Boogie, El Aceitoso
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Boogie, El Aceitoso
Oily Boogie or Boogie, the Oily (in Spanish: Boogie, el Aceitoso) is a character from comic strips in Argentina, created by Roberto Fontanarrosa. He is a fictional Vietnam veteran, soldier and bounty hunter, and is used to make parody of racism, violence, nationalism, sexism, which are included as exaggerated character traits. His comic strips were collected in 10 books, and in a complete ''Todo Boogie'' ("All Boogie"). An animated movie of the character was made in 2009. Publication history Boogie was created by Roberto Fontanarrosa in the 1970s, as a comedic parody of Dirty Harry. The original style was similar to that of Hugo Pratt, but slowly evolved into a style of its own. Fontanarrosa created the character in 1972, as an inside joke with the comic book artist "Crist". Crist showed it to Alberto Cognini, head of the "Hortensia" magazine from Cordoba, who published it. Fontanarrosa found a direction for his artistic career in making parodies of stereotyped stock characters. ...
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Boogie El Aceitoso
Boogie is a repetitive, swung note or shuffle rhythm,Burrows, Terry (1995). ''Play Country Guitar'', p.42. Dorling Kindersley Limited, London. . "groove" or pattern used in blues which was originally played on the piano in boogie-woogie music. The characteristic rhythm and feel of the boogie was then adapted to guitar, double bass, and other instruments. The earliest recorded boogie-woogie song was in 1916. By the 1930s, Swing bands such as Benny Goodman, Glenn Miller, Tommy Dorsey and Louis Jordan all had boogie hits. By the 1950s, boogie became incorporated into the emerging rockabilly and rock and roll styles. In the late 1980s and the early 1990s country bands released country boogies. Today, the term "boogie" usually refers to dancing to pop, disco, or rock music. History The boogie was originally played on the piano in boogie-woogie music and adapted to guitar. Boogie-woogie is a style of blues piano playing characterized by an up-tempo rhythm, a repeated melodic patte ...
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Fictional Vietnam War Veterans
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and context of ...
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Comics Adapted Into Animated Films
a medium used to express ideas with images, often combined with text or other visual information. It typically the form of a sequence of panels of images. Textual devices such as speech balloons, captions, and onomatopoeia can indicate dialogue, narration, sound effects, or other information. There is no consensus amongst theorists and historians on a definition of comics; some emphasize the combination of images and text, some sequentiality or other image relations, and others historical aspects such as mass reproduction or the use of recurring characters. Cartooning and other forms of illustration are the most common image-making means in comics; ''fumetti'' is a form that uses photographic images. Common forms include comic strips, editorial and gag cartoons, and comic books. Since the late 20th century, bound volumes such as graphic novels, comic albums, and ' have become increasingly common, while online webcomics have proliferated in the 21st century. The history ...
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Argentine Comics Adapted Into Films
Argentines (mistakenly translated Argentineans in the past; in Spanish ( masculine) or ( feminine)) are people identified with the country of Argentina. This connection may be residential, legal, historical or cultural. For most Argentines, several (or all) of these connections exist and are collectively the source of their being ''Argentine''. Argentina is a multiethnic and multilingual society, home to people of various ethnic, religious, and national origins, with the majority of the population made up of Old World immigrants and their descendants. As a result, Argentines do not equate their nationality with ethnicity, but with citizenship and allegiance to Argentina. Aside from the indigenous population, nearly all Argentines or their ancestors immigrated within the past five centuries. Among countries in the world that have received the most immigrants in modern history, Argentina, with 6.6 million, ranks second to the United States (27 million), and ahead of other imm ...
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Humor Comics
A cartoon is a type of visual art that is typically drawn, frequently animated, in an unrealistic or semi-realistic style. The specific meaning has evolved over time, but the modern usage usually refers to either: an image or series of images intended for satire, caricature, or humor; or a motion picture that relies on a sequence of illustrations for its animation. Someone who creates cartoons in the first sense is called a ''cartoonist'', and in the second sense they are usually called an ''animator''. The concept originated in the Middle Ages, and first described a preparatory drawing for a piece of art, such as a painting, fresco, tapestry, or stained glass window. In the 19th century, beginning in ''Punch'' magazine in 1843, cartoon came to refer – ironically at first – to humorous artworks in magazines and newspapers. Then it also was used for political cartoons and comic strips. When the medium developed, in the early 20th century, it began to refer to animated films ...
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Parody Comics
A parody, also known as a spoof, a satire, a send-up, a take-off, a lampoon, a play on (something), or a caricature, is a creative work designed to imitate, comment on, and/or mock its subject by means of satiric or ironic imitation. Often its subject is an original work or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or 1960s counterculture). Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature, music, theater, television and film, animation, and gaming. Some parody is practiced in theater. The writer and critic John Gross observes in his ''Oxford Book ...
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Fictional Bounty Hunters
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and context of ...
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Fictional Soldiers
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and context of ...
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Argentine Comic Strips
Argentines (mistakenly translated Argentineans in the past; in Spanish ( masculine) or ( feminine)) are people identified with the country of Argentina. This connection may be residential, legal, historical or cultural. For most Argentines, several (or all) of these connections exist and are collectively the source of their being ''Argentine''. Argentina is a multiethnic and multilingual society, home to people of various ethnic, religious, and national origins, with the majority of the population made up of Old World immigrants and their descendants. As a result, Argentines do not equate their nationality with ethnicity, but with citizenship and allegiance to Argentina. Aside from the indigenous population, nearly all Argentines or their ancestors immigrated within the past five centuries. Among countries in the world that have received the most immigrants in modern history, Argentina, with 6.6 million, ranks second to the United States (27 million), and ahead of other imm ...
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Roberto Fontanarrosa
Roberto Alfredo Fontanarrosa, known popularly as ''El Negro'' Fontanarrosa (November 26, 1944 in Rosario – July 19, 2007), was an Argentine cartoonist, comics artist and writer. During his extended career, Fontanarrosa became one of the most acclaimed ''historieta'' artists of his country, as well as a respected fiction and short story writer. He created two hugely popular comic strips, as well as their parodic protagonists: '' Inodoro Pereyra'', a gaucho, and '' Boogie, el aceitoso'', a gun-for-hire. He also created the comic book ''Los Clásicos según Fontanarrosa'' ("The Classics According to Fontanarrosa"), which contained a selection of humorous parodies of universal literature mainstays originally published in the magazine '' Chaupinela'', in the 1970s. In 2013 an Argentine animated film directed by Juan José Campanella and loosely based on Fontanarrosa's short story ''Memorias de un wing derecho'' was released to box office success. Biography Early life Fontanar ...
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Gaucho
A gaucho () or gaúcho () is a skilled horseman, reputed to be brave and unruly. The figure of the gaucho is a folk symbol of Argentina, Uruguay, Rio Grande do Sul in Brazil, and the south of Chilean Patagonia. Gauchos became greatly admired and renowned in legend, folklore, and literature and became an important part of their regional cultural tradition. Beginning late in the 19th century, after the heyday of the gauchos, they were celebrated by South American writers. The gaucho in some respects resembled members of other nineteenth century rural, horse-based cultures such as the North American cowboy ( in Spanish), of Central Chile, the Peruvian or , the Venezuelan and Colombian , the Ecuadorian , the Hawaiian , the Mexican , and the Portuguese . According to the , in its historical sense a gaucho was a "mestizo who, in the 18th and 19th centuries, inhabited Argentina, Uruguay, and Rio Grande do Sul in Brazil, and was a migratory horseman, and adept in cattle work". In Argen ...
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Inodoro Pereyra
Inodoro Pereyra (The Renegade) is an Argentinean comic created in 1972 by the writer and cartoonist Roberto Fontanarrosa. The main character is a cartoon of a lonely Argentinean gaucho living in the Argentinean Pampas. Full of social, psychological, political and philosophical humor, It parodies to comical effect the language and mannerisms of the gaucho, as for example in the name "Inodoro" a mock-typical gaucho name (taken from the Catholic santoral) like "Isidoro", "Casimiro" etc., but "Inodoro" meaning actually in Spanish "toilet seat". Publication history The comic appeared for first time at the end of 1972 in the popular humor magazine Hortensia, originating from the Córdoba Province (Argentina), which was the home of a pool of talented people at that time. The comic was originally a parody about the linguistics and stereotypes of the native people. Specifically, the main characters were some gaucho characters from comic books (such as Santos Leiva, Lindor Covas "the wi ...
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