Black Velvet (revue)
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Black Velvet (revue)
''Black Velvet'' was a revue at the London Hippodrome The Hippodrome is a building on the corner of Cranbourn Street and Charing Cross Road in the City of Westminster, London. The name was used for many different theatres and music halls, of which the London Hippodrome is one of only a few su ... in 1938 which included Roma Beaumont, and Pat Kirkwood singing the celebrated song " My Heart Belongs to Daddy", and vocalist/impressionist Afrique. The show made Pat Kirkwood into Britain's first wartime star and established her career. References Revues Theatre in the United Kingdom {{UK-theat-stub ...
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Revue
A revue is a type of multi-act popular theatrical entertainment that combines music, dance, and sketches. The revue has its roots in 19th century popular entertainment and melodrama but grew into a substantial cultural presence of its own during its golden years from 1916 to 1932. Though most famous for their visual spectacle, revues frequently satirized contemporary figures, news or literature. Similar to the related subforms of operetta and musical theatre, the revue art form brings together music, dance and sketches to create a compelling show. In contrast to these, however, revue does not have an overarching storyline. Rather, a general theme serves as the motto for a loosely-related series of acts that alternate between solo performances and dance ensembles. Owing to high ticket prices, ribald publicity campaigns and the occasional use of prurient material, the revue was typically patronized by audience members who earned more and felt even less restricted by middle-class ...
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Hippodrome, London
The Hippodrome is a building on the corner of Cranbourn Street and Charing Cross Road in the City of Westminster, London. The name was used for many different theatres and music halls, of which the London Hippodrome is one of only a few survivors. ''wikt:hippodrome, Hippodrome'' is an archaic word referring to places that host horse races and other forms of equestrian entertainment. History Hippodrome The London Hippodrome was opened in 1900. It was designed by Frank Matcham for Moss Empires chaired by Edward Moss (impresario), Edward Moss and built for £250,000 as a hippodrome for circus and variety show, variety performances. The venue gave its first show on 15 January 1900, a music hall revue entitled "Giddy Ostend" with Little Tich. The conductor was Georges Jacobi. Entry to the venue was through a bar, dressed as a ship's saloon. The performance space featured both a proscenium stage and an arena that sank into a 230 ft, 100,000 gallon water tank (about 400 tons, w ...
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Pat Kirkwood (actress)
Patricia Kirkwood (24 February 1921 – 25 December 2007) was a British stage actress, singer and dancer who appeared in numerous performances of dramas, cabaret, revues, music hall, variety and pantomimes. She also performed on radio, television and films. In 1954, BBC Television broadcast ''The Pat Kirkwood Show''; she was the first woman appearing on British television to have her own series. Early life Kirkwood was born in Pendleton, Salford, Lancashire to William and Norah Carr Kirkwood. Her father was a Scottish shipping clerk. She was educated at Levenshulme High School in Manchester. At the age of 14, she entered a talent contest at Ramsey, Isle of Man and was asked to sing on the BBC's '' Children's Hour''. A few months later, in April 1936, she took part in a sketch, ''The Schoolgirl Songstress'' at the Hippodrome in Salford. Throughout 1936, Kirkwood appeared in local variety shows including the pantomime, ''Jack and the Beanstalk'', in which she played Princess ...
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My Heart Belongs To Daddy
"My Heart Belongs to Daddy" is a song written by Cole Porter, for the 1938 musical ''Leave It to Me!'' which premiered on November 9, 1938. It was originally performed by Mary Martin, who played Dolly Winslow, the young "protégée" of a rich newspaper publisher. In the original context, Dolly is stranded at a Siberian railway station, wearing only a fur coat, and performs a striptease while singing the song. Surrounded by eager Siberian men, she says that since she has met "daddy", she will flirt with other men, but won't "follow through". "Daddy" is her sugar daddy, a newspaper magnate introduced with the words, "I've come to care, for such a sweet millionaire". Later versions Martin sang it again in the 1940 movie '' Love Thy Neighbor''. Again she wears a fur coat, but the setting is a show within a show and the act is more conventional as she wears an evening gown beneath the fur. The words to the introduction are altered, the innuendoes being toned down. Her best-known m ...
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Afrique (singer)
Alexander Witkin (2 February 1907 – 17 December 1961), who performed as Afrique, was a South African singer and impressionist who starred in theatre in Britain and the United States in the 1930s and 1940s. Biography The son of Russian Jews who emigrated to South Africa in the 1890s, Witkin was born in Johannesburg in 1907. He originally intended to study law, but then trained as a singer, making his debut in South Africa in 1927. In 1930, he performed at a Hebrew Order of David friendly society function in Johannesburg. "Alec Witkin", ''Encyclopaedia of South African Theatre, Film, Media and Performance''
Retrieved 10 March 2021
He emigrated to England, and joined the
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Revues
A revue is a type of multi-act popular theatrical entertainment that combines music, dance, and sketches. The revue has its roots in 19th century popular entertainment and melodrama but grew into a substantial cultural presence of its own during its golden years from 1916 to 1932. Though most famous for their visual spectacle, revues frequently satirized contemporary figures, news or literature. Similar to the related subforms of operetta and musical theatre, the revue art form brings together music, dance and sketches to create a compelling show. In contrast to these, however, revue does not have an overarching storyline. Rather, a general theme serves as the motto for a loosely-related series of acts that alternate between solo performances and dance ensembles. Owing to high ticket prices, ribald publicity campaigns and the occasional use of prurient material, the revue was typically patronized by audience members who earned more and felt even less restricted by middle-class ...
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