Blues In Orbit
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Blues In Orbit
''Blues in Orbit'' is an album by American pianist, composer and bandleader Duke Ellington recorded for the Columbia label in 1959 and released in 1960.A Duke Ellington Panorama
accessed May 18, 2010
The original liner notes by described this album as primarily a blues album (as most of the track titles indicate). The album was re-released on CD in 2004 with bonus tracks including alternate takes and tracks from earlier sessions.


Reception

The reviewer Bruce Eder stated: "''Blues in Orbit'' lacks the intellectual cachet of the suites and concept pieces that l ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Milt Gabler
Milton Gabler (May 20, 1911 – July 20, 2001) was an American record producer, responsible for many innovations in the recording industry of the 20th century. These included being the first person to deal in record reissues, the first to sell records by mail order, and the first to credit all the musicians on the recordings. He was also a successful songwriter, writing the lyrics for a number of standards, including "In a Mellow Tone," "Danke Schoen," and "L-O-V-E." Early life Gabler was born to a Jewish family in Harlem, New York, the son of Susie (née Kasindorf) and Julius Gabler. His father was an Austrian Jewish immigrant from Vienna, and his mother's family were Jewish immigrants from Russia, including Rostov. At 15, he began working in his father's business, the Commodore Radio Corporation, a radio shop located on East 42nd Street in New York City. Career 1930s By the mid-1930s, Gabler renamed the business the Commodore Music Shop, and it became a focal point for ja ...
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Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ...
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Britt Woodman
Britt Woodman (June 4, 1920 – October 13, 2000) was an American jazz trombonist. Career Woodman was a childhood friend of Charles Mingus, but first worked with Phil Moore and Les Hite. After service in World War II he played with Boyd Raeburn before joining with Lionel Hampton in 1946. During the 1950s he worked with Ellington. As a member of Ellington's band he can be heard on '' Such Sweet Thunder'' (1957), ''Ella Fitzgerald Sings the Duke Ellington Song Book'' (also 1957), '' Black, Brown, and Beige'' (1958) and '' Ellington Indigos'' (1958). In 1960 he left Ellington to work in a pit orchestra. Later he worked with Mingus and can be heard on the album ''Mingus Mingus Mingus Mingus Mingus'' (1963). In the 1970s, he led his own octet and worked with pianist Toshiko Akiyoshi. In 1989, he was in the personnel for the album ''Epitaph'' dedicated to the previously unrecorded music of Charles Mingus. He died in Hawthorne, California at the age of 80, having suffered severe ...
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Fats Ford
Fats or FATS may refer to: * More than one type of fat, one of the three main macronutrients, along with carbohydrate and protein People with the nickname "Fats" * Harmonica Fats (1927–2000), American blues harmonica player who was active in the 1950s through to the 1990s * Hollywood Fats (1954–1986), American blues guitarist, active in Los Angeles, California * Fats Dantonio (1918–1993), American Major League Baseball catcher * Alex Delvecchio (born 1931), Canadian hockey player * Fats Domino (1928–2017), American rock and roll singer and pianist * Fats Everett (1915–1969), American politician * Peter Fatialofa (1959–2013), Samoan rugby player * Bob Fothergill (1897–1938), American Major League Baseball player * Fats Heard (1923–1987), American jazz drummer * Fats Jenkins (1898–1968), American Negro leagues baseball and barnstorming basketball player * Frank Kalin (1917–1975), American Major League Baseball outfielder * Fats Kaplin, American fiddler * Anthon ...
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Clark Terry
Clark Virgil Terry Jr. (December 14, 1920 – February 21, 2015) was an American swing and bebop trumpeter, a pioneer of the flugelhorn in jazz, and a composer and educator. He played with Charlie Barnet (1947), Count Basie (1948–51), Duke Ellington (1951–59), Quincy Jones (1960), and Oscar Peterson (1964–96). He was with The Tonight Show Band on ''The Tonight Show'' from 1962 to 1972. His career in jazz spanned more than 70 years, during which he became one of the most recorded jazz musicians, appearing on over 900 recordings. Terry also mentored Quincy Jones, Miles Davis, Herbie Hancock, Wynton Marsalis, Pat Metheny, Dianne Reeves, and Terri Lyne Carrington.Terry, C. ''Clark: The Autobiography of Clark Terry'', University of California Press (2011). Early life Terry was born to Clark Virgil Terry Sr. and Mary Terry in St. Louis, Missouri, on December 14, 1920. Yanow, Scott Clark Terry biographyat Allmusic. He attended Vashon High School and began his professional care ...
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Shorty Baker
Harold "Shorty" Baker (May 26, 1914 in St. Louis, Missouri, US – November 8, 1966) was an American jazz trumpeter. Baker began on drums, but switched to trumpet during his teens. He started his career on riverboats and played with Don Redman in the mid-1930s. He also worked with Teddy Wilson and Andy Kirk before joining Duke Ellington. He married Kirk's pianist Mary Lou Williams and though the two separated shortly thereafter, they never officially divorced. Baker worked on and off in Duke Ellington's Orchestra from 1942 to 1962. He also worked with Johnny Hodges's group in the early 1950s, during the period when Hodges was not a member of Ellington's orchestra. He died of throat cancer in New York at the age of 52.Owsley, D. (2006). ''City of Gabriels: The History of Jazz in St. Louis, 1895-1973''. United States: Reedy Press, p. 57 Discography As leader/co-leader *''The Broadway Beat'' (King, 1959) *'' The Bud Freeman All-Stars featuring Shorty Baker'' (Swingville, 1960) wit ...
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Cat Anderson
William Alonzo "Cat" Anderson (September 12, 1916 – April 29, 1981) was an American jazz trumpeter known for his long period as a member of Duke Ellington's orchestra and for his wide range, especially his ability to play in the altissimo register. Biography Born in Greenville, South Carolina, Anderson lost both parents when he was four years old, and was sent to live at the Jenkins Orphanage in Charleston, where he learned to play trumpet. Classmates gave him the nickname "Cat" (which he used all his life) based on his fighting style. He toured and made his first recording with the Carolina Cotton Pickers, a small group based at the orphanage. After leaving the Cotton Pickers, Anderson played with guitarist Hartley Toots, Claude Hopkins' big band, Doc Wheeler's Sunset Orchestra (1938–1942), with whom he also recorded, Lucky Millinder, the Erskine Hawkins Orchestra, Sabby Lewis's Orchestra, and Lionel Hampton, with whom he recorded the classic "Flying Home No.  ...
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Violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular use. The violin typically has four strings (music), strings (some can have five-string violin, five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow (music), bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical music, Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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Ray Nance
Ray Willis Nance (December 10, 1913 – January 28, 1976) was an American jazz trumpeter, violinist and singer. He is best remembered for his long association with Duke Ellington and his orchestra. Early years Nance was the leader of his own band in Chicago from 1932 to 1937. Then, he worked with Earl Hines from 1937 to 1939; and from 1939 to 1940 he worked with Horace Henderson. Ellington tenure Ellington hired Nance to replace trumpeter Cootie Williams, who had joined Benny Goodman, in 1940. Nance's first recorded performance with Ellington was at the Duke Ellington at Fargo, 1940 Live, Fargo, North Dakota ballroom dance. Shortly after joining the band, Nance was given the trumpet solo on the earliest recorded version of "Take the "A" Train", which became the Ellington theme. Nance's "A Train" solo is one of the most copied and admired trumpet solos in jazz history. Indeed, when Cootie Williams returned to the band more than twenty years later, he would play Nance's sol ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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