Blaxploitation
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Blaxploitation
Blaxploitation is an ethnic subgenre of the exploitation film that emerged in the United States during the early 1970s. The term, a portmanteau of the words "black" and "exploitation", was coined in August 1972 by Junius Griffin, the president of the Beverly Hills-Hollywood NAACP branch. He claimed the genre was "proliferating offenses" to the black community in its perpetuation of stereotypical characters often involved in crime. The genre does rank among the first after the race films in the 1940s and 1960s in which black characters and communities are the protagonists and subjects of film and television, rather than sidekicks, antagonists or victims of brutality. The genre's inception coincides with the rethinking of race relations in the 1970s. Blaxploitation films were originally aimed at an urban African-American audience but the genre's audience appeal soon broadened across racial and ethnic lines. Hollywood realized the potential profit of expanding the audiences of bla ...
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Sweet Sweetback's Baadasssss Song
''Sweet Sweetback's Baadasssss Song'' is a 1971 American blaxploitation film written, co-produced, scored, edited, directed by, and starring Melvin Van Peebles. His son Mario Van Peebles also appears in a small role, playing the title character as a young boy. The film tells the picaresque story of a poor black man fleeing from the white police authorities. Van Peebles began to develop the film after being offered a three-picture contract for Columbia Pictures. No studio would finance the film, so Van Peebles funded it himself, shooting it independently over 19 days, performing all of his own stunts and appearing in several sex scenes, some reportedly unsimulated. He received a $50,000 loan from Bill Cosby to complete the project. The film's fast-paced montages and jump-cuts were unique features in American cinema at the time. The picture was censored in some markets, and received mixed reviews. However, it has left a lasting impression on American cinema. The musical score of ...
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Exploitation Film
An exploitation film is a film that tries to succeed financially by exploiting current trends, niche genres, or lurid content. Exploitation films are generally low-quality "B movies", though some set trends, attract critical attention, become historically important, and even gain a cult following. History Exploitation films may feature suggestive or explicit sex, sensational violence, drug use, nudity, gore, destruction, rebellion, mayhem, and the bizarre. Such films were first seen in their modern form in the early 1920s, but they were popularized in the 60s and 70s with the general relaxing of censorship and cinematic taboos in the U.S. and Europe. An early example, the 1933 film Ecstasy, included nude scenes featuring the Austrian actress Hedy Lamarr. The film proved popular at the box office but caused concern for the American cinema trade association, the MPPDA. Hildegard Esper and Dwain Esper are husband and wife film directors and producers who made some of the most ...
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Exploitation Film
An exploitation film is a film that tries to succeed financially by exploiting current trends, niche genres, or lurid content. Exploitation films are generally low-quality "B movies", though some set trends, attract critical attention, become historically important, and even gain a cult following. History Exploitation films may feature suggestive or explicit sex, sensational violence, drug use, nudity, gore, destruction, rebellion, mayhem, and the bizarre. Such films were first seen in their modern form in the early 1920s, but they were popularized in the 60s and 70s with the general relaxing of censorship and cinematic taboos in the U.S. and Europe. An early example, the 1933 film Ecstasy, included nude scenes featuring the Austrian actress Hedy Lamarr. The film proved popular at the box office but caused concern for the American cinema trade association, the MPPDA. Hildegard Esper and Dwain Esper are husband and wife film directors and producers who made some of the most ...
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Shaft (1971 Film)
''Shaft'' is a 1971 American crime action film directed by Gordon Parks and written by Ernest Tidyman and John D. F. Black. It is an adaptation of Tidyman's novel of the same name and is the first entry in the ''Shaft'' film series. The plot revolves around a private detective named John Shaft who is hired by a Harlem mobster to rescue his daughter from the Italian mobsters who kidnapped her. The film stars Richard Roundtree as Shaft, alongside Moses Gunn, Charles Cioffi, Christopher St. John and Lawrence Pressman. The film has themes of Black Power movement, race, masculinity, and sexuality. It was filmed in Harlem, Greenwich Village, and Times Square within the Manhattan borough of New York City. The ''Shaft'' soundtrack album, recorded by Isaac Hayes, was also a success, winning him a Grammy Award for Best Original Score Written for a Motion Picture and a second Grammy (shared with Johnny Allen) for Best Instrumental Arrangement. The " Theme from ''Shaft''" won the ...
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Funk
Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first bea ...
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Cotton Comes To Harlem
''Cotton Comes to Harlem'' is a 1970 American neo-noir action comedy thriller film co-written and directed by Ossie Davis and starring Godfrey Cambridge, Raymond St. Jacques, and Redd Foxx. The film, later cited as an early example of the blaxploitation genre, is based on Chester Himes' novel of the same name. The opening theme, "Ain't Now But It's Gonna Be," was written by Ossie Davis and performed by Melba Moore. The film was one of the many black films that appeared in the 1970s and became an overnight hit. It was followed two years later by the sequel ''Come Back, Charleston Blue''. Plot Deke "Reverend" O'Malley, a con man, is selling shares at a Harlem rally, for the purchase of a Back-to-Africa movement ship to be called ''The Black Beauty''. During the rally, several masked gunmen jump out of a meat truck and steal $87,000 in donated cash from the back of an armored car. Two Harlem detectives, "Gravedigger" Jones and "Coffin Ed" Johnson, chase the car, and a bale ...
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Mario Van Peebles
Mario Van Peebles (born January 15, 1957) is an American film director and actor best known for directing and starring in ''New Jack City'' in 1991 and '' USS Indianapolis: Men of Courage'' in 2016. He is the son of actor and filmmaker Melvin Van Peebles, whom he portrayed in the 2003 biopic ''Baadasssss!'', which he also co-wrote and directed. Early life and education Mario Van Peebles was born in Mexico City, Mexico, the son of writer, director, actor and musician Melvin Van Peebles and Maria Marx. He travelled often with his parents between Europe and the USA. He majored in economics at Columbia College, the undergraduate division of Columbia University. He was invited to speak as the Class Day Speaker as part of the annual commencement exercises in 2021. Career 1968 to 1971: First roles Van Peebles' first screen appearance was in 1968, in the soap opera ''One Life to Live''. In 1971, he appeared in the film ''Sweet Sweetback's Baadasssss Song'', Melvin Van Peebles direct ...
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Race Film
The race film or race movie was a genre of film produced in the United States between about 1915 and the early 1950s, consisting of films produced for black audiences, and featuring black casts. Approximately five hundred race films were produced. Of these, fewer than one hundred remain. Because race films were produced outside the Hollywood studio system, they were largely forgotten by mainstream film historians until they resurfaced in the 1980s on the BET cable network. In their day, race films were very popular among African-American theatergoers. Their influence continues to be felt in cinema and television marketed to African Americans. The term "race film" is sometimes used to describe films of the period aimed at other minority audiences. For instance, the 1926 film ''Silk Bouquet'' (also known as ''The Dragon Horse'') starred the Asian-American actress Anna May Wong and was marketed to Chinese-American audiences. Financing and production African Americans produced ...
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Race Film
The race film or race movie was a genre of film produced in the United States between about 1915 and the early 1950s, consisting of films produced for black audiences, and featuring black casts. Approximately five hundred race films were produced. Of these, fewer than one hundred remain. Because race films were produced outside the Hollywood studio system, they were largely forgotten by mainstream film historians until they resurfaced in the 1980s on the BET cable network. In their day, race films were very popular among African-American theatergoers. Their influence continues to be felt in cinema and television marketed to African Americans. The term "race film" is sometimes used to describe films of the period aimed at other minority audiences. For instance, the 1926 film ''Silk Bouquet'' (also known as ''The Dragon Horse'') starred the Asian-American actress Anna May Wong and was marketed to Chinese-American audiences. Financing and production African Americans produced ...
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Quentin Tarentino
Quentin Jerome Tarantino (; born March 27, 1963) is an American film director, writer, producer, and actor. His films are characterized by stylized violence, extended dialogue, profanity, dark humor, non-linear storylines, cameos, ensemble casts, and references to popular culture. Other directorial tropes associated with Tarantino include the use of songs from the 1960s and 70s, fictional brand parodies, and the prominent framing of women's bare feet. Tarantino began his career as an independent filmmaker with the release of the crime film ''Reservoir Dogs'' in 1992. His second film, ''Pulp Fiction'' (1994), a dark comedy crime thriller, was a major success with critics and audiences winning numerous awards, including the Palme d'Or and the Academy Award for Best Original Screenplay. In 1996, he appeared in ''From Dusk till Dawn'', also writing the screenplay. Tarantino's third film, ''Jackie Brown'' (1997), paid homage to blaxploitation films. In 2003, Tarantino direc ...
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Southern United States
The Southern United States (sometimes Dixie, also referred to as the Southern States, the American South, the Southland, or simply the South) is a geographic and cultural region of the United States of America. It is between the Atlantic Ocean and the Western United States, with the Midwestern and Northeastern United States to its north and the Gulf of Mexico and Mexico to its south. Historically, the South was defined as all states south of the 18th century Mason–Dixon line, the Ohio River, and 36°30′ parallel.The South
. ''Britannica.com''. Retrieved June 5, 2021.
Within the South are different subregions, such as the

Honky
Honky (also spelled honkie or sometimes honkey) is a derogatory term used to refer to White people, predominantly heard in the United States. The first recorded use of "honky" in this context may date back to 1946, although the use of "honky-tonk" occurred in films well before that time. Etymology The exact origins of the word are generally unknown and postulations about the subject vary. Hungarian Honky may be a variant of '' hunky'', which was a derivative of ''Bohunk'', a slur for various Slavic and Hungarian immigrants who moved to America from the Austro-Hungarian Empire in the early 1900s. Wolof Honky may also derive from the term "xonq nopp" which, in the West African language Wolof, literally means "red-eared person". The term may have originated with Wolof-speaking people brought to the U.S. It has been used by Black Americans as a pejorative for White people. Other The phrase honky-tonk refers to a particular type of country music, most commonly provided at bars f ...
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