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Blueblood (album)
''Blueblood'' is the sixth full-length studio album by indie rock band Silkworm, released in 1998. Unlike other Silkworm releases, it was not recorded by their long-time engineer Steve Albini, though he is credited with mixing the record (he would record the band on their next album, '' Lifestyle''). It is the band's first album released on Touch and Go Records. Critical reception The ''Chicago Reader'' called the album "disappointingly flat and half-baked." ''Salon'' wrote that " imMidgett sings ragged and artless in the accepted indie style, but an endearing half-resigned, half-yearning melancholy is all he needs to put the wry words across." '' CMJ New Music Monthly'' called ''Blueblood'' "a stimulating mix of riff-fueled rants and more meandering tunes." Track listing #Eff -- (3:46) #I Must Prepare (Tablecloth Tint) -- (2:47) #Said It Too Late -- (2:44) #Redeye -- (2:11) #Empty Elevator Shaft -- (3:41) #Beyond Repair -- (5:21) #Tonight We're Meat -- (4:34) #Ritz Dance -- (4:0 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silkworm (band)
Silkworm was an American indie rock band active from 1987 to 2005 whose core members were Tim Midyett, Andy Cohen, and Michael Dahlquist. History Origins: 1985–1987 Founding members Tim Midyett (formerly Midgett), Joel RL Phelps, and Andy Cohen began writing and performing under the name Ein Heit in Missoula, Montana from 1985 to 1987. In 1987, they adopted the name Silkworm. Relocation: 1987–1990 They relocated to Seattle in 1990, where they met drummer Michael Dahlquist. During a radio interview on WNUR at Northwestern University, Steve Albini called in to contact the band. Albini had attended Hellgate High School, the same high school that Phelps, Midyett, and Cohen attended in Missoula, Montana. This connection led to Albini recording the band's album '' In the West''. Phelps left the band in 1994 due to mental health issues and the rigors of touring. Matt Kadane of Bedhead and The New Year played keyboards on '' Italian Platinum'' and '' It'll Be Cool''. Breaku ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indie Rock
Indie rock is a Music subgenre, subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or "Pop rock, guitar pop rock". One of the primary scenes of the movement was Dunedin, where Dunedin sound, a cultural scene based around a convergence of noise pop and jangle became popular among the city's University of Otago, large student population. Independent labels such as Flying Nun Records, Flying Nun began to promote the scene across New Zealand, inspiring key college rock bands in the United States such as Pavement (band), Pavement, Pixies (band), Pixies and R.E.M. Other notable scenes grew in Madchester, Manchester and Hamburger Schule, Hamburg, with many others thriving thereafter. In the 1980s, the use of the term "independent music, indie" (or " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Touch And Go Records
Touch and Go Records is an American independent record label based in Chicago, Illinois. After its genesis as a handmade fanzine in 1979, it grew into one of the key record labels in the American 1980s underground and alternative rock scenes. Touch & Go carved out a reputation for releasing adventurous noise rock by the likes of Big Black, the Butthole Surfers, and The Jesus Lizard. Touch & Go helped to spearhead the nationwide network of underground bands that formed the pre-Nirvana indie rock scene, and helped preside over the shift from the hardcore punk that then dominated the American underground scene to the more diverse styles of alternative rock emerging at the time. History The zine was formed in 1979 in East Lansing, Michigan as Touch and Go magazine, a self-printed fanzine written and produced by Tesco Vee and Dave Stimson. It wasn't until 1981 that it grew into an independent record label. Vee (later front man of The Meatmen) was bored with the punk sounds of the day ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Developer (album)
''Developer'' is the fifth full-length studio album by indie rock band Silkworm, released in 1997. It was their second and final album released on Matador Records before they moved to Touch and Go. Critical reception '' The Stranger'' called the album "dour, funny, casual, intense, refined, and raw." '' CMJ New Music Monthly'' wrote that the songs "seem to have been sequenced to maximize the contrast between bassist Tim Midgett's tersely emotional lyrics and guitarist Andy Cohen's sardonic, anecdotal style." ''Miami New Times'' wrote that Silkworm's songs "unwind slowly and abstractly, with Cohen's busy but lyrical solos tearing out a center in the rhythms -- skidding off on surprising tangents, never going for any predictable or simple momentum." The ''Chicago Reader'' praised the album's "frantic guitar, strangulated vocals, and drunken drumming." Track listing #"Give Me Some Skin" -- (3:33) #"Never Met a Man I Didn't Like" -- (3:18) #"The City Glows" -- (3:06) #"Developer" - ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lifestyle (Silkworm Album)
''Lifestyle'' is the seventh studio album by the American indie rock band Silkworm. It was released on August 8, 2000, by Touch and Go Records, their second on the label. Production The album was produced by Steve Albini, the band's longtime producer (although he had only mixed Silkworm's previous album). Critical reception ''Exclaim!'' wrote: "You can dig 'Treat the New Guy Right' and 'YR Web' for being the appropriate ratio of ride in the drums, propagation of the bass, twinkling keys, alternately chiming and grinding guitars, and the worldly wise lyrics." Eric Weisbard, in ''The Village Voice'', wrote: "Silkworm wouldn’t relish the comparison, but ''Lifestyle'' reminds me of Pearl Jam’s underappreciated ''Yield''—rock made to honor a band’s sense of their own standards." The ''Chicago Reader'' wrote that "Neil Young's slow-burn lyricism is still a big influence--that's especially evident in the wrenching guitar solo that opens 'That's Entertainment'—but these guys ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitchfork (website)
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously review ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indie Rock
Indie rock is a Music subgenre, subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or "Pop rock, guitar pop rock". One of the primary scenes of the movement was Dunedin, where Dunedin sound, a cultural scene based around a convergence of noise pop and jangle became popular among the city's University of Otago, large student population. Independent labels such as Flying Nun Records, Flying Nun began to promote the scene across New Zealand, inspiring key college rock bands in the United States such as Pavement (band), Pavement, Pixies (band), Pixies and R.E.M. Other notable scenes grew in Madchester, Manchester and Hamburger Schule, Hamburg, with many others thriving thereafter. In the 1980s, the use of the term "independent music, indie" (or " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicago Reader
The ''Chicago Reader'', or ''Reader'' (stylized as ЯEADER), is an American alternative weekly newspaper in Chicago, Illinois, noted for its literary style of journalism and coverage of the arts, particularly film and theater. It was founded by a group of friends from Carleton College. The ''Reader'' is recognized as a pioneer among alternative weeklies for both its creative nonfiction and its commercial scheme. Richard Karpel, then-executive director of the Association of Alternative Newsweeklies, wrote: e most significant historical event in the creation of the modern alt-weekly occurred in Chicago in 1971, when the ''Chicago Reader'' pioneered the practice of free circulation, a cornerstone of today's alternative papers. The ''Reader'' also developed a new kind of journalism, ignoring the news and focusing on everyday life and ordinary people. After being owned by same four founders since 1971, by the early 2000s profits and readership of the ''Reader'' were dropping, and o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salon (website)
''Salon'' is an American politically progressive/liberal news and opinion website created in 1995. It publishes articles on U.S. politics, culture, and current events. Content and coverage ''Salon'' covers a variety of topics, including reviews and articles about books, films, and music; articles about "modern life", including friendships, human sexual behavior, and relationships; and reviews and articles about technology, with a particular focus on the free and open-source software (FOSS) movement. According to the senior contributing writer for the ''American Journalism Review'', Paul Farhi, ''Salon'' offers "provocative (if predictably liberal) political commentary and lots of sex." In 2008, ''Salon'' launched the interactive initiative ''Open Salon'', a social content site/blog network for its readers. Originally a curated site with some of its content being featured on ''Salon'', it fell into editorial neglect and was closed in March 2015. Responding to the question ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CMJ New Music Monthly
CMJ Holdings Corp. is a music events and online media company, originally founded in 1978, which ran a website, hosted an annual festival in New York City, and published two magazines, ''CMJ New Music Monthly'' and ''CMJ New Music Report''. The company folded around 2017, but was bought by Amazing Radio in 2019 who will bring back the CMJ Music Marathon in New York, along with other new live and live-streamed offerings. The letters CMJ originally stood for ''College Media Journal'' but was also often considered short for ''College Music Journal''. History and operations The company was started by Robert Haber in 1978 as the ''College Media Journal'', a bi-weekly trade magazine aimed at college radio programmers in Great Neck, NY. The first issue was published on March 1, 1979, and featured Elvis Costello on the cover. Staff would often describe these early issues as "a bunch of photocopies stapled together." A year and a half later, the magazine was able to create the first a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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