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Boléro
''Boléro'' is a 1928 work for large orchestra by French composer Maurice Ravel. At least one observer has called it Ravel's most famous composition. It was also one of his last completed works before illness forced him into retirement. Composition The work's creation was set in motion by a commission from the dancer Ida Rubinstein, who asked Ravel for an orchestral transcription of six pieces from Isaac Albéniz's set of piano pieces, ''Iberia''. While working on the transcription, Ravel was informed that Spanish conductor Enrique Fernández Arbós had already orchestrated the movements, and that copyright law prevented any other arrangement from being made. When Arbós heard of this, he said he would happily waive his rights and allow Ravel to orchestrate the pieces. But Ravel decided to orchestrate one of his own works instead, then changed his mind and decided to compose a completely new piece based on the ''bolero'', a Spanish dance musical form. While on vacation at ...
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Boléro De Ravel, Orchestre De L'Association Des Concerts Lamoureux, 1935, 1
''Boléro'' is a 1928 work for large orchestra by French composer Maurice Ravel. At least one observer has called it Ravel's most famous composition. It was also one of his last completed works before illness forced him into retirement. Composition The work's creation was set in motion by a commission from the dancer Ida Rubinstein, who asked Ravel for an orchestral transcription of six pieces from Isaac Albéniz's set of piano pieces, ''Iberia''. While working on the transcription, Ravel was informed that Spanish conductor Enrique Fernández Arbós had already orchestrated the movements, and that copyright law prevented any other arrangement from being made. When Arbós heard of this, he said he would happily waive his rights and allow Ravel to orchestrate the pieces. But Ravel decided to orchestrate one of his own works instead, then changed his mind and decided to compose a completely new piece based on the ''bolero'', a Spanish dance musical form. While on vacation at ...
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Boléro De Ravel, Orchestre De L'Association Des Concerts Lamoureux, 1935
''Boléro'' is a 1928 work for large orchestra by French composer Maurice Ravel. At least one observer has called it Ravel's most famous composition. It was also one of his last completed works before illness forced him into retirement. Composition The work's creation was set in motion by a commission from the dancer Ida Rubinstein, who asked Ravel for an orchestral transcription of six pieces from Isaac Albéniz's set of piano pieces, ''Iberia''. While working on the transcription, Ravel was informed that Spanish conductor Enrique Fernández Arbós had already orchestrated the movements, and that copyright law prevented any other arrangement from being made. When Arbós heard of this, he said he would happily waive his rights and allow Ravel to orchestrate the pieces. But Ravel decided to orchestrate one of his own works instead, then changed his mind and decided to compose a completely new piece based on the ''bolero'', a Spanish dance musical form. While on vacation at ...
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Maurice Ravel
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer. Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism, baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, ''Boléro'' (1928), in which repetition takes the place of development. Renowned for his abilities in orchestration, Ravel made some orchestral arrangements of other compose ...
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Bolero (Spanish Dance)
Bolero is a Spanish dance in 3/4 time popular in the late 18th and early 19th centuries. It originated from the seguidilla sometime between 1750 and 1772, and it became very popular in Madrid, La Mancha, Andalusia and Murcia in the 1780s. Bolero was performed as a solo or partner dance with a moderately slow tempo, accompanied by guitar and castanets, and with lyrics in the form of the seguidilla. Sebastián Cerezo was credited by as one of the earliest and best dancers of the genre. According to Zamácola y Ocerín, Cerezo danced slowly and his particular way of dancing marked the definitive transition from seguidilla to bolero (from ''voleo'', cf. ''vuelo'', "flight"). This original slow way of dancing was promoted by Murcian dancer Requejo around 1800 in response to the faster style of bolero dancing that had become popular over the years. The dance became obsolete in the mid-19th century, but survived in an academic tradition known as the escuela bolera, which influenced ...
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Bronislava Nijinska
Bronislava Nijinska (; pl, Bronisława Niżyńska ; russian: Бронисла́ва Фоми́нична Нижи́нская, Bronisláva Fomínična Nižínskaja; be, Браніслава Ніжынская, Branislava Nižynskaja; – February 21, 1972) was a Polish ballet dancer, and an innovative choreographer. She came of age in a family of traveling, professional dancers. Her own career began in Saint Petersburg. Soon she joined Ballets Russes which ventured to success in Paris. She met war-time difficulties in Petrograd and revolutionary turbulence in Kiev. In France again, public acclaim for her works came quickly, cresting in the 1920s. She then enjoyed continuing successes in Europe and the Americas. Nijinska played a pioneering role in the broad movement that diverged from 19th-century classical ballet. Her introduction of modern forms, steps, and motion, and a minimalist narrative, prepared the way of future works. Following serious home training, she entered t ...
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Ida Rubinstein
Ida Lvovna Rubinstein (russian: И́да Льво́вна Рубинште́йн; – 20 September 1960) was a Russian dancer, actress, art patron and Belle Époque figure. She performed with Diaghilev's Ballets Russes from 1909 to 1911 and later formed her own company. '' Boléro'' by Ravel (1928) was among her commissions. Biography Early life and family Rubinstein was born into one of Russia's richest families, to Jewish parents in Kharkov, Russian Empire, and grew up in Saint Petersburg. For many years, it was a mystery whether she was born in Kharkov or Saint Petersburg, complicated by the rumour that "Ida" was short for "Adelaida". Rubinstein herself would not confirm where she was born, nor if Ida was a nickname, preferring the aura of mystery. Years after her death, the record was discovered in the archives of the Kharkov Choral Synagogue, where her father had been a board member: the birth of a daughter, Ida Lvovna, on 21 September ( O.S., N.S. 5 October), to ...
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Walther Straram
Walther Straram (1876-1933) was an English conductor active in France during the early twentieth century. Life and career Walther Marrast was born in London in 1876. He used an anagram of his surname, Straram, professionally. He worked at the Opéra and the Opéra-Comique in Paris before founding his own orchestra, the ''Orchestre des Concerts Straram'', in 1925. This ensemble was considered by some to be the finest orchestra in France at the time. Straram's orchestra emphasized contemporary music, contrasting with the traditional repertoire associated with the other leading orchestra in Paris: the Orchestre de la Société des Concerts du Conservatoire. Straram premiered Ravel's '' Boléro'' as well as two of Messiaen's earliest orchestral works. In addition the ''Orchestre des Concerts Straram'' was conducted by Stravinsky for his first recording of ''The Rite of Spring'' in 1929, and also for the world premiere recording of the ''Symphony of Psalms'' in 1931. Notabl ...
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Piero Coppola
Piero Coppola (11 October 1888 – 17 March 1971) was an Italian conductor, pianist and composer. Life and career Coppola was born in Milan; his parents were both singers. He studied at the Milan Conservatory, graduating in piano and composition in 1910. By 1911 he was already conducting opera at La Scala opera house in Milan. That year he heard Debussy conduct his own compositions '' Ibéria'' and ''Prélude à l'après-midi d'un faune'' in Turin: an experience that "had a decisive influence on his career". He then worked in Brussels, Belgium before spending the duration of World War I in Scandinavia. In 1921 Coppola resided in London and he later moved to France. Between 1923 and 1934 he was the artistic director of ''La Voix de son Maître'', the French branch of The Gramophone Company. In 1924 he was asked by Sylvia Beach to make a recording of James Joyce reading from '' Ulysses'': Coppola replied that the recording would have to be made at Beach's expense, would not have ...
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Orchestra
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, cello, and double bass * woodwinds, such as the flute, oboe, clarinet, saxophone, and bassoon * Brass instruments, such as the horn, trumpet, trombone, cornet, and tuba * percussion instruments, such as the timpani, snare drum, bass drum, cymbals, triangle, tambourine, and mallet percussion instruments Other instruments such as the piano, harpsichord, and celesta may sometimes appear in a fifth keyboard section or may stand alone as soloist instruments, as may the concert harp and, for performances of some modern compositions, electronic instruments and guitars. A full-size Western orchestra may sometimes be called a or philharmonic orchestra (from Greek ''phil-'', "loving", and "harmony"). The actual number of musici ...
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Serge Koussevitzky
Sergei Alexandrovich KoussevitzkyKoussevitzky's original Russian forename is usually transliterated into English as either "Sergei" or "Sergey"; however, he himself adopted the French spelling "Serge", using it in his signature. (SeThe Koussevitzky Music Foundations official web site Retrieved 5 November 2009.) His surname can be transliterated variously as "Koussevitzky", "Koussevitsky", "Kussevitzky", "Kusevitsky", or, into Polish, as "Kusewicki"; however, he himself chose to use "Koussevitzky". (russian: Серге́й Алекса́ндрович Кусеви́цкий, links=no; ''Sergey Aleksandrovich Kusevitsky''; 4 June 1951) was a Russian-born conductor, composer and double-bassist, known for his long tenure as music director of the Boston Symphony Orchestra from 1924 to 1949. Biography Early career Koussevitzky was born into a Jewish family of professional musicians in Vyshny Volochyok, Tver Governorate (present-day Tver Oblast), about 250 km northwest of ...
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Boston Symphony Orchestra
The Boston Symphony Orchestra (BSO) is an American orchestra based in Boston, Massachusetts. It is the second-oldest of the five major American symphony orchestras commonly referred to as the " Big Five". Founded by Henry Lee Higginson in 1881, the BSO performs most of its concerts at Boston's Symphony Hall and in the summer performs at Tanglewood. Since its founding, the orchestra has had 17 music directors, including George Henschel, Serge Koussevitzky, Henri Rabaud, Pierre Monteux, Charles Munch, Erich Leinsdorf, William Steinberg and James Levine. Andris Nelsons is the current music director of the BSO. Seiji Ozawa has the title of BSO music director laureate. Bernard Haitink had held the title of principal guest conductor of the BSO from 1995 to 2004, then conductor emeritus until his death in 2021. The orchestra has made gramophone recordings since 1917 and has occasionally played on soundtrack recordings for films, including ''Schindler's List''. History Early y ...
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Iberia (Albéniz)
''Iberia'' is a suite for piano composed between 1905 and 1909 by the Spanish composer Isaac Albéniz. It is composed of four books of three pieces each; a complete performance lasts about 90 minutes. It is Albéniz's best-known work and considered his masterpiece. It was highly praised by Claude Debussy and Olivier Messiaen, who said: "''Iberia'' is the wonder for the piano; it is perhaps on the highest place among the more brilliant pieces for the king of instruments". Stylistically, this suite falls squarely in the school of Impressionism, especially in its musical evocations of Spain. It is considered one of the most challenging works for the piano: "There is really nothing in Isaac Albeniz's ''Iberia'' that a good three-handed pianist could not master, given unlimited years of practice and permission to play at half tempo. But there are few pianists thus endowed." Composition Book 1 Dedicated to Ernest Chausson's wife. * ''Evocación'' ("Evocation", A minor and A major), ...
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