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Blackface Minstrel Performers
Blackface is a form of theatrical makeup used predominantly by non-Black people to portray a caricature of a Black person. In the United States, the practice became common during the 19th century and contributed to the spread of racial stereotypes such as the "happy-go-lucky darky on the plantation" or the " dandified coon". By the middle of the century, blackface minstrel shows had become a distinctive American artform, translating formal works such as opera into popular terms for a general audience. Early in the 20th century, blackface branched off from the minstrel show and became a form in its own right. In the United States, blackface declined in popularity beginning in the 1940s and into the civil rights movement of the 1950s and 1960s,Clark, Alexis.How the History of Blackface Is Rooted in Racism. ''History''. A&E Television Networks, LLC. 2019. and was generally considered highly offensive, disrespectful, and racist by the turn of the 21st century, though the practic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minstrel PosterBillyVanWare Edit
A minstrel was an entertainer, initially in Middle Ages, medieval Europe. It originally described any type of entertainer such as a musician, juggler, acrobatics, acrobat, singer or jester, fool; later, from the sixteenth century, it came to mean a specialist entertainer who sang songs and played musical instruments. Description Minstrels performed songs which told stories of distant places or of existing or imaginary historical events. Although minstrels created their own tales, often they would memorize and embellish the works of others. Frequently they were retained by royalty and high society. As the courts became more sophisticated, minstrels were eventually replaced at court by the troubadours, and many became wandering minstrels, performing in the streets; a decline in their popularity began in the late 15th century. Minstrels fed into later traditions of travelling entertainers, which continued to be moderately strong into the early 20th century, and which has some con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dreadnought Hoax
The ''Dreadnought'' hoax was a prank pulled by Horace de Vere Cole in 1910. Cole tricked the Royal Navy into showing their flagship, the battleship HMS ''Dreadnought'', to a fake delegation of " Abyssinian royals". The hoax drew attention in Britain to the emergence of the Bloomsbury Group, among whom some of Cole's collaborators numbered. The hoax was a repeat of a similar impersonation which Cole and Adrian Stephen had organised while they were students at Cambridge in 1905. Background Hoaxers Horace de Vere Cole was born in Ireland in 1881 to a well-to-do family. He was commissioned into the Yorkshire Hussars and served in the Second Boer War, where he was seriously wounded and invalided out of service. On his return to Britain he became an undergraduate at Trinity College, Cambridge; he studied little, and spent his time entertaining and undertaking hoaxes and pranks. One of Cole's closest friends at Trinity was Adrian Stephen, a keen sportsman and actor. Cole's biogra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old American Company
The Old American Company was an American theatre company. It was the first fully professional theatre company to perform in North America. It also played a vital role in the theatre history of Jamaica. It was founded in 1752 and disbanded in 1805. It was known as the Hallam Company (1752–1758), the American Company (1758–1785) and the Old American Company (1785–1805). With a few temporary exceptions, the Company enjoyed a de facto monopoly of professional theatre in the United States until 1790. History Hallam Company The company was organised by William Hallam, former proprietor of the New Wells Theatre in London, and was led by his brother Lewis Hallam. Their company consisted of 12 adults and 3 children, drawn from English actors of "modest accomplishment". They arrived by the vessel ''Charming Sally'' at Yorktown, Virginia, on 2 June 1752, and made their early performances in nearby Williamsburg. Their first performance, ''The Merchant of Venice'', is generally cons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lewis Hallam Jr
Lewis may refer to: Names * Lewis (given name), including a list of people with the given name * Lewis (surname), including a list of people with the surname Music * Lewis (musician), Canadian singer * "Lewis (Mistreated)", a song by Radiohead from ''My Iron Lung'' Places * Lewis (crater), a crater on the far side of the Moon * Isle of Lewis, the northern part of Lewis and Harris, Western Isles, Scotland United States * Lewis, Colorado * Lewis, Indiana * Lewis, Iowa * Lewis, Kansas * Lewis Wharf, Boston, Massachusetts * Lewis, Missouri * Lewis, Essex County, New York * Lewis, Lewis County, New York * Lewis, North Carolina * Lewis, Vermont * Lewis, Wisconsin Ships * USS ''Lewis'' (1861), a sailing ship * USS ''Lewis'' (DE-535), a destroyer escort in commission from 1944 to 1946 Science * Lewis structure, a diagram of a molecule that shows the bonding between the atoms * Lewis acids and bases * Lewis antigen system, a human blood group system * Lewis number, a dimensionless n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John McCullough As Othello
John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testament Works * Gospel of John, a title often shortened to John * First Epistle of John, often shortened to 1 John * Second Epistle of John, often shortened to 2 John * Third Epistle of John, often shortened to 3 John People * John the Baptist (died c. AD 30), regarded as a prophet and the forerunner of Jesus Christ * John the Apostle (lived c. AD 30), one of the twelve apostles of Jesus * John the Evangelist, assigned author of the Fourth Gospel, once identified with the Apostle * John of Patmos, also known as John the Divine or John the Revelator, the author of the Book of Revelation, once identified with the Apostle * John the Presbyter, a figure either identified with or distinguished from the Apostle, the Evangelist and John of Patmos Other people with the given name Religious figures * John, father of Andrew the Apostle and Saint Peter * Pope Joh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cultural Assimilation
Cultural assimilation is the process in which a minority group or culture comes to resemble a society's majority group or assume the values, behaviors, and beliefs of another group whether fully or partially. The different types of cultural assimilation include full assimilation and forced assimilation; full assimilation being the most prevalent of the two, as it occurs spontaneously. During cultural assimilation, minority groups are expected to adapt to the everyday practices of the dominant culture through language and appearance as well as via more significant socioeconomic factors such as absorption into the local cultural and employment community. Some types of cultural assimilation resemble acculturation in which a minority group or culture completely assimilates into the dominant culture in which defining characteristics of the minority culture are less obverse or outright disappear; while in other types of cultural assimilation such as cultural integration mostly found i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exploitation Of Labour
Exploitation of labour (also known as labor) is a concept defined as, in its broadest sense, one agent taking unfair advantage of another agent. It denotes an unjust social relationship based on an asymmetry of power or unequal exchange of value between workers and their employers. When speaking about exploitation, there is a direct affiliation with consumption in social theory and traditionally this would label exploitation as unfairly taking advantage of another person because of their inferior position, giving the exploiter the power.Dowding, Keith (2011). "Exploitation". ''Encyclopedia of Power''. SAGE Publications. pp. 232–235. . Karl Marx's theory of exploitation has been described in the '' Stanford Encyclopedia of Philosophy'' as the most influential theory of exploitation. In analyzing exploitation, economists are split on the explanation of the exploitation of labour given by Marx and Adam Smith. Smith did not see exploitation as an inherent systematic phenomenon in spec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cultural Appropriation
Cultural appropriation is the inappropriate or unacknowledged adoption of an element or elements of one culture or identity by members of another culture or identity. This can be controversial when members of a dominant culture appropriate from minority cultures. Fourmile, Henrietta (1996). "Making things work: Aboriginal and Torres Strait Islander Involvement in Bioregional Planning" in ''Approaches to bioregional planning. Part 2. Background Papers to the conference; 30 October – 1 November 1995, Melbourne''; Department of the Environment, Sport and Territories. Canberra. pp. 268–269: "The esternintellectual property rights system and the (mis)appropriation of Indigenous knowledge without the prior knowledge and consent of Indigenous peoples evoke feelings of anger, or being cheated" According to critics of the practice, cultural appropriation differs from acculturation, assimilation, or equal cultural exchange in that this appropriation is a form of colonialism. When cu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
African-American Culture
African-American culture refers to the contributions of African Americans to the culture of the United States, either as part of or distinct from mainstream American culture. The culture is both distinct and enormously influential on American and global worldwide culture as a whole. African-American culture is a blend between the native African cultures of West Africa and Central Africa and the European culture that has influenced and modified its development in the American South. Understanding its identity within the culture of the United States, that is, in the anthropological sense, conscious of its origins as largely a blend of West and Central African cultures. Although slavery greatly restricted the ability for Africans to practice their original cultural traditions, many practices, values and beliefs survived, and over time they have modified and/or blended with European cultures and other cultures such as that of Native Americans. African-American identity wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blackface In Contemporary Art
Blackface in contemporary art covers issues from stage make-up used to make non-black performers appear black (the traditional meaning of blackface), to non-black creators using black personas. Blackface is generally considered an anachronistically racist performance practice, despite or because of which it has been widely used in contemporary art. Contemporary art in this context is understood as art produced from the second half of the 20th century until today. In recent years some black artists and artists of color have engaged in blackface as a form of deconstruction and critique. Physical blackface * Lynn Hershman Leeson's 1966 "Self Portrait as Another Person" consists of a wax mold of the artist's face in blackface, flattened and distorted, paired with motion-activated recordings of her voice. The label stated "As a political gesture, Hershman Leeson partly painted the masks black to express her solidarity with the civil rights movement." "Self Portrait As Another Person" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cross-dressing
Cross-dressing is the act of wearing clothes usually worn by a different gender. From as early as pre-modern history, cross-dressing has been practiced in order to disguise, comfort, entertain, and self-express oneself. Cross-dressing has played an important part in society due to the nature of sociology. Sociology dictates that social norms are an inherent part of society and, thus, there are expected norms for each gender relating to style, color, type of clothing and more. Thus, cross-dressing allows individuals to express themselves by acting beyond guidelines, views, or even laws defining what type of clothing is expected and appropriate for each gender. The term "cross-dressing" refers to an action or a behavior, without attributing or implying any specific causes or motives for that behavior. Cross-dressing is not synonymous with being transgender. Terminology The phenomenon of cross-dressing is seen throughout recorded history, being referred to as far back as the Hebr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brooks McNamara
Brooks Barry McNamara (1937–2009) was an American theater historian, professor, and contributing editor of ''The Drama Review''. Life McNamara was born in Peoria, Illinois. Upon graduation from Knox College, he pursued a Master of Arts degree at the University of Iowa. Following military service, McNamara earned his PhD in theater arts at Tulane University where Richard Schechner was a professor and editor of the ''Tulane Drama Review'' (TDR). After earning his PhD, McNamara taught theater history in the Drama Department at the University of Delaware, between 1966 and 1968. At Tulane, Schechner had crystallized a set of principles to describe environmental theater. McNamara illustrated many of them in his set design for his Delaware academic colleague, William Bruehl's production of '' Faustus''. Meanwhile, Schechner and TDR, renamed "The Drama Review," relocated in 1967 to NYU where he became a Professor in the Graduate Drama Department. In the fall of 1968, McNamara also be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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