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Bordertown (1935 Film)
''Bordertown'' is a 1935 American drama film directed by Archie Mayo and starring Paul Muni and Bette Davis. The screenplay by Laird Doyle and Wallace Smith is based on Robert Lord's adaptation of the 1934 novel ''Border Town'' by Carroll Graham. The supporting cast features Margaret Lindsay, Eugene Pallette and Robert Barrat. Although the films '' They Drive by Night'' (1940) and ''Blowing Wild'' (1953) are not specifically remakes of ''Bordertown'', they include many of its plot elements and similar scenes. Plot After graduating from Pacific Night Law School in Los Angeles, feisty and ambitious Mexican American Johnny Ramirez loses his first court case because he is ill-prepared. His poor, Hispanic client's truck was destroyed by careless debutante Dale Elwell. Johnny is harassed by the opposing attorney, uppercrust Brook Manville, who is defending his lover, Elwell. Johnny reacts, losing his temper and the case. Disbarred for his actions, he journeys to a small town south o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archie Mayo
Archibald L. Mayo (January 29, 1891 – December 4, 1968) was a film director, screenwriter and actor. Early years The son of a tailor, Mayo was born in New York City. After attending the city's public schools, he studied at Columbia University. Film Mayo moved to Hollywood in 1915 and began working as a director in 1917. His films include '' Is Everybody Happy?'' (1929) with Ted Lewis, '' Bought!'' (1931) with Constance Bennett, '' Night After Night'' (1932) with Mae West, '' The Doorway to Hell'' (1930) with James Cagney and Lew Ayres, '' Convention City'' (1933) with Joan Blondell, '' The Mayor of Hell'' (1933) with James Cagney, ''The Petrified Forest'' (1936) with Bette Davis and Humphrey Bogart, and '' The Adventures of Marco Polo'' (1938) with Gary Cooper. Mayo retired in 1946, shortly after completing '' A Night in Casablanca'' with the Marx Brothers and '' Angel on My Shoulder'' with Paul Muni, Anne Baxter, and Claude Rains. Recognition Mayo has a star at 6301 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mexican American
Mexican Americans ( es, mexicano-estadounidenses, , or ) are Americans of full or partial Mexican heritage. In 2019, Mexican Americans comprised 11.3% of the US population and 61.5% of all Hispanic and Latino Americans. In 2019, 71% of Mexican Americans were born in the United States, though they make up 53% of the total population of foreign-born Latino Americans and 25% of the total foreign-born population. The United States is home to the second-largest Mexican community in the world (24% of the entire Mexican-origin population of the world), behind only Mexico. Most Mexican Americans reside in the Southwest (over 60% in the states of California and Texas). Many Mexican Americans living in the United States have assimilated into American culture which has made some become less connected with their culture of birth (or of their parents/ grandparents) and sometimes creates an identity crisis. Most Mexican Americans have varying degrees of Indigenous and European ancestry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RKO Radio Pictures
RKO Radio Pictures Inc., commonly known as RKO Pictures or simply RKO, was an American film production and distribution company, one of the "Big Five" film studios of Hollywood's Golden Age. The business was formed after the Keith-Albee-Orpheum (KAO) theater chain and Joseph P. Kennedy's Film Booking Offices of America (FBO) studio were brought together under the control of the Radio Corporation of America (RCA) in October 1928. RCA chief David Sarnoff engineered the merger to create a market for the company's sound-on-film technology, RCA Photophone, and in early 1929 production began under the RKO name (an abbreviation of Radio-Keith-Orpheum). Two years later, another Kennedy holding, the Pathé studio, was folded into the operation. By the mid-1940s, RKO was controlled by investor Floyd Odlum. RKO has long been renowned for its cycle of musicals starring Fred Astaire and Ginger Rogers in the mid-to-late 1930s. Actors Katharine Hepburn and, later, Robert Mitchum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Of Human Bondage (1934 Film)
''Of Human Bondage'' is a 1934 American drama film directed by John Cromwell and regarded by critics as the film that made Bette Davis a star. The screenplay by Lester Cohen is based on the 1915 novel ''Of Human Bondage'' by W. Somerset Maugham. Plot Sensitive, club-footed artist Philip Carey is a Briton who has been studying painting in Paris for four years. His art teacher tells him his work lacks talent, so he returns to London to become a medical doctor, but his moodiness and chronic self-doubt make it difficult for him to keep up in his schoolwork. Philip falls passionately in love with tearoom waitress Mildred Rogers, even though she is disdainful of his club foot and his obvious interest in her. Although he is attracted to the anaemic and pale-faced woman, she is manipulative and cruel toward him when he asks her for a date. Her constant response to his romantic invitations is "I don't mind", an expression so uninterested that it infuriates him – which only causes her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lupe Vélez
María Guadalupe Villalobos Vélez (July 18, 1908 – December 13, 1944), known professionally as Lupe Vélez, was a Mexican actress, singer and dancer during the Golden Age of Hollywood cinema. Vélez began her career as a performer in Mexican vaudeville in the early 1920s. After moving to the United States, she made her first film appearance in a short in 1927. By the end of the decade, she was acting in full-length silent films and had progressed to leading roles in '' The Gaucho'' (1927), '' Lady of the Pavements'' (1928) and '' Wolf Song'' (1929), among others. Vélez made the transition to sound films without difficulty. She was one of the first successful Latin-American actresses in Hollywood. During the 1930s, her explosive screen persona was exploited in successful comedic films like '' Hot Pepper'' (1933), ''Strictly Dynamite'' (1934) and '' Hollywood Party'' (1934). In the 1940s, Vélez's popularity peaked while appearing as Carmelita Fuentes in eight '' Mexican Spitf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carole Lombard
Carole Lombard (born Jane Alice Peters; October 6, 1908 – January 16, 1942) was an American actress, particularly noted for her energetic, often off-beat roles in screwball comedies. In 1999, the American Film Institute ranked Lombard 23rd on its list of the greatest female stars of Classic Hollywood Cinema. Lombard was born into a wealthy family in Fort Wayne, Indiana, but was raised in Los Angeles by her single mother. At 12, she was recruited by director Allan Dwan and made her screen debut in ''A Perfect Crime'' (1921). Eager to become an actress, she signed a contract with the Fox Film Corporation at age 16, but mainly played bit parts and was dropped after a year. Her career came close to ending shortly before her 19th birthday when a shattered windshield from a car accident left a scar on her face, but she overcame this challenge and appeared in fifteen short comedies for Mack Sennett between 1927 and 1929, and then began appearing in feature films such as '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motion Picture Production Code
The Motion Picture Production Code was a set of industry guidelines for the self-censorship of content that was applied to most motion pictures released by major studios in the United States from 1934 to 1968. It is also popularly known as the Hays Code, after Will H. Hays, president of the Motion Picture Producers and Distributors of America (MPPDA) from 1922 to 1945. Under Hays's leadership, the MPPDA, later the Motion Picture Association of America (MPAA) and the Motion Picture Association (MPA), adopted the Production Code in 1930 and began rigidly enforcing it in 1934. The Production Code spelled out acceptable and unacceptable content for motion pictures produced for a public audience in the United States. From 1934 to 1954, the code was closely identified with Joseph Breen, the administrator appointed by Hays to enforce the code in Hollywood. The film industry followed the guidelines set by the code well into the late 1950s, but it began to weaken, owing to the combine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Treacher
Arthur Veary Treacher (, 23 July 1894 – 14 December 1975) was an English film and stage actor active from the 1920s to the 1960s, and known for playing English types, especially butler and manservant roles, such as the P.G. Wodehouse valet character Jeeves ('' Thank You, Jeeves'', 1936) and the kind butler Andrews opposite Shirley Temple in '' Heidi'' (1937). In the 1960s, he became well known on American television as an announcer/sidekick to talk show host Merv Griffin, and as the support character Constable Jones in Disney's ''Mary Poppins'' (1964). He lent his name to the Arthur Treacher's Fish and Chips chain of restaurants. Personal life Treacher was the son of Arthur Veary Treacher (1862–1924), a Sussex solicitor; his mother was Alice Mary Longhurst (1865–1946). He was educated at a boarding school in Uppingham in Rutland. In 1936, he married Virginia Taylor (1898–1984). Acting career Treacher was a veteran of World War I, serving as an officer of the Royal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Regas
George Thomas Regas ( Greek: Γεώργιος Θωμάς Ρεγάκος; November 9, 1890 – December 13, 1940) was a Greek American actor. Biography Regis was born in the village of Goranoi near Sparta, Greece, the brother of actor Pedro Regas. He was a stage actor in Athens before coming to the United States. In New York City he played Romeo in a Grecian version of '' Romeo and Juliet''.''Character People'', First Edition, Citadel Press, 1977; In 1921, Regas acted in his first motion picture, ''The Love Light'' with Mary Pickford. This film was produced by Pickford's production company. He would go on to create character roles in over one hundred films. His rugged looks and Mediterranean complexion allowed him to play a wide variety of nationalities in action and adventure films. He was married to actress Reine Davies, the sister of Marion Davies. He starred as Mateo in '' The Adventures of Sherlock Holmes'' (1939). On Broadway, Regas portrayed Pedro in ''Zombie'' (193 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chris-Pin Martin
Chris-Pin Martin (born Ysabel Ponciana Chris-Pin Martin Paiz, November 19, 1893 – June 27, 1953) was an American character actor whose specialty lay in portraying comical Mexicans, particularly sidekicks in ''The Cisco Kid'' film series. He acted in over 100 films between 1925 and 1953, including over 50 westerns. Biography Martin was born in Tucson, Arizona. His roles were as a bumbling or slow comedic character who spoke in broken English. His most remembered western film role was in nine of the ''Cisco Kid'' films playing the Kid's sidekicks Gordito and in the later films Pancho. He also appeared in the John Ford classic ''Stagecoach'' (1939) with John Wayne. He was credited in his films by other names, including Chrispin Martin, Chris King Martin, Chris Martin, Cris-Pin Martin, and Ethier Crispin Martini. Martin was adept in both drama and comedy, in films like the melodramatic ''The Ox-Bow Incident'' (1943) as "Poncho" the Mexican who reluctantly becomes a part of a ly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wade Boteler
Wade Boteler (October 3, 1888 – May 7, 1943) was an American film actor and writer. He appeared in more than 430 films between 1919 and 1943. Biography He was born in Santa Ana, California, and died in Hollywood, California, from a heart attack. Boteler graduated from the American Academy of Dramatic Arts. After he graduated, he stayed there as a director until he joined the Army in World War I. For three years in the mid-1920s, he worked for Douglas MacLean's film company as both actor and writer. On Broadway, Boteler appeared in the play '' The Silent Voice'' (1914). Partial filmography * ''The False Road'' (1920) * '' Lahoma'' (1920) * '' An Old Fashioned Boy'' (1920) * ''She Couldn't Help It'' (1920) * ''Ducks and Drakes'' (1921) * ''The Home Stretch'' (1921) * '' Fifty Candles'' (1921) * '' One Man in a Million'' (1921) * ''Blind Hearts'' (1921) * '' At the Sign of the Jack O'Lantern'' (1922) * '' Deserted at the Altar'' (1922) * '' Don't Shoot'' (1922) * '' The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Apfel
Oscar C. Apfel (January 17, 1878 – March 21, 1938) was an American film actor, director, screenwriter and producer. He appeared in more than 160 films between 1913 and 1939, and also directed 94 films between 1911 and 1927. Biography Apfel was born in Cleveland, Ohio. After a number of years in commerce, he decided to adopt the stage as a profession.Carolyn Lowrey (1920) ''The First One Hundred Noted Men and Women of the Screen'', Moffat, Yard and Company, New York He secured his first professional engagement in 1900, in his hometown. He rose rapidly and soon held a position as director and producer and was at the time noted as being the youngest stage director in America. He spent eleven years on the stage on Broadway then joined the Edison Manufacturing Company. Apfel first directed for Thomas A. Edison, Inc. in 1911–12, where he made the innovative short film '' The Passer-By'' (1912). He also did some experimental work at Edison's laboratory in Orange, on the Edison ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
