|
Blood For Poppies
"Blood for Poppies" is the 2012 lead single from alternative rock band Garbage's fifth studio album ''Not Your Kind of People'', released to radio worldwide and as the band's Record Store Day single in the United States. Garbage picked "Blood for Poppies" as the introduction to their return to releasing music: "We wanted it to be the first single because it encapsulates so much about Garbage. It's got the fuzzy guitars, and Shirley's vocals are so great. We felt that if this was the first thing that people heard from us in seven years, then this was the perfect track. It's uneasy, like you're in a constant state of paranoia." Background The nucleus of "Blood for Poppies" came from sessions Shirley Manson held to write her abandoned solo album project. The track began as a dub-style jam. The song kept being refined to its component groove and bassline as Manson refined her own vocal approach to the track. It was her idea to incorporate " strobing vocals" and "weird, glitchy voca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garbage (band)
Garbage is an American rock band formed in 1993 in Madison, Wisconsin. The band's lineup—consisting of Scottish singer Shirley Manson (vocals) and American musicians Duke Erikson (guitar, bass, keyboards), Steve Marker (guitar, keyboards), and Butch Vig (drums, production)—has remained unchanged since its inception. All four members are involved in the songwriting and production process. Garbage has sold over 17 million albums worldwide. The band's eponymous debut album was critically acclaimed upon its release, selling over four million copies and achieving double platinum certification in the United Kingdom, United States and in Australia. It was accompanied by a string of increasingly successful singles from 1995 to 1996, including " Stupid Girl" and "Only Happy When It Rains". Follow-up '' Version 2.0'', released in 1998 after a year in production, was equally successful, topping the UK Albums Chart and receiving two Grammy Award nominations. Garbage followed this by p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Erikson
Douglas Elwin "Duke" Erikson (born January 15, 1951) is an American musician, songwriter, screenwriter, film producer and record producer, best known as a co-founder and guitarist of the alternative rock band Garbage. Garbage has sold more than 17 million albums worldwide. Early life Duke Erikson was born in Lyons, a small rural community in Nebraska. His first musical instrument was the piano, and his second was the guitar. At the age of 16 he joined his first band, The British, which was inspired by his passion for the British beat movement. Erikson operated the light show for The British which was constructed out of a cigar box and door hangers. "I ran that with my left hand while I played Farfisa organ with my right," he commented. When Erikson completed high school, he attended Wayne State College where he studied drawing and painting, ultimately becoming a teaching assistant. Musical career 1974–1985 Erikson formed the rock band Spooner in 1974 with two fellow musicia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hi-hat (instrument)
A hi-hat (hihat, high-hat, etc.) is a combination of two cymbals and a pedal, all mounted on a metal stand. It is a part of the standard drum kit used by drummers in many styles of music including rock, pop, jazz, and blues. Hi-hats consist of a matching pair of small to medium-sized cymbals mounted on a stand, with the two cymbals facing each other. The bottom cymbal is fixed and the top is mounted on a rod which moves the top cymbal toward the bottom one when the pedal is depressed (a hi-hat that is in this position is said to be "closed" or "closed hi-hats"). The hi-hat evolved from a "sock cymbal", a pair of similar cymbals mounted at ground level on a hinged, spring-loaded foot apparatus. Drummers invented the first sock cymbals to enable one drummer to play multiple percussion instruments at the same time. Over time these became mounted on short stands—also known as "low-boys"—and activated by pedals similar to those used in modern hi-hats. When extended upward roug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Groove (music)
In music, groove is the sense of an effect ("feel") of changing pattern in a propulsive rhythm or sense of " swing". In jazz, it can be felt as a quality of persistently repeated rhythmic units, created by the interaction of the music played by a band's rhythm section (e.g. drums, electric bass or double bass, guitar, and keyboards). Groove is a significant feature of popular music, and can be found in many genres, including salsa, rock, soul, funk, and fusion. From a broader ethnomusicological perspective, groove has been described as "an unspecifiable but ordered sense of something that is sustained in a distinctive, regular and attractive way, working to draw the listener in." Musicologists and other scholars have analyzed the concept of "groove" since around the 1990s. They have argued that a "groove" is an "understanding of rhythmic patterning" or "feel" and "an intuitive sense" of "a cycle in motion" that emerges from "carefully aligned concurrent rhythmic patterns" t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Fill
In popular music, a fill is a short musical passage, riff, or rhythmic sound which helps to sustain the listener's attention during a break between the phrases of a melody. "The terms riff and fill are sometimes used interchangeably by musicians, but hilethe term riff usually refers to an exact musical phrase repeated throughout a song", a fill is an improvised phrase played during a section where nothing else is happening in the music. While riffs are repeated, fills tend to be varied over the course of a song. For example, a drummer may fill in the end of one phrase with a sixteenth note hi-hat pattern, and then fill in the end of the next phrase with a snare drum figure. In drumming, a fill is defined as a "short break in the groove—a lick that 'fills in the gaps' of the music and/or signals the end of a phrase. It's akin to a mini-solo." A fill may be played by rock or pop instruments such as the electric lead guitar, bass, organ, drums or by other instruments such as s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar Player
''Guitar Player'' is an American popular magazine for guitarists, founded in 1967 in San Jose, California. It contains articles, interviews, reviews and lessons of an eclectic collection of artists, genres and products. It has been in print since late 1967. The magazine is currently edited by Christopher Scapelliti. Contents A typical issue of ''Guitar Player'' includes in-depth artist features, extensive lessons, gear and music reviews, letters to the magazine, and various front-of-book articles. Guitar Player TV In May 2006, the Music Player Network partnered with TrueFire TV to launch an internet-based television station for guitarists. It provides content similar to that of the magazine such as interviews and lessons. Guitar Player TV is provided at no cost to the user because of advertising and sponsorship. |
Amplifier Modeling
Amplifier modeling (also known as amp modeling or amp emulation) is the process of emulating a physical amplifier such as a guitar amplifier. Amplifier modeling often seeks to recreate the sound of one or more specific models of vacuum tube amplifiers and sometimes also solid state amplifiers. Types of modeling devices ;Digital amp modelers :Standalone modeling devices such as the Line 6 POD (1998-) digitize the input signal and use a DSP, a dedicated microprocessor, to process the signal with digital computation, attempting to achieve the sound of expensive professional amplifiers in a much less costly and more compact device. These modelers can be connected directly to a recording device or PA system without having to use a power section, speaker cabinet and microphone; however, there is an ongoing debate over the question of how accurately a modeler can recreate the sound of a real amplifier. Most modelers generally also include a variety of effects apart from the amp emula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lick (music)
In popular music genres such as country, blues, jazz or rock music, a lick is "a stock pattern or phrase" consisting of a short series of notes used in solos and melodic lines and accompaniment. For musicians, learning a lick is usually a form of imitation. By imitating, musicians understand and analyze what others have done, allowing them to build a vocabulary of their own. In a jazz band, a lick may be performed during an improvised solo, either during an accompanied solo chorus or during an unaccompanied solo break. Jazz licks are usually original short phrases which can be altered so they can be used over a song's changing harmonic progressions. Similar concepts A lick is different from the related concept of a riff, as riffs can include repeated chord progressions. Licks are more often associated with single-note melodic lines than with chord progressions. However, like riffs, licks can be the basis of an entire song. Single-line riffs or licks used as the basis of Wester ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Distortion (music)
Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone. Distortion is most commonly used with the electric guitar, but may also be used with other electric instruments such as electric bass, electric piano, synthesizer and Hammond organ. Guitarists playing electric blues originally obtained an overdriven sound by turning up their vacuum tube-powered guitar amplifiers to high volumes, which caused the signal to distort. While overdriven tube amps are still used to obtain overdrive, especially in genres like blues and rockabilly, a number of other ways to produce distortion have been developed since the 1960s, such as distortion effect pedals. The growling tone of a distorted electric guitar is a key part of many genres, including blues and many rock music genres, notably hard rock, punk rock, hardcore punk, acid rock, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wah-wah Pedal
A wah-wah pedal, or simply wah pedal, is a type of electric guitar effects pedal that alters the tone and frequencies of the guitar signal to create a distinctive sound, mimicking the human voice saying the onomatopoeic name "wah-wah". The pedal sweeps the peak response of a frequency filter up and down in frequency to create the sound, a spectral glide, also known as "the wah effect". The wah-wah effect originated in the 1920s, with trumpet or trombone players finding they could produce an expressive crying tone by moving a mute in and out of the instrument's bell. This was later simulated with electronic circuitry for the electric guitar when the wah-wah pedal was invented. It is controlled by movement of the player's foot on a rocking pedal connected to a potentiometer. Wah-wah effects may be used as a fixed-filter to alter an instrument’s timbre (known as a “cocked-wah”); they may be used when a guitarist is soloing; or, classically, they may be used to create a "wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synth
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first sold in 1964, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
