Blues-a-Plenty
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Blues-a-Plenty
''Blues A-Plenty'' is an album recorded by American jazz saxophonist Johnny Hodges featuring performances recorded in 1958 and released on the Verve label. Reception The Allmusic site awarded the album 3 stars. Track listing ''All compositions by Johnny Hodges except as indicated'' # "I Didn't Know About You" ( Duke Ellington, Bob Russell) - 3:35 # "Cool Your Motor" - 3:39 # "Gone With the Wind" ( Allie Wrubel, Herb Magidson) - 3:21 # "Honey Hill" - 4:05 # "Blues-a-Plenty" - 3:26 # "Don't Take Your Love from Me" (Henry Nemo) - 3:43 # "Saturday Afternoon Blues" - 6:02 # "Satin Doll" (Ellington) - 5:04 # "Reeling and Rocking" - 9:35 Personnel *Johnny Hodges - alto saxophone *Roy Eldridge - trumpet *Vic Dickenson - trombone *Ben Webster - tenor saxophone * Billy Strayhorn - piano *Jimmy Woode - bass *Sam Woodyard Sam Woodyard (January 7, 1925 – September 20, 1988) was an American jazz drummer. He was born in Elizabeth, New Jersey, United States. Woodyard was largely an ...
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Billy Strayhorn
William Thomas Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger, who collaborated with bandleader and composer Duke Ellington for nearly three decades. His compositions include "Take the 'A' Train", "Chelsea Bridge", "A Flower Is a Lovesome Thing", and " Lush Life". Early life Strayhorn was born in Dayton, Ohio, United States. His family soon moved to the Homewood section of Pittsburgh, Pennsylvania. However, his mother's family came from Hillsborough, North Carolina, and she sent him there to protect him from his father's drunken sprees. Strayhorn spent many months of his childhood at his grandparents' house in Hillsborough. In an interview, Strayhorn said that his grandmother was his primary influence during the first ten years of his life. He became interested in music while living with her, playing hymns on her piano, and playing records on her Victrola record player. Return to Pittsburgh and meeting Ellington S ...
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Vic Dickenson
Victor Dickenson (August 6, 1906 – November 16, 1984) was an American jazz trombonist. His career began in the 1920s and continued through musical partnerships with Count Basie (1940–41), Sidney Bechet (1941), and Earl Hines. Life and career Born in Xenia, Ohio, in 1906, Dickenson wanted to be a plasterer like his father, but he abandoned the idea after injuring himself by falling off a ladder.John S. Wilson"Vic Dickenson, a trombonist with Basie band in 40's, dies" ''The New York Times'', November 18, 1984. He studied organ from 1922, then changed to performing trombone with local bands. He made his recording debut in December 1930 as a vocalist with Luis Russell's band. He joined Blanche Calloway's orchestra in the early 1930s. He led his own groups both on the east and west coast between 1947 and the mid-1950s. From then he was a session man. He appeared on the television program ''The Sound of Jazz'' in 1957 with Count Basie, Coleman Hawkins, Roy Eldridge, Gerry Mullig ...
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The Big Sound (Johnny Hodges Album)
''The Big Sound'' is an album recorded by American jazz saxophonist Johnny Hodges featuring performances with members of the Duke Ellington Orchestra recorded in 1957 and released on the Verve label.Verve Records Catalog: 8200 series
accessed February 16, 2016
Discography of the Verve, Clef and Norgran labels
accessed February 16, 2016


Reception

The review by sta ...
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Not So Dukish
''Not So Dukish'' is an album recorded by American jazz saxophonist Johnny Hodges featuring performances recorded in 1958 and released on the Verve label.Verve Records Catalog: 8300 series
accessed February 11, 2016
Discography of the Verve, Clef and Norgran labels
accessed February 11, 2016


Reception

The site awarded the album 3 stars.


Track listing

''All compositions by Johnny Hodges except as indicated'' # "M. H. R." (Johnny Hodges, Bi ...
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Ben Webster
Benjamin Francis Webster (March 27, 1909 – September 20, 1973) was an American jazz tenor saxophonist. Career Early life and career A native of Kansas City, Missouri, he studied violin, learned how to play blues on the piano from Pete Johnson, and received saxophone lessons from Budd Johnson. He played with Lester Young in the Young Family Band. He recorded with Blanche Calloway and became a member of the Bennie Moten Orchestra with Count Basie, Hot Lips Page, and Walter Page. For the rest of the 1930s, he played in bands led by Willie Bryant, Benny Carter, Cab Calloway, Fletcher Henderson, Andy Kirk (musician), Andy Kirk, and Teddy Wilson. With Ellington Webster was a soloist with the Duke Ellington Orchestra from 1940, appearing on "Cotton Tail". He considered Johnny Hodges, an alto saxophonist in the Ellington orchestra, a major influence on his playing. Gunther Schuller wrote in 1989 that Hodges influence pushed him away from his original inspiration, Coleman ...
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Sam Woodyard
Sam Woodyard (January 7, 1925 – September 20, 1988) was an American jazz drummer. He was born in Elizabeth, New Jersey, United States. Woodyard was largely an autodidact on drums and played locally in the Newark, New Jersey area in the 1940s. He performed with Paul Gayten in an R&B group, then played in the early 1950s with Joe Holiday, Roy Eldridge, and Milt Buckner. In 1955, he joined Duke Ellington's orchestra and remained until 1966. After his time with Ellington, Woodyard worked with Ella Fitzgerald, then moved to Los Angeles. In the 1970s, he played less due to health problems, but he recorded with Buddy Rich, and toured with Claude Bolling. In 1983, he belonged to a band with Teddy Wilson, Buddy Tate, and Slam Stewart. His last recording was on Steve Lacy's 1988 album, '' The Door''. He died of cancer in Paris at the age of 63. Discography With Cat Anderson * ''Plays at 4 a.m.'' (Columbia, 1958) * ''Ellingtonia'' (Wynne, 1959) * ''A Chat with Cat Anderson'' (Columbi ...
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Roy Eldridge
David Roy Eldridge (January 30, 1911 – February 26, 1989), nicknamed "Little Jazz", was an American jazz trumpeter. His sophisticated use of harmony, including the use of tritone substitutions, his virtuosic solos exhibiting a departure from the dominant style of jazz trumpet innovator Louis Armstrong, and his strong impact on Dizzy Gillespie mark him as one of the most influential musicians of the swing era and a precursor of bebop. Biography Early life Eldridge was born on the North Side of Pittsburgh, Pennsylvania on January 30, 1911, to parents Alexander, a wagon teamster, and Blanche, a gifted pianist with a talent for reproducing music by ear, a trait that Eldridge claimed to have inherited from her. Eldridge began playing the piano at the age of five; he claims to have been able to play coherent blues licks at even this young age. The young Eldridge looked up to his older brother, Joe Eldridge (born Joseph Eldridge, 1908, North Side of Pittsburgh, Pennsylvania, di ...
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Jimmy Woode
James Bryant Woode (September 23, 1926 – April 23, 2005) was an American jazz bassist. He played and/or recorded in bands with Flip Phillips, Sarah Vaughan, Ella Fitzgerald, Charlie Parker, Duke Ellington, Coleman Hawkins, Nat Pierce, Sidney Bechet, Billie Holiday, Jaki Byard, Earl Hines, Jimmy Witherspoon, Clark Terry and Miles Davis. Biography Woode was born September 23, 1926 in Philadelphia, Pennsylvania, United States. His father, also named Jimmy Woode, was a music teacher and pianist who had played with Hot Lips Page. Woode studied piano and bass in Boston at Boston University and at the Conservatory of Music, as well as at the Philadelphia Academy. He joined the Duke Ellington Orchestra in 1955,Steve Vocebr>Obituary: Jimmy Woode ''The Independent'', 28 April 2005 appearing on many of Ellington's recordings, including '' Such Sweet Thunder'' and ''Ella Fitzgerald Sings the Duke Ellington Songbook'', both from 1957, as well as the performance at the 1956 Newport Jazz Fes ...
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Johnny Hodges
Cornelius "Johnny" Hodges (July 25, 1907 – May 11, 1970) was an American alto saxophonist, best known for solo work with Duke Ellington's big band. He played lead alto in the saxophone section for many years. Hodges was also featured on soprano saxophone, but refused to play soprano after 1946. Along with Benny Carter, Hodges is considered to be one of the definitive alto saxophone players of the big band era. After beginning his career as a teenager in Boston, Hodges began to travel to New York and played with Lloyd Scott, Sidney Bechet, Luckey Roberts and Chick Webb. When Ellington wanted to expand his band in 1928, Ellington's clarinet player Barney Bigard recommended Hodges. His playing became one of the identifying voices of the Ellington orchestra. From 1951 to 1955, Hodges left the Duke to lead his own band, but returned shortly before Ellington's triumphant return to prominence – the orchestra's performance at the 1956 Newport Jazz Festival. Biography Early life Ho ...
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Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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