Black Label (Ocean Grove EP)
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Black Label (Ocean Grove EP)
''Black Label'' is the second EP by Australian nu metal band Ocean Grove (Australian band), Ocean Grove released independently on 12 June 2015. It was later re-released through UNFD under the revised title ''Black Label (Sublime Vol.)'' on 27 April 2016 with the additional track "Lights On Kind of Lover". Critical reception Alex Sievers of KillYourStereo was positive about the EP, giving it a score of 90 (out of 100) and stating "From ‘Backbone’ to ‘167 Damillia’, this EP is gold the whole way through", and praised the band for evolving their sound when compared to their "underwhelming" debut EP ''Outsider'', stating "Unlike their last EP, there is no filler, nor are there any weak links holding down the pack for us hungry critics to surround and devour. Each track is just as good as the track before it and its predecessor". Track listing Personnel * Luke Holmes – lead vocals * Dale Tanner – bass, vocals * Matthew Henley – guitars * Jimmy Hall&n ...
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Ocean Grove (Australian Band)
Ocean Grove are an Australian nu metal band formed in 2010. The band consists of vocalist Dale Tanner, drummer/producer Sam Bassal and bassist/vocalist Twiggy Hunter. Studio-only member Running Touch also provides synthesizers and additional production. As of 2022, the band has released three studio albums; '' The Rhapsody Tapes'' (2017), '' Flip Phone Fantasy'' (2020), and ''Up In The Air Forever'' (2022); along with two EP's; ''Outsider'' (2013) and ''Black Label'' (2015) History 2010–2016: Formation and EPs Ocean Grove were formed in 2010 in Melbourne, originally as a post-hardcore band by Luke Holmes (lead vocals), Dale Tanner (vocals/bass), Running Touch, Jimmy Hall (guitar) and Matias Morales (drums). This line-up released a demo in 2010, followed by their debut extended play, ''Outsider'' in 2013, before Morales departed the band later that year and was replaced by Sam Bassal. A single was released in late 2013 called "The Dead Years". In 2014, Running Touch stopp ...
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ITunes
iTunes () is a software program that acts as a media player, media library, mobile device management utility, and the client app for the iTunes Store. Developed by Apple Inc., it is used to purchase, play, download, and organize digital multimedia, on personal computers running the macOS and Windows operating systems, and can be used to rip songs from CDs, as well as play content with the use of dynamic, smart playlists. Options for sound optimizations exist, as well as ways to wirelessly share the iTunes library. Originally announced by Apple CEO Steve Jobs on January 9, 2001, iTunes' original and main focus was music, with a library offering organization and storage of Mac users' music collections. With the 2003 addition of the iTunes Store for purchasing and downloading digital music, and a version of the program for Windows, it became a ubiquitous tool for managing music and configuring other features on Apple's line of iPod media players, which extended to the iPh ...
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Hardcore Punk
Hardcore punk (also known as simply hardcore) is a punk rock music genre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Punk rock in California, Southern California which arose as a reaction against the still predominant History of the hippie movement, hippie cultural climate of the time. It was also inspired by Washington D.C. and New York City, New York punk rock and early proto-punk. Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of Rock music, mainstream rock" and often addresses social and political topics with "confrontational, politically-charged lyrics." Hardcore sprouted underground scenes across the United States in the early 1980s, particularly in Los Angeles, San Francisco, Washington, D.C. hardcore, Washington, D.C., Boston, and New York h ...
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Metalcore
Metalcore (also known as metallic hardcore) is a fusion music genre that combines elements of extreme metal and hardcore punk. As with other styles blending metal and hardcore, such as crust punk and grindcore, metalcore is noted for its use of breakdowns, slow, intense passages conducive to moshing. Other defining instrumental qualities include heavy riffs and stop-start rhythm guitar playing, occasional blast beats, and double bass drumming. Vocalists in the genre typically use thrash or scream vocals. Some later metalcore bands combine this with clean singing, often during the chorus. Death growls and gang vocals are common. 1990s metalcore bands were inspired by hardcore while later metalcore bands were inspired by melodic death metal bands like At the Gates and In Flames. The roots of metalcore are in the 1980s when bands would combine hardcore punk with heavy metal. This included New York hardcore bands like Agnostic Front, Cro-Mags, and Killing Time, British hardcore p ...
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Nu Metal
Nu metal (sometimes stylized as nü-metal, sometimes called aggro-metal) is a subgenre of that combines elements of heavy metal music with elements of other music genres such as hip hop, alternative rock, funk, industrial, and grunge. Nu metal bands have drawn elements and influences from a variety of musical styles, including multiple genres of heavy metal. Nu metal rarely features guitar solos or other displays of technical competence; the genre is heavily syncopated and based on guitar riffs. Many nu metal guitarists use seven-string guitars that are down-tuned to produce a heavier sound. DJs are occasionally featured in nu metal to provide instrumentation such as sampling, turntable scratching and electronic backgrounds. Vocal styles in nu metal include singing, rapping, screaming and growling. Nu metal is one of the key genres of the new wave of American heavy metal. Nu metal became popular in the late 1990s with bands and artists such as Korn, Limp Bizkit, Sli ...
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UNFD
UNFD (pronounced as an initialism ˈjuːˈenˈefˈdiː/ is an independent record label based in Melbourne, Australia. The label is home to a number of Australian artists including Thornhill, Ocean Grove, Hellions and In Hearts Wake, and international artists Frank Iero, ERRA, Stray From the Path, Silverstein, and more. The label has offices in London and Los Angeles. UNFD is part of the UNIFIED Music Group, owned by Jaddan Comerford. Genres that the label lean towards include, but are not limited to; metalcore, electronicore, progressive metal and djent. Overview UNFD's first release was Dream On, Dreamer's '' Heartbound'' on 5 August 2011. The album debuted at No. 38 on the ARIA Charts and was nominated for Best Heavy Rock Album of the Year at the ARIA Music Awards. In April 2013, the label released Northlane's hit album '' Singularity'' via a marketing campaign that was critically acclaimed across Australian media. The album debuted at No. 3 on the ARIA Ch ...
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The Rhapsody Tapes
''The Rhapsody Tapes'' is the debut studio album by Australian nu metal band Ocean Grove. it was released on 3 February 2017 through UNFD Records. Their first single "These Boys Light Fires" was released on 1 December 2016. followed by another single "Intimate Alien" which was released on 21 December 2016 along with the music video for the single and the pre-order for the album. The album reached #5 on the ARIA Albums Chart in its first week of release, and was selected as a "Feature Album" by Australian radio station Triple J almost two weeks ahead of the album's release. Critical reception ''The Rhapsody Tapes'' received critical acclaim upon release. Jonty Simmons of Hysteria Magazine was very positive about the album, giving it a perfect score of 10 and stating "''The Rhapsody Tapes'' solidifies their position atop the pile of DIY wunderkinds. When the rest of us have already teleported to their dimension of hyperreality, those who refuse to give it a chance will regret n ...
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Sound Recording And Reproduction
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Sound recording is the transcription of invisible vibrations in air onto a storage medium such as a phonograph disc. The process is reversed in sound reproduction, and the variations stored on the medium are transformed back into sound waves. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in which a stylus cuts grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, which is then converted to ...
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Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound * Audio signal, an electrical representation of sound *Audio frequency, a frequency in the audio spectrum * Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing *Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment *AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 *Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD Computing *, an HTML element, see HTML5 audio See also *Acoustic (other) *Audible (other) *A ...
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Audio Mastering
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in cas ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ...
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Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and play back short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Sampling is a foundation of ...
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