Black Tar Heroin (film)
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Black Tar Heroin (film)
''Black Tar Heroin: The Dark End of the Street'' is a 1999 television documentary film directed by Steven Okazaki. Filmed from 1995 to 1998 in the Tenderloin, San Francisco, California, the documentary describes the lives of heroin addicts. Overview The film follows a simple structure, and shows the drug-related degradation of five youths (Jake, Tracey, Jessica, Alice and Oreo) during the course of three years. The film depicts their drug-related crimes and diseases, including prostitution, AIDS, and lethal overdoses. In a 2004 follow up interview with Tracey Helton, she reveals she is now a full-time drug counselor, while Jessica is still working as a prostitute despite having HIV. Alice McMunn has been sober since 02.20.01; she is a model and professional exotic dancer. Oreo's whereabouts are unknown; his girlfriend Jennifer went to treatment. After she relapsed, she later died from a drug-induced asthma attack while on Shotwell St. in San Francisco. Her friend, Kari Guilinger, ...
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Steven Okazaki
Steven Toll Okazaki (born March 12, 1952) is an American documentary filmmaker known for his raw, cinéma vérité-style documentaries that frequently show ordinary people dealing with extraordinary circumstances. He has received a Peabody Award, a Primetime Emmy and has been nominated for four Academy Awards, winning an Oscar for the documentary short subject, '' Days of Waiting: The Life & Art of Estelle Ishigo''. Career Steven Okazaki started his career at Churchill Films in 1976, making narrative and documentary shorts. In 1982, he produced Survivors' for WGBH Boston, a documentary short about Hiroshima and Nagasaki atomic bomb survivors. In 1985, he received his first Academy Award nomination for '' Unfinished Business'', about three ''Nisei'' Japanese Americans who challenged the Internment of Japanese Americans during World War II in court. In 1987, he wrote and directed the independent film, '' Living on Tokyo Time'', which premiered in competition at the Sundance ...
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