Boar's Head Theatre
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Boar's Head Theatre
The Boar's Head Theatre was an inn-yard theatre in the Whitechapel area of London from 1598 to around 1616. It was based in the yard of the Boar's Head Inn. During its lifetime as a playhouse, it was home to the Earl of Derby's Men (summer 1599-summer 1601, summer 1602-March 1603), the Earl of Worcester's Men (summer 1601-summer 1602, April 1604–1605 or 1606), and Prince Charles's Men (summer 1609-March 1616); the historian Herbert Berry suggests that many other unidentified companies may have played there, as well. Location The Boar's Head was located on the north side of Whitechapel High Street. Berry notes that "it became a playhouse partly because of where it was — just outside the City of London … a few feet beyond the ordinary jurisdiction of the lord mayor and his aldermen". Until the end of the nineteenth century ''Boars Head Yard'', named after the original inn, was a small alley running between Middlesex Street and Gulston Street, parallel to Whitechapel High ...
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Inn-yard Theatre
In the historical era of English Renaissance drama, an Inn-yard theatre or Inn-theatre was a common inn with an inner courtyard with balconies that provided a venue for the presentation of stage plays. Beginnings The Elizabethan era is appropriately famous for the construction of the earliest permanent professional playhouses in Britain, starting with James Burbage's The Theatre in 1576 and continuing through the Curtain (1577), the Rose, Swan, Globe and others —; a development that allowed the evolution of the drama of Christopher Marlowe, William Shakespeare, Ben Jonson and their contemporaries and successors. Prior to the building of The Theatre, plays were sometimes staged in public halls, the private houses of aristocrats, or royal palaces —; but most often, and most publicly, they were acted in the courtyards of inns. (It is an often-stated truism of the critical literature that the open-air public theatres or amphitheatres of Burbage and his successors were modeled on ...
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William Rowley
William Rowley (c. 1585 – February 1626) was an English Jacobean dramatist, best known for works written in collaboration with more successful writers. His date of birth is estimated to have been c. 1585; he was buried on 11 February 1626 in the graveyard of St James's, Clerkenwell in north London. (An unambiguous record of Rowley's death was discovered in 1928, but some authorities persist in listing his year of death as 1642.) Life and work Rowley was an actor-playwright who specialised in playing clown characters (that is, characters whose function is to provide low comedy). He must also have been a large man, since his forte lay specifically in fat-clown roles. He played the Fat Bishop in Thomas Middleton's ''A Game at Chess'', and Plumporridge in the same author's ''Inner Temple Masque''. He also wrote fat-clown parts for himself to play: Jaques in ''All's Lost by Lust'' (a role "personated by the Poet", the 1633 quarto states), and Bustopha in ''The Maid in the Mill'', h ...
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Former Buildings And Structures In The London Borough Of Tower Hamlets
A former is an object, such as a template, gauge or cutting die, which is used to form something such as a boat's hull. Typically, a former gives shape to a structure that may have complex curvature. A former may become an integral part of the finished structure, as in an aircraft fuselage, or it may be removable, being using in the construction process and then discarded or re-used. Aircraft formers Formers are used in the construction of aircraft fuselage, of which a typical fuselage has a series from the nose to the empennage, typically perpendicular to the longitudinal axis of the aircraft. The primary purpose of formers is to establish the shape of the fuselage and reduce the column length of stringers to prevent instability. Formers are typically attached to longerons, which support the skin of the aircraft. The "former-and-longeron" technique (also called stations and stringers) was adopted from boat construction, and was typical of light aircraft built until the ...
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Elizabethan Architecture
Elizabethan architecture refers to buildings of a certain style constructed during the reign of Queen Elizabeth I of England and Ireland from 1558–1603. Historically, the era sits between the long era of the dominant architectural style of religious buildings by the Catholic Church, which ended abruptly at the Dissolution of the Monasteries from c.1536, and the advent of a court culture of pan-European artistic ambition under James I (1603–25). Stylistically, Elizabethan architecture is notably pluralistic. It came at the end of insular traditions in design and construction called the Perpendicular style in the church building, the fenestration, vaulting techniques, and open truss designs of which often affected the detail of larger domestic buildings. However, English design had become open to the influence of early printed architectural texts (namely Vitruvius and Alberti) imported to England by members of the church as early as the 1480s. Into the 16th century, illus ...
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1616 Disestablishments
Events January–June * January ** Six-year-old António Vieira arrives from Portugal, with his parents, in Bahia (present-day Salvador) in Colonial Brazil, where he will become a diplomat, noted author, leading figure of the Church, and protector of Brazilian indigenous peoples, in an age of intolerance. ** Officials in Württemberg charge astronomer Johannes Kepler with practicing "forbidden arts" (witchcraft). His mother had also been so charged and spent 14 months in prison. * January 1 – King James I of England attends the masque ''The Golden Age Restored'', a satire by Ben Jonson on fallen court favorite the Earl of Somerset. The king asks for a repeat performance on January 6. * January 3 – In the court of James I of England, the king's favorite George Villiers becomes Master of the Horse (encouraging development of the thoroughbred horse); on April 24 he receives the Order of the Garter; and on August 27 is created Viscount Villiers and Baron Waddon, receivin ...
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