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Boom (Mario Pavone Album)
''Boom'' is an album by bassist/composer Mario Pavone recorded in 2003 and released on the Playscape label. Reception All About Jazz critic John Kelman observed, "What makes ''Boom'' remarkable and, ultimately, strangely appealing, is its combination of a freer sensibility with a rhythmic approach that usually maintains something resembling established time ... A thrilling combination of the oblique and the clearly-stated, ''Boom'' is another fine offering from Pavone, who continues to move the tradition forward with every record".Kelman, J.All About Jazz Review September 7, 2004 On the same site Sean Patrick Fitzell said "The quartet deftly navigates Pavone's charts with tightly knit, rhythmically charged ensemble heads and spacious solo sections".Fitzell, S. P.All About Jazz Review May 6, 2005 In ''JazzTimes'' Ron Wynn wrote "Those expecting an exclusively outside session from Mario Pavone might be surprised by the thematic diversity on ''Boom'' ... If anything, ''Boom'' is am ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mario Pavone
Mario Pavone (November 11, 1940 – May 15, 2021) was an American jazz bassist, composer and bandleader. Jazz critic Kevin Whitehead offers that Pavone was not only "great bass player ut also abig-hearted mensch." Early life Pavone was born in Waterbury, Connecticut. Pavone attended B. W. Tinker grammar school, Leavenworth High School, and the University of Connecticut at Storrs, where he graduated with a B.S. in engineering. When his Town Plot neighbor, world-renowned guitarist Joe Diorio, recognized him as an unrealized musician Mario was inspired to take up the bass. Primarily self-taught, he was a natural on his instrument. Pavone began playing bass soon after witnessing John Coltrane at the Village Vanguard in 1961. Career Pavone's career took off in the 1960s when he toured Europe. Also in the 1960s, he was involved in the jazz loft era, playing in jam sessions nightly in New York City. He began performing in 1965. The New Haven-based Creative Musicians Improvising For ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matt Wilson (jazz Drummer)
Matthew Edward Wilson (born September 27, 1964) is an American jazz drummer. Early life and education Wilson was born in Knoxville, Illinois. He studied percussion at Wichita State University. Career Wilson moved to New York City in 1992, and has worked with Lee Konitz, Cecil McBee, and Dewey Redman. When asked who influenced him as a performer and educator, Matt responds: "There’s not one person I could point to because there’s a lot of them." Discography As leader * ''As Wave Follows Wave'' (Palmetto, 1996) * ''Going Once, Going Twice'' (Palmetto, 1998) * ''Smile'' (Palmetto, 1999) * ''Arts and Crafts'' (Palmetto, 2001) * ''Humidity'' (Palmetto, 2003) * ''Wake Up!'' (Palmetto, 2005) * ''The Scenic Route'' (Palmetto, 2006) * ''That's Gonna Leave a Mark'' (Palmetto, 2009) * ''An Attitude for Gratitude'' (Palmetto, 2011) * ''Gathering Call'' (Palmetto, 2013) * ''Honey and Salt'' (Palmetto, 2017). Matt Wilson recorded this album with Ron Miles. * ''Hug!'' (Palmetto, 2020) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Madsen (pianist)
Peter Madsen is an American jazz pianist. Early life Madsen was born in Racine, Wisconsin, where he started playing classical piano at eight years old and classical double bass at age ten. At thirteen he started to play the piano in the jazz idiom. He attended the University of Wisconsin-Eau Claire where he majored in music education. In 1980 he moved to New York City where he got a break in the jazz world when Stan Getz invited him to tour in Europe. After his tour with Getz, he began performing regularly with many jazz musicians. He also embarked on a career as a headliner in the Peter Madsen Trio. He runs the Collective of Improvising Artists. Career He has performed on over 125 CDs and has worked as a composer and arranger. He has composed over 600 pieces and has recorded hundreds. He has worked with Tony Allen, Arthur Blythe, Randy Brecker, Oscar Brown Jr., Bobby Byrd, Don Cherry, George Coleman, Lynn Collins, Ravi Coltrane, Pee Wee Ellis, Sonny Fortune, Kenny Garrett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano Saxophone
The soprano saxophone is a higher-register variety of the saxophone, a woodwind instrument invented in the 1840s. The soprano is the third-smallest member of the saxophone family, which consists (from smallest to largest) of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass saxophone and tubax. Soprano saxophones are the smallest and thus highest-pitched saxophone in common use. The instrument A transposing instrument pitched in the key of B, modern soprano saxophones with a high F key have a range from concert A3 to E6 (written low B to high F) and are therefore pitched one octave above the tenor saxophone. There is also a soprano saxophone pitched in C, which is uncommon; most examples were produced in America in the 1920s. The soprano has all the keys of other saxophone models (with the exception of the low A on some baritones and altos). Soprano saxophones were originally keyed from low B to high E, but a low B mechanism was patented in 1887 and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tony Malaby
Tony Malaby (born January 12, 1964) is an American jazz tenor saxophonist. Malaby was born in Tucson, Arizona. He moved to New York City in 1995 and played with several notable jazz groups, including Charlie Haden’s Liberation Music Orchestra, Paul Motian's Electric Bebop Band, Mark Helias's Open Loose, Fred Hersch's Trio + 2 and Walt Whitman project. He also played with bands led by Mario Pavone, Chris Lightcap, Bobby Previte, Tom Varner, Marty Ehrlich, Angelica Sanchez, Mark Dresser, and Kenny Wheeler. Other collaborators included Tom Rainey, Christian Lillinger, Ben Monder, Eivind Opsvik, Nasheet Waits, Samo Šalamon and Michael Formanek. His first album as a co-leader was ''Cosas'' with Joey Sellers. ''The New York Times'' has called him one "of the best players of their generation." Gallery File:Tony-malaby DSC03686.jpg, Denmark 2017. Photos Hreinn Gudlaugsson File:Tony-malaby DSC03839.jpg, Denmark 2017 Discography As leader * ''Sabino'' (Arabesque, 2000) * ''Ap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Chapin
Thomas Chapin (March 9, 1957 – February 13, 1998) was an American composer and saxophonist/multi-instrumentalist. Though primarily an alto saxophonist, he also played sopranino, as well as soprano, tenor, baritone saxes and flute. Many of his recordings as a leader were in a trio with bassist Mario Pavone and drummer Michael Sarin. Chapin studied with Jackie McLean , Paul Jeffrey , and Lionel Hampton. He died of leukemia three weeks before his 41st birthday. He played at a benefit concert two weeks before his death. Career Chapin was born on March 9, 1957 in Manchester, Connecticut. He attended Phillips Academy in Andover, Massachusetts where he studied classical music and jazz. In the late 1970s he attended the Hartt School of Music at the University of Hartford in Connecticut, studying with saxophonist Jackie McLean. In 1980 he graduated from Rutgers University where he studied with saxophonist Paul Jeffrey, pianist Kenny Barron and guitarist Ted Dunbar. From 1981 to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
JazzTimes
''JazzTimes'' is an American magazine devoted to jazz. Published 10 times a year, it was founded in Washington, D.C. in 1970 by Ira Sabin as the newsletter ''Radio Free Jazz'' to complement his record store. Coverage After a decade of growth in subscriptions, deepening of writer pools, and internationalization, ''Radio Free Jazz'' expanded its focus and, at the suggestion of jazz critic Leonard Feather, changed its name to ''JazzTimes'' in 1980. Sabin's Glenn joined the magazine staff in 1984. In 1990, ''JazzTimes'' incorporated exclusive cover photography and higher quality art and graphic design. The magazine reviews audio and video releases concerts, instruments, music supplies, and books. It also includes a guide to musicians, events, record labels, and music schools. David Fricke, whose writing credits include ''Rolling Stone'', '' Melody Maker'' and ''Mojo'', also contributes to the magazine. Web traffic JazzTimes.com was redesigned in 2019. Among its most popular s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
