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Blur Discography
The discography of English rock band Blur consists of nine studio albums, five live albums, five compilation albums, one remix album, two video albums, four extended plays, 35 singles, 10 promotional singles and 37 music videos. Formed in London in 1988, the group consists of singer/keyboardist Damon Albarn, guitarist/singer Graham Coxon, bassist Alex James and drummer Dave Rowntree. Three years later, their debut release, the Madchester and shoegazing-tinged ''Leisure'' (1991), peaked at number seven on the UK Albums Chart. ''Modern Life Is Rubbish'' (1993) inaugurated the Britpop phase of their career. Its multi-Platinum follow-ups ''Parklife'' (1994) and '' The Great Escape'' (1995) helped the band achieve mainstream popularity in Britain; every Blur studio album from ''Parklife'' onwards has topped the British charts. Albums Studio albums Live albums Compilation albums Remix albums Video albums Extended plays Box sets Singles Promotional singles Other ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blur (band)
Blur are an English rock band formed in London in 1988. The band consists of singer Damon Albarn, guitarist Graham Coxon, bassist Alex James and drummer Dave Rowntree. Their debut album, ''Leisure'' (1991), incorporated the sounds of Madchester and shoegazing. Following a stylistic change influenced by English guitar pop groups such as the Kinks, the Beatles and XTC, Blur released ''Modern Life Is Rubbish'' (1993), ''Parklife'' (1994) and '' The Great Escape'' (1995). As a result, the band helped to popularise the Britpop genre and achieved mass popularity in the UK, aided by a chart battle with rival band Oasis in 1995 dubbed "The Battle of Britpop". Blur's self-titled fifth album (1997) saw another stylistic shift, influenced by the lo-fi styles of American indie rock groups, and became their third UK chart-topping album. Its single " Song 2" brought the band mainstream success in the US for the first time. Their next album, '' 13'' (1999) saw the band experimenting with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madchester
Madchester was a musical and cultural scene that developed in the English city of Manchester in the late 1980s, closely associated with the indie dance scene. Indie-dance (sometimes referred to as indie-rave) saw artists merging indie music with elements of acid house, psychedelia and 1960s pop. The term Madchester was coined by Factory Records' Tony Wilson, with the label popularised by the British music press in the early 1990s, and its most famous groups include the Stone Roses, Happy Mondays, Inspiral Carpets, the Charlatans, James and 808 State. It is widely seen as being heavily influenced by drugs, especially MDMA. At that time, the Haçienda nightclub, co-owned by members of New Order, was a major catalyst for the distinctive musical ethos in the city that was called the Second Summer of Love. Pre-Madchester The music scene in Manchester immediately before the Madchester era had been dominated by The Smiths, New Order, and The Fall, who were to become a significa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Canadian music charts ''RPM'' maintained several format charts, including Top Singles (all genres), Adult Contemporary, Dance, Urban, Rock/Alternative and Country Tracks (or Top Country Tracks) for country music. On 21 March 1966, ''RPM'' expanded its Top Singles chart from 40 positions to 100. On 6 December 1980, the main chart became a top-50 chart and remained this way until 4 August 1984, whereupon it reverted to a top-100 singles chart. For the first several weeks of its existence, the magazine did not compile a national chart, but simply printed the cur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival, CBS, RCA, WEA and Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licenses and royalties. The association has more than 100 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a Board of Directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian Recording Industry Association, which was established by the six major record companies operati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ARIA Charts
The ARIA Charts are the main Australian music sales charts, issued weekly by the Australian Recording Industry Association. The charts are a record of the highest selling songs and albums in various genres in Australia. ARIA became the official Australian music chart in June 1988, succeeding the Kent Music Report, which had been Australia's national music sales charts since 1974. History The ''Go-Set'' charts were Australia's first national singles and albums charts, published from 5 October 1966 until 24 August 1974. Succeeding ''Go-Set'', the Kent Music Report began issuing the national top 100 charts in Australia from May 1974. The compiler, David Kent, also published Australia's national charts from 1940 to 1974 in a retrospective fashion using state-based data. In mid-1983, the Australian Recording Industry Association commenced licensing the Kent Music Report chart. The first printed national top 50 chart available in record stores, branded the ''Countdown'' chart, was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Official Charts Company
The Official Charts (legal name: The Official UK Charts Company Limited) is a British inter-professional organization that compiles various "official" record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles, albums and films, with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a private company limited by shares jointly owned by BPI and ERA. The Chart Information Network (CIN) took over as compilers of the o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Music Recording Certifications
Music recording certifications are typically awarded by the worldwide music industry based on the total units sold, streamed, or shipped to retailers. These awards and their requirements are defined by the various certifying bodies representing the music industry in various countries and territories worldwide. The standard certification awards given consist of Gold, Platinum, and sometimes Diamond awards, in ascending order; the UK also has a Silver certification, ranking below Gold. In most cases, a "Multi-Platinum" or "Multi-Diamond" award is given for multiples of the Platinum or Diamond requirements. Many music industries around the world are represented by the International Federation of the Phonographic Industry (IFPI). The IFPI operates in 66 countries and services affiliated industry associations in 45 countries. In some cases, the IFPI is merely affiliated with the already operational certification bodies of a country, but in many countries with lesser-developed industr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Great Escape (Blur Album)
''The Great Escape'' is the fourth studio album by the English rock band Blur. It was released on 11 September 1995 on Food and Virgin Records. The album reached number one on the UK Albums Chart and charted in the top 10 in more than ten countries around the world. Less than a year after the album was released, it was certified triple platinum in the UK. The album received near-universal acclaim on release. The album continued the band's run of hit singles, with "Country House", "The Universal", "Stereotypes" and "Charmless Man" all reaching the top 10 of the UK Singles Chart. "Country House" was Blur's first number one hit in the UK, beating Oasis' " Roll with It", in a chart rivalry dubbed " The Battle of Britpop". ''The Great Escape'' is often considered to be the final album of a trio of Britpop albums released by Blur in the mid-1990s, after ''Modern Life Is Rubbish'' (1993) and ''Parklife'' (1994). With Blur's 1997 self-titled album, the band would change direction and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parklife
''Parklife'' is the third studio album by the English rock band Blur, released on 25 April 1994 on Food Records. After disappointing sales for their previous album ''Modern Life Is Rubbish'' (1993), ''Parklife'' returned Blur to prominence in the UK, helped by its four hit singles: " Girls & Boys", "End of a Century", "Parklife" and " To the End". Certified four times platinum in the United Kingdom, in the year following its release the album came to define the emerging Britpop scene, along with the album ''Definitely Maybe'' by future rivals Oasis. Britpop in turn would form the backbone of the broader Cool Britannia movement. ''Parklife'' therefore has attained a cultural significance above and beyond its considerable sales and critical acclaim, cementing its status as a landmark in British rock music. In 2010, ''Parklife'' was one of ten classic album covers from British artists commemorated on a UK postage stamp issued by the Royal Mail. In 2015, ''Spin'' included the al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Britpop
Britpop was a mid-1990s British-based music culture movement that emphasised Britishness. It produced brighter, catchier alternative rock, partly in reaction to the popularity of the darker lyrical themes of the US-led grunge music and to the UK's own shoegaze music scene. The movement brought British alternative rock into the mainstream and formed the backbone of a larger British popular cultural movement, Cool Britannia, which evoked the Swinging Sixties and the British guitar pop of that decade. Britpop was a media-driven focus on bands which emerged from the independent music scene of the early 1990s. Although the term was viewed as a marketing tool, and more of a cultural moment than a musical style or genre, its associated bands typically drew from the British pop music of the 1960s, glam rock and punk rock of the 1970s and indie pop of the 1980s. The most successful bands linked with Britpop were Oasis, Blur, Suede and Pulp, known as the movement's "big four", al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Life Is Rubbish
''Modern Life Is Rubbish'' is the second album by English alternative rock band Blur, released in May 1993. Although their debut album ''Leisure'' (1991) had been commercially successful, Blur faced a severe media backlash soon after its release, and fell out of public favour. After the group returned from an unsuccessful tour of the United States, poorly received live performances and the rising popularity of rival band Suede further diminished Blur's status in the UK. Under threat of being dropped by Food Records, for their next album Blur underwent an image makeover championed by frontman Damon Albarn. The band incorporated influences from traditional British guitar-pop groups such as the Kinks and the Small Faces, and the resulting sound was melodic and lushly produced, featuring brass, woodwind and backing vocalists. Albarn's lyrics on ''Modern Life Is Rubbish'' use "poignant humour and Ray Davies characterisation to investigate the dreams, traditions and prejudices of subu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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