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Book Of Common Prayer (1843 Illustrated Version)
The 1843 illustrated ''Book of Common Prayer'' (full title: ''The Illustrated Book of Common Prayer'') is an Book illustration, illustrated version of the 1790 edition ''Book of Common Prayer'', the then-official primary liturgical book of the Episcopal Church (United States), American Episcopal Church, edited by Jonathan Mayhew Wainwright (bishop), Rev. J. M. Wainwright, printed and published by H. W. Hewet, a New York-based engraver and publisher, and certified by Benjamin T. Onderdonk, Bishop Benjamin T. Onderdonk on December 18th, 1843. Full name The full name of the 1843 illustrated ''Book of Common Prayer'' is ''The Book of Common Prayer, and Administration of the Sacraments; and other Rites and Ceremonies of the Church, according to the use of the Protestant Episcopal Church in the United States of America. Together with the Psalter, or Psalms of David''. Overview Hewet's edition of the Prayer Book is bound in black morocco leather, the cover features an embossed imag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trinity Church (Manhattan)
Trinity Church is a historic parish church in the Episcopal Diocese of New York, at the intersection of Wall Street and Broadway (Manhattan), Broadway in the Financial District, Manhattan, Financial District of Lower Manhattan in New York City. Known for its history, location, architecture and endowment, Trinity is a traditional high church, with an active parish centered around the Episcopal Church (United States), Episcopal Church and the worldwide Anglican Communion in missionary, outreach, and fellowship. In addition to its main facility, Trinity operates two chapels: St. Paul's Chapel, and the Chapel of St. Cornelius the Centurion on Governors Island. The Church of the Intercession (Manhattan), Church of the Intercession, the Trinity Chapel Complex and many other of Anglican congregations in Manhattan were part of Trinity at one point. Columbia University was founded on the church's grounds as King's College in 1754. The current building is the third constructed for Trinity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Illustrated Book Of Common Prayer, H
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Book Of Common Prayer (1662)
The 1662 ''Book of Common Prayer'' is an authorised liturgical book of the Church of England and other Anglican bodies around the world. In continuous print and regular use for over 360 years, the 1662 prayer book is the basis for numerous other editions of the ''Book of Common Prayer'' and other liturgical texts. Noted for both its devotional and literary quality, the 1662 prayer book has influenced the English language, with its devotional use alongside the King James Version of the Bible contributing to an increase in literacy from the 16th to the 20th century. As a Christian liturgy, the 1662 prayer book has had a profound impact on Christian spirituality and ritual. Its contents have inspired or been adapted by many Christian movements spanning multiple traditions both within and outside the Anglican Communion, including Anglo-Catholicism, Methodism, Western Rite Orthodoxy, and Unitarianism. Due to its dated language and lack of specific offices for modern life, the 1662 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Book Of Common Prayer (1979)
The 1979 ''Book of Common Prayer'' is the official primary liturgical book of the U.S.-based Episcopal Church. An edition in the same tradition as other versions of the ''Book of Common Prayer'' used by the churches within the Anglican Communion and Anglicanism generally, it contains both the forms of the Eucharistic liturgy and the Daily Office, as well as additional public liturgies and personal devotions. It is the fourth major revision of the ''Book of Common Prayer'' adopted by the Episcopal Church, and succeeded the 1928 edition. The 1979 ''Book of Common Prayer'' has been translated into multiple languages and is considered a representative production of the 20th-century Liturgical Movement. Background Following the English Reformation and the separation of the Church of England from the Catholic Church, the liturgies of Anglicanism were transcribed into English. The first such production was the 1549 ''Book of Common Prayer'', traditionally considered to be work of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabethan Era
The Elizabethan era is the epoch in the Tudor period of the history of England during the reign of Queen Elizabeth I (1558–1603). Historians often depict it as the golden age in English history. The symbol of Britannia (a female personification of Great Britain) was first used in 1572, and often thereafter, to mark the Elizabethan age as a renaissance that inspired national pride through classical ideals, international expansion, and naval triumph over Spain. This "golden age" represented the apogee of the English Renaissance and saw the flowering of poetry, music and literature. The era is most famous for its theatre, as William Shakespeare and many others composed plays that broke free of England's past style of theatre. It was an age of exploration and expansion abroad, while back at home, the Protestant Reformation became more acceptable to the people, most certainly after the Spanish Armada was repelled. It was also the end of the period when England was a separate r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inhabited Initial
An inhabited initial is an initial, an enlarged letter at the beginning of a paragraph or other section of text that contains an illustration of human or animal figures within the letter. It is similar to a historiated initial; however, the figures in historiated initials show an identifiable scene or story, while the figures in inhabited initials do not show a narrative. Figures in inhabited initials may be related to the contents of the text, but do not have to be. They may be purely decorative instead. See also *Historiated initial *Lombardic capitals Lombardic capitals is the name given to a type of decorative Letter case, upper-case letters used in inscriptions and, typically, at the start of a section of text in medieval manuscripts. They are characterized by their rounded forms with thick ... References {{Reflist Iconography of illuminated manuscripts Book design Iconography Visual motifs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Historiated Initial
A historiated initial is an initial, an enlarged letter at the beginning of a paragraph or other section of text, that contains a picture. Strictly speaking, a historiated initial depicts an identifiable figure or a specific scene, while an inhabited initial contains figures (human or animal) that are decorative only, without forming a subject. Both sorts became very common and elaborate in luxury illuminated manuscripts. These illustrated initials were first seen in the Insular art of the early 8th century. The earliest known example is in the Saint Petersburg Bede, an Insular manuscript of 731–46, and the Vespasian Psalter has another. The size and decoration of the initial further gives clues to both its importance and location. Letters that began a new section of a text or a particularly noteworthy section might receive more flourishes and space. They would also provide a visual point of reference, "marking the division of the text into books, chapters, paragraphs and som ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tintoretto
Tintoretto ( , , ; born Jacopo Robusti; late September or early October 1518Bernari and de Vecchi 1970, p. 83.31 May 1594) was an Italian painter identified with the Venetian school. His contemporaries both admired and criticized the speed with which he painted, and the unprecedented boldness of his brushwork. For his phenomenal energy in painting he was termed Il Furioso ("The Furious"). His work is characterised by his muscular figures, dramatic gestures and bold use of perspective, in the Mannerist style. Life The years of apprenticeship Tintoretto was born in Venice in 1518. His father, Battista, was a dyer, or ''tintore''; hence the son got the nickname of Tintoretto, "little dyer", or "dyer's boy". Tintoretto is known to have had at least one sibling, a brother named Domenico, although an unreliable 17th-century account says his siblings numbered 22. The family was believed to have originated from Brescia, in Lombardy, then part of the Republic of Venice. Older studies ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Paul Rubens
Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp. In addition to running a large workshop in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar and diploma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rembrandt
Rembrandt Harmenszoon van Rijn (, ; 15 July 1606 – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history.Gombrich, p. 420. Unlike most Dutch masters of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological themes and animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting), whilst antithetical to the Baroque style that dominated Europe, was prolific and innovative. This era gave rise to important new genres. Like many artists of the Dutch Golden Age, such a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Poussin
Nicolas Poussin (, , ; June 1594 – 19 November 1665) was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne. Details of Poussin's artistic training are somewhat obscure. Around 1612 he traveled to Paris, where he studied under minor masters and completed his earliest surviving works. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Friedrich Overbeck
Johann Friedrich Overbeck (3 July 1789 – 12 November 1869) was a German painter. As a member of the Nazarene movement, he also made four etchings. Early life and education Born in Lübeck, his ancestors for three generations had been Protestant pastors; his father Christian Adolph Overbeck (1755–1821) was doctor of law, poet, mystic pietist and burgomaster of Lübeck. Within a stone's throw of the family mansion in the Konigstrasse stood the '' Gymnasium'', where the uncle, doctor of theology and a voluminous writer, was the master; there the nephew became a classic scholar and received instruction in art. Artistry The young artist left Lübeck in March 1806, and entered as student the academy of Vienna, then under the direction of Heinrich Friedrich Füger. While Overbeck clearly accrued some of the polished technical aspects of the neoclassic painters, he was alienated by lack of religious spirituality in the themes chosen by his masters. Overbeck wrote to a friend that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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