr and Scrapper Blackwell in 1928. It became an early blues standard and its melody inspired many later songs. Original song "How Long, How Long Blues" is based on "How Long Daddy", recorded in 1925 by Ida Cox with Papa Charlie Jackson. On June 19, 1928, Leroy Carr, who sang and played piano, and guitarist Scrapper Blackwell recorded the song in Indianapolis, Indiana, for Vocalion Records, shortly after they began performing together. It is a moderately slow-tempo blues with an eight-bar structure. Carr is credited with the lyrics and music for the song, which uses a departed train as a metaphor for a lover who has left: Carr's and Blackwell's songs reflected a more urban and sophisticated blues, in contrast to the music of rural bluesmen of the time. Carr's blues were "expressive and evocative", although his vocals have also been des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Spires
Arthur is a common male given name of Brythonic origin. Its popularity derives from it being the name of the legendary hero King Arthur. The etymology is disputed. It may derive from the Celtic ''Artos'' meaning “Bear”. Another theory, more widely believed, is that the name is derived from the Roman clan '' Artorius'' who lived in Roman Britain for centuries. A common spelling variant used in many Slavic, Romance, and Germanic languages is Artur. In Spanish and Italian it is Arturo. Etymology The earliest datable attestation of the name Arthur is in the early 9th century Welsh-Latin text '' Historia Brittonum'', where it refers to a circa 5th to 6th-century Briton general who fought against the invading Saxons, and who later gave rise to the famous King Arthur of medieval legend and literature. A possible earlier mention of the same man is to be found in the epic Welsh poem '' Y Gododdin'' by Aneirin, which some scholars assign to the late 6th century, though this is still a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avery Parrish
James Avery Parrish (January 24, 1917 – December 10, 1959) was an American jazz pianist, composer and arranger. He wrote and recorded " After Hours". Injuries from a bar fight in 1943 ended his career as a pianist. Early life Parrish was born in Birmingham, Alabama. His parents were Curley and Fannie G Parrish. Avery had at least one brother, who became an educator. Parrish graduated from Parker High School in Birmingham. According to a gossip columnist in 1935, Parrish was at that time married to singer Velma Middleton. Later life Parrish studied at the Alabama State Teachers College, where he played in the Bama State Collegians, an ensemble led by Erskine Hawkins. He remained in Hawkins's employ until 1942,"'Record Man' Returns to WOR Program" (May 9, 1942) ''The Pittsburgh Courier''. p. 20. and recorded with him extensively. Parrish wrote the music to " After Hours", and a 1940 recording of the tune with Hawkins's orchestra resulted in its becoming a jazz standard. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blues After Hours
"Blues After Hours" is a 1948 instrumental by West Coast blues guitarist Pee Wee Crayton. Released by Modern Records, it was his first single and the most successful of his three chart entries. "Blues After Hours" went to the number one spot on the ''Billboard'' magazine's Race Records charts. According to Crayton, "Blues After Hours" was inspired by T-Bone Walker and developed while he was playing at the New Orleans Swing Club in San Francisco. During his first recording session for Jules Bihari, Crayton began to play the song and Bihari decided to record it. Crayton protested, saying that the song was unfinished. Bihari countered: "Play anything." "So I started playing and ideas just came. I was making T-Bone's stuff into what little I knew. That turned out to be one of the biggest records I ever had." Backing Crayton on guitar are: Buddy Floyd on tenor saxophone, David Lee Johnson on piano, Bill Davis on bass, Candy Johnson on drums, plus additional unidentified mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elmore James
Elmore James ( Brooks; January 27, 1918 – May 24, 1963) was an American blues guitarist, singer, songwriter, and bandleader. Noted for his use of loud amplification and his stirring voice, James was inducted into the Rock and Roll Hall of Fame in 1992. His slide guitar technique earned him the nickname "King of the Slide Guitar". Biography Elmore James was born Elmore Brooks in Richland, Holmes County, Mississippi, the son of 15-year-old Leola Brooks, a field hand. His father was probably Joe Willie "Frost" James, who moved in with Leola, and Elmore took his surname. He began making music at the age of 12, using a simple one-string instrument ( diddley bow, or jitterbug) strung on a shack wall. As a teen he performed at dances under the names Cleanhead and Joe Willie James. James was influenced by Robert Johnson, Kokomo Arnold and Tampa Red. He recorded several of Tampa Red's songs. He also inherited from Tampa Red's band two musicians who joined his own backing band, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Look On Yonder Wall
"Look on Yonder Wall", or "Get Ready to Meet Your Man" as it was first named, is a blues song first recorded in 1945 by James "Beale Street" Clark. Clark, also known as "Memphis Jimmy", was a blues pianist from Memphis, Tennessee. During the 1940s, he appeared on recordings by Jazz Gillum, Red Nelson (also known as Dirty Red), and an early Muddy Waters session, as well as several singles in his own name. In 1961, Elmore James adapted the song, titled "Look on Yonder Wall", which was issued as single. Most subsequent renditions show James's influence. Origins "Look on Yonder Wall" was performed as a mid-tempo twelve-bar blues, with a recurrent post-World War II theme. It tells of a "man who is somewhat disabled and has not been drafted and takes advantage of that to entertain lonely married women". When the husband is discharged, the narrator ponders his fate: Jazz Gillum, with whom the song is often associated, recorded a version on February 18, 1946, four months after Cla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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