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Bonfire Of The Vanities
A bonfire of the vanities ( it, falò delle vanità) is a burning of objects condemned by religious authorities as occasions of sin. The phrase itself usually refers to the bonfire of 7 February 1497, when supporters of the Dominican friar Girolamo Savonarola collected and burned thousands of objects such as cosmetics, art, and books in the public square of Florence, Italy, on the occasion of Shrove Tuesday, ''martedí grasso''. Francesco Guicciardini's ''The History of Florence'' gives a firsthand account of the 1497 Florentine bonfire of the vanities. The focus of this destruction was on objects that might tempt one to sin, including vanity items such as mirrors, cosmetics, fine dresses, playing cards, and musical instruments. Other targets included books which Savonarola deemed immoral (such as works by Boccaccio), manuscripts of secular songs, and artworks, including paintings and sculpture. Precursors Although often associated with Savonarola, such bonfires had bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perugia
Perugia (, , ; lat, Perusia) is the capital city of Umbria in central Italy, crossed by the River Tiber, and of the province of Perugia. The city is located about north of Rome and southeast of Florence. It covers a high hilltop and part of the valleys around the area. The region of Umbria is bordered by Tuscany, Lazio, and Marche. The history of Perugia goes back to the Etruscan period; Perugia was one of the main Etruscan cities. The city is also known as the universities town, with the University of Perugia founded in 1308 (about 34,000 students), the University for Foreigners (5,000 students), and some smaller colleges such as the Academy of Fine Arts "Pietro Vannucci" ( it, Accademia di Belle Arti "Pietro Vannucci") public athenaeum founded in 1573, the Perugia University Institute of Linguistic Mediation for translators and interpreters, the Music Conservatory of Perugia, founded in 1788, and other institutes. Perugia is also a well-known cultural and art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piagnoni
The Piagnoni were a group of Christians who followed the teachings of Girolamo Savonarola. The later Piagnoni remained in the Catholic Church and kept a mixture with the teachings of Catholic dogma and the teachings of Girolamo Savonarola. The name Piagnoni (meaning weepers) was given because they wept for their sins and the sins of the world. Beliefs The Piagnoni believed the message of Savonarola: that clergy need to stick to their sacramental functions, leave charitable work for the laity, Savonarola also preached against what he saw as "lax and corrupt clergy", and called for a theocratic republic and religious reform. The Piagnoni also opposed secular items deemed sinful by Girolamo Savonarola such as cosmetics, secular art and many musical instruments, which they burned in 1497. History While Savonarola was still alive the Piagnoni supported the campaigns of Savonarola against illicit sex, gambling and blasphemy. Savonarola also organized bandits that persuaded the peop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Di Credi
Lorenzo di Credi (1456/59 – January 12, 1537) was an Italian Renaissance painter and sculptor best known for his paintings of religious subjects. He is most famous for having worked in the studio of Andrea del Verrocchio at the same time as the young Leonardo da Vinci. Life Lorenzo was born in Florence in 1456 or 1459 to a goldsmith named Andrea d' Oderigo. He was apprenticed to Andrea del Verrocchio, probably in the mid-1470s. He eventually became Verrocchio's primary assistant and inherited his workshop on Verrocchio's death in 1488. On Verrocchio's behalf he completed the famous ''Madonna di Piazza'' for the cathedral of Pistoia, commissioned to Verrocchio in 1475 but executed by Lorenzo between 1485 and 1491. Lorenzo's earliest independent works include an ''Annunciation'' in the Uffizi, two panels of the ''Madonna and Child'' at the Galleria Sabauda in Turin, another at the National Gallery in London and ''Adoration of the Child'' at the Pinacoteca Querini Stampal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fra Bartolomeo
Fra Bartolomeo or Bartolommeo (, , ; 28 March 1472 – 31 October 1517), also known as Bartolommeo di Pagholo, Bartolommeo di S. Marco, and his original nickname Baccio della Porta, was an Italian Renaissance painter of religious subjects. He spent all his career in Florence until his mid-forties, when he travelled to work in various cities, as far south as Rome. He trained with Cosimo Rosselli and in the 1490s fell under the influence of Savonarola, which led him to become a Dominican friar in 1500, renouncing painting for several years. Typically his paintings are of static groups of figures in subjects such as the Virgin and Child with Saints. He was instructed to resume painting for the benefit of his order in 1504, and then developed an idealized High Renaissance style, seen in his ''Vision of St Bernard'' of that year, now in poor condition but whose "figures and drapery move with a seraphic grace that must have struck the young Raphael with the force of revelation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apologist
Apologetics (from Greek , "speaking in defense") is the religious discipline of defending religious doctrines through systematic argumentation and discourse. Early Christian writers (c. 120–220) who defended their beliefs against critics and recommended their faith to outsiders were called Christian apologists. In 21st-century usage, ''apologetics'' is often identified with debates over religion and theology. Etymology The term ''apologetics'' derives from the Ancient Greek word (). In the Classical Greek legal system, the prosecution delivered the (), the accusation or charge, and the defendant replied with an ', the defence. The was a formal speech or explanation to reply to and rebut the charges. A famous example is Socrates' Apologia defense, as chronicled in Plato's ''Apology''. In the Koine Greek of the New Testament, the Apostle Paul employs the term ''apologia'' in his trial speech to Festus and Agrippa when he says "I make my defense" in Acts 26:2. A cognate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orestes Brownson
Orestes Augustus Brownson (September 16, 1803 – April 17, 1876) was an American intellectual and activist, preacher, labor organizer, and noted Catholic convert and writer. Brownson was a publicist, a career which spanned his affiliation with the New England Transcendentalists through his subsequent conversion to Roman Catholicism. Early years and education Brownson was born on September 16, 1803, to Sylvester Augustus Brownson and Relief Metcalf, who were farmers in Stockbridge, Vermont. Sylvester Brownson died when Orestes was young and Relief decided to give her son up to a nearby adoptive family when he was six years old. The adopting family raised Brownson under the strict confines of Calvinist Congregationalism on a small farm in Royalton, Vermont. He did not receive much schooling but enjoyed reading books. Among these were volumes by Homer and Locke and the Bible. In 1817, when he was fourteen, Brownson attended an academy briefly in New York. This was the exten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christmas Eve
Christmas Eve is the evening or entire day before Christmas Day, the festival commemorating the birth of Jesus. Christmas Day is observed around the world, and Christmas Eve is widely observed as a full or partial holiday in anticipation of Christmas Day. Together, both days are considered one of the most culturally significant celebrations in Christendom and Western society. Christmas celebrations in the denominations of Western Christianity have long begun on Christmas Eve, due in part to the Christian liturgical day starting at sunset, a practice inherited from Jewish tradition and based on the story of Creation in the Book of Genesis: "And there was evening, and there was morning – the first day." Many churches still ring their church bells and hold prayers in the evening; for example, the Nordic Lutheran churches. Since tradition holds that Jesus was born at night (based in Luke 2:6-8), Midnight Mass is celebrated on Christmas Eve, traditionally at midnight, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Mystical Nativity
''The Mystical Nativity'' is a painting in oil on canvas dated by the Italian Renaissance master Sandro Botticelli, in the National Gallery in London. It is his only signed work and has an unusual iconography for a painting of the Nativity. The Greek inscription at the top translates as: 'This picture, at the end of the year 1500, in the troubles of Italy, I, Alessandro, in the half-time after the time, painted, according to the eleventh hapterof Saint John, in the second woe of the Apocalypse, during the release of the devil for three and a half years; then he shall be bound in the twelfth hapterand we shall see im buriedas in this picture'. Botticelli believed himself to be living during the Great Tribulation, possibly due to the upheavals in Europe at the time, and was predicting Christ's millennium as stated in the Book of Revelation. It has been suggested that the painting may be connected with the influence of Girolamo Savonarola, whose influence appears in a number ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sandro Botticelli
Alessandro di Mariano di Vanni Filipepi ( – May 17, 1510), known as Sandro Botticelli (, ), was an Italian Renaissance painting, Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelite Brotherhood, Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period. In addition to the mythological subjects for which he is best known today, Botticelli painted a wide range of religious subjects (including dozens of renditions of the ''Madonna and Child'', many in the round tondo (art), tondo shape) and also some portraits. His best-known works are ''The Birth of Venus'' and ''Primavera (painting), Primavera'', both in the Uffizi in Florence, which holds many of Botticelli’s w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vasari
Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work '' The Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of all art-historical writing, and the basis for biographies of several Renaissance artists, including Leonardo da Vinci and Michelangelo. Vasari designed the ''Tomb of Michelangelo'' in the Basilica of Santa Croce, Florence that was completed in 1578. Based on Vasari's text in print about Giotto's new manner of painting as a ''rinascita'' (rebirth), author Jules Michelet in his ''Histoire de France'' (1835) suggested adoption of Vasari's concept, using the term ''Renaissance'' (rebirth, in French) to distinguish the cultural change. The term was adopted thereafter in historiography and still is in use today. Life Vasari was born prematurely on 30 July 1511 in Arezzo, Tuscan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sandro Botticelli
Alessandro di Mariano di Vanni Filipepi ( – May 17, 1510), known as Sandro Botticelli (, ), was an Italian Renaissance painting, Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelite Brotherhood, Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period. In addition to the mythological subjects for which he is best known today, Botticelli painted a wide range of religious subjects (including dozens of renditions of the ''Madonna and Child'', many in the round tondo (art), tondo shape) and also some portraits. His best-known works are ''The Birth of Venus'' and ''Primavera (painting), Primavera'', both in the Uffizi in Florence, which holds many of Botticelli’s w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piazza Della Signoria
Piazza della Signoria () is a w-shaped square in front of the Palazzo Vecchio in Florence, Italy. It was named after the Palazzo della Signoria, also called Palazzo Vecchio. It is the main point of the origin and history of the Florentine Republic and still maintains its reputation as the political focus of the city. It is the meeting place of Florentines as well as the numerous tourists, located near Palazzo Vecchio and Piazza del Duomo and gateway to Uffizi Gallery. Buildings The impressive 14th-century Palazzo Vecchio is still preeminent with its crenellated tower. The square is also shared with the Loggia della Signoria, the Uffizi Gallery, the Palace of the Tribunale della Mercanzia (1359) (now the Bureau of Agriculture), and the Palazzo Uguccioni (1550, with a facade attributed to Raphael, who however died thirty years before its construction). Located in front of the Palazzo Vecchio is the Palace of the Assicurazioni Generali (1871, built in Renaissance style). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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