Boogaloo (funk Dance)
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Boogaloo (funk Dance)
Boogaloo is a freestyle, improvisational street dance movement of soulful steps and robotic movements which make up the foundations of popping dance and turfing; boogaloo can incorporate illusions, restriction of muscles, stops, robot and/or wiggling. The style also incorporates foundational popping techniques, which were initially referred to as "Posing Hard".Fuhrer, M. (2014) American Dance: The Complete Illustrated History. Voyaguer Press It is related to the later electric boogaloo dance.Guzman-Sanchez, T. (2012) "Oakland Funk Boogaloo to Popping". Underground Dance Masters: Final History of a Forgotten Era. Social dance Chicago Record Hops The Boogaloo was initially a social dance within the African American community in Chicago that had crossover appeal to white teenagers. Between 1965 and 1966, it was described as "a total new look compared to previous (social) dances...the entire body moved in a pulsating motion from side to side. The rhythmic impulse seemed to have ...
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Freestyle Dance
Dance improvisation is the process of spontaneously creating movement. Development of movement material is facilitated through a variety of creative explorations including body mapping through levels, shape and dynamics schema. Improvisation is a free, seemingly unstructured, less technically strict and impulsive form that draws inspiration from everyday dance practices and influences. It is a movement technique that is capable of evoking dramatic and thought-provoking content just as well as more codified western dance techniques such as ballet and non-western movement forms. Dance improvisation is not only about creating ''new'' movement but is also defined as freeing the body from habitual movement patterns (see Postmodern dance and Judson Dance Theater). Dancer and singer Michael Jackson combined improvisation in both of those definitions, insisting that he had an interest in performing a dance to ''Billie Jean'' only if he could do it a new way each time. A lot of improvisatio ...
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