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Blood And Sand (1922 Film)
''Blood and Sand'' is a 1922 American silent drama film produced by Paramount Pictures, directed by Fred Niblo and starring Rudolph Valentino, Lila Lee, and Nita Naldi. It was based on the 1909 Spanish novel ''Sangre y arena'' (''Blood and Sand'') by Vicente Blasco Ibáñez and the play version of the book by Thomas Cushing. Plot Juan Gallardo (Valentino), a village boy born into poverty, grows up to become one of the greatest matadors in Spain. He marries a friend from his childhood, the beautiful and virtuous Carmen (Lee), but after he achieves fame and fortune he finds himself drawn to Doña Sol (Naldi), a wealthy, seductive widow. They embark on a torrid affair with sadomasochistic overtones, but Juan, feeling guilty over his betrayal of Carmen, tries to free himself of Doña Sol. Furious at being rejected, she exposes their affair to Carmen and Juan's mother, seemingly destroying his marriage. Growing more and more miserable and dissipated, Juan becomes reckless in th ...
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Fred Niblo
Fred Niblo (born Frederick Liedtke; January 6, 1874 – November 11, 1948) was an American pioneer film actor, director and producer. Biography He was born Frederick Liedtke (several sources give "Frederico Nobile", apparently erroneously) in York, Nebraska to a French mother and a father who had served as a captain in the American Civil War and was wounded at the Battle of Gettysburg. Using the stage name Fred Niblo, Liedtke began his show business career performing in vaudeville and in live theater. After more than 20 years doing live performing as a monologist, during which he traveled extensively around the globe, he worked in Australia from 1912 through 1915, where he turned to the burgeoning motion picture industry and made his first two films. On June 2, 1901, Niblo married Broadway actress Josephine Cohan, the older sister of George M. Cohan. He managed the Four Cohans in their two big successes: ''The Governor's Son'' and ''Running for Office''. From 1904 to 1905, Fr ...
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Drama Film
In film and television, drama is a category or genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone. Drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera, police crime drama, political drama, legal drama, historical drama, domestic drama, teen drama, and comedy-drama (dramedy). These terms tend to indicate a particular setting or subject-matter, or else they qualify the otherwise serious tone of a drama with elements that encourage a broader range of moods. To these ends, a primary element in a drama is the occurrence of conflict—emotional, social, or otherwise—and its resolution in the course of the storyline. All forms of cinema or television that involve fictional stories are forms of drama in the broader sense if their storytelling is achieved by means of actors who represent ( mimesis) characters. In this broader ...
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Sidney De Gray
Sidney De Gray (16 June 1866 – 30 June 1941) was an English actor of the silent era. He appeared in more than 70 films between 1913 and 1940. He was born in England and died in Los Angeles, California. Selected filmography * ''Luke's Fireworks Fizzle'' (1916) * '' Luke Locates the Loot'' (1916) * ''Luke's Shattered Sleep'' (1916) * ''Luke's Lost Liberty'' (1917) * '' Luke's Busy Day'' (1917) * ''Luke's Trolley Troubles'' (1917) * ''Lonesome Luke, Lawyer'' (1917) * '' Luke Wins Ye Ladye Faire'' (1917) * ''Lonesome Luke's Lively Life'' (1917) * ''Lonesome Luke, Mechanic'' (1917) * '' His Birthright'' (1918) * '' Alias Mary Brown'' (1918) * '' Almost a Husband'' (1919) * '' The Chorus Girl's Romance'' (1920) * '' The Mark of Zorro'' (1920) * ''The Innocent Cheat'' (1921) * '' The Nut'' (1921) * '' The Half Breed'' (1922) * '' One Wonderful Night'' (1922) * '' Around the World in Eighteen Days'' (1923) * ''The Gentleman from America'' (1923) * ''The Love Brand'' (1923) * ''Rou ...
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George Periolat
George Periolat (February 5, 1874 – February 20, 1940) was an American actor. Biography Born in Chicago, Illinois, George Periolat began his career as a Broadway actor. Making his film debut with the Essanay Studios in Chicago, he moved to Hollywood in 1911 and starred in over 170 films throughout his career. He was a very versatile actor, often playing multiple roles in a single production, as when he played two leading characters, the count and the crook, in the 1916 production of '' The Counterfeit Earl''. The story of Norma Desmond, though fictitious, is not far removed from the plight of many silent film stars, and the advent of the sound film brought about a swift end to Periolat's career. He made his last appearance in 1932's '' What Price Hollywood?''. On February 20, 1940, he committed suicide by ingesting arsenic in his Hollywood mansion. Outside his acting career, George Periolat was an amateur photographer, and a grandson of Clemens Periolat. Filmography 1910s ...
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George Field (actor)
George Field (March 18, 1877 – March 9, 1925) was an American silent film actor. Early life Born George Blankman Field to George Durgin Field and Elizabeth Blankman. Elizabeth was the daughter of dentist and attorney Dr. Henry Gerrit Blankman, born 3 May 1813 in Amsterdam, North Holland. He came to San Francisco from New York in June 1849. Elizabeth's mother was Magdelena del Valle, the niece and ward of the famous Mexican General Mariano de Vallejo and his brother Jose de Jesus de Vallejo. Career George began his career as a stage actor in the popular San Francisco theatre scene but was signed into film in 1912 and starred in 207 films until 1924. He also had a bit part in "Don Q Son of Zorro", where he was named as George Blankman. George and Winifred Greenwood worked at Flying A Studios in Santa Barbara. George later worked for Dustin Farnum, after whom Dustin Hoffman was named. George also starred with Charlotte Burton in films such as '' In the Firelight''. Personal l ...
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Charles Belcher (actor)
Charles Belcher (July 27, 1872 – December 10, 1943) was an American film actor. He appeared in 17 films between years 1919 and 1928. He was born in San Francisco and died in Woodland Hills, Los Angeles. Partial filmography * ''The Adventures of Ruth'' (1919) * '' The Mark of Zorro'' (1920) - Minor Role (uncredited) * ''The Three Musketeers'' (1921) - Bernajoux * '' The Woman He Married'' (1922) - Richard Steel * '' Rose o' the Sea'' (1922) - George Thornton * '' Blood and Sand'' (1922) - Don Joselito * '' Rosita'' (1923) - The Prime Minister * '' The Thief of Bagdad'' (1924) - The Holy Man * ''Fools in the Dark'' (1924) - Dr. Rand * ''Away in the Lead'' (1925) * '' Never Too Late'' (1925) - Arthur Greystone * '' Ben-Hur: A Tale of the Christ'' (1925) - Balthazar * ''The Black Pirate'' (1926) - Chief Passenger - Nobleman * ''Midnight Faces'' (1926) - Samuel Lund * ''Modern Youth'' (1926) * ''The Devil's Gulch'' (1926) - Max Crew * ''The King of Kings'' (1927) - Philip * ''A T ...
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Rosita Marstini
Rosita Marstini (September 19, 1887 – April 24, 1948) was a French dancer, stage personality, and silent and sound film actress from Nancy, France. Early life Rosita Marstini was born on September 19, 1887, in Nancy, France. She married Belgian actor and director Paul Sablon (1888-1940) before she came with him to the United States in 1913. Theatrical work in California She began making movies for Universal Pictures in 1913 with her first feature being Herbert Blaché's ''A Prisoner in the Harem'', sharing the limelight with her husband (known in the United States as Paul Bourgeois). She was known as Countess Rosita Marstini. In 1916, she debuted at the Pantages Theater in Los Angeles, California in ''Woman's Wits'', a play by Will Wyatt. She played the Pantages' circuit for an additional eight months. Rosita Marstini's first talking film was ''Hot for Paris'' (1929) by Raoul Walsh, with Victor McLaglen and Fifi D'Orsay. Then she contributed again to nine American fil ...
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Leo White
Leo White (November 10, 1882 – September 20, 1948), Leo Weiss, was a German-born British-American film and stage actor who appeared as a character actor in many Charlie Chaplin films. Biography Born in Germany, White grew up in England where he began his stage career. He was brought to the United States under the aegis of Daniel Frohman, a Broadway producer. He started his film career in 1911 and in 1913 moved to the Essanay Studios. In 1915, he began appearing in Chaplin's comedies and continued through Chaplin's Mutual Film comedies. His last appearance in a Chaplin film was a small role in ''The Great Dictator'', released in 1940. White also acted in and directed '' Triple Trouble'' (1918), Essanay's last Chaplin release. Chaplin himself acknowledged ''Triple Trouble'' in his autobiography but did not actually participate in its production. (White filmed new scenes around existing footage of Chaplin.) White typically played dapper, continental villains or noblemen in film ...
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Bullfight
Bullfighting is a physical contest that involves a bullfighter attempting to subdue, immobilize, or kill a bull, usually according to a set of rules, guidelines, or cultural expectations. There are several variations, including some forms which involve dancing around or leaping over a cow or bull or attempting to grasp an object tied to the animal's horns. The best-known form of bullfighting is Spanish-style bullfighting, practiced in Spain, Portugal, Southern France, Mexico, Colombia, Ecuador, Venezuela, and Peru. The Spanish Fighting Bull is bred for its aggression and physique, and is raised free-range with little human contact. The practice of bullfighting is controversial because of a range of concerns including animal welfare, funding, and religion. While some forms are considered a blood sport, in some countries, for example Spain, it is defined as an art form or cultural event, and local regulations define it as a cultural event or heritage. Bullfighting is illegal ...
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Sadomasochism
Sadomasochism ( ) is the giving and receiving of pleasure from acts involving the receipt or infliction of pain or humiliation. Practitioners of sadomasochism may seek sexual pleasure from their acts. While the terms sadist and masochist refer respectively to one who enjoys giving and receiving pain, some practitioners of sadomasochism may switch between activity and passivity. The abbreviation S&M is commonly used for Sadomasochism (or Sadism & Masochism), although the initialisms S-M, SM, or S/M are also used, particularly by practitioners. Sadomasochism is not considered a clinical paraphilia unless such practices lead to clinically significant distress or impairment for a diagnosis. Similarly, sexual sadism within the context of mutual consent, generally known under the heading BDSM, is distinguished from non-consensual acts of sexual violence or aggression.:"Sexual arousal from consensual interactions that include domination should be distinguished from nonconsensual ...
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Widow
A widow (female) or widower (male) is a person whose spouse has died. Terminology The state of having lost one's spouse to death is termed ''widowhood''. An archaic term for a widow is "relict," literally "someone left over". This word can sometimes be found on older gravestones. The word "widow" comes from an Indo-European root meaning "widow" and has cognates across Indo-European languages. The male form, "widower", is first attested in the 14th century, by the 19th century supplanting "widow" with reference to men. The term ''widowhood'' can be used for either sex, at least according to some dictionaries, but the word ''widowerhood'' is also listed in some dictionaries. Occasionally, the word ''viduity'' is used. The adjective for either sex is ''widowed''. These terms are not applied to a divorcé(e) following the death of an ex-spouse. Effects on health The phenomenon that refers to the increased mortality rate after the death of a spouse is called the '' widowhood ...
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Doña
Don (; ; pt, Dom, links=no ; all from Latin ', roughly 'Lord'), abbreviated as D., is an honorific prefix primarily used in Spain and Hispanic America, and with different connotations also in Italy, Portugal and its former colonies, and Croatia. ''Don'' is derived from the Latin ''dominus'': a master of a household, a title with background from the Roman Republic in classical antiquity. With the abbreviated form having emerged as such in the Middle Ages, traditionally it is reserved for Catholic clergy and nobles, in addition to certain educational authorities and persons of distinction. ''Dom'' is the variant used in Portuguese. The female equivalent is Doña (), Donna (), Doamnă (Romanian) and Dona () abbreviated D.ª, Da., or simply D. It is a common honorific reserved for women, especially mature women. In Portuguese "Dona" tends to be less restricted in use to women than "Dom" is to men. In Britain and Ireland, especially at Oxford, Cambridge, and Dublin, the word is use ...
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