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Bing And The Dixieland Bands
Bing and the Dixieland Bands'' is a Decca Records album by Bing Crosby featuring songs with a Dixieland flavour which was issued as a 10” LP with catalog No. DL5323 and as a 4-disc 78rpm box set (A-852) and as a 4-disc 45rpm set (9–232). Background Crosby biographer Gary Giddins quotes Artie Shaw in his book who said “(Bing) really is the first American jazz singer in the white world.” However his record producer Jack Kapp gradually moved Crosby away from his jazz influences into the mainstream. Every now and again though, he would have the opportunity to return to his jazz roots at a recording session and this album picks up a selection of such tracks. Newsweek magazine covered the January 1946 session when two of the songs in the album were recorded and it sounds like a good time was had by all concerned. ‘“Blue and Broken-Hearted”, the first number to be waxed, didn’t go so well. A large blue screen-like sound absorber stood between Bing and the boys. Kickin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bing Crosby
Harry Lillis "Bing" Crosby Jr. (May 3, 1903 – October 14, 1977) was an American singer, musician and actor. The first multimedia star, he was one of the most popular and influential musical artists of the 20th century worldwide. He was a leader in record sales, radio ratings, and motion picture grosses from 1926 to 1977. He made over 70 feature films and recorded more than 1,600 songs. His early career coincided with recording innovations that allowed him to develop an intimate singing style that influenced many male singers who followed, such as Frank Sinatra, Perry Como, Dean Martin, Dick Haymes, Elvis Presley, and John Lennon. ''Yank'' magazine said that he was "the person who had done the most for the morale of overseas servicemen" during World War II. In 1948, American polls declared him the "most admired man alive", ahead of Jackie Robinson and Pope Pius XII. In 1948, ''Music Digest'' estimated that his recordings filled more than half of the 80,000 weekly hours ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lou Handman
Lou Handman (September 10, 1894 – December 9, 1956) was an American composer. Born in New York City, in his early career he toured in vaudeville shows in Australia and New York. Handman worked closely with Roy Turk. They went on to make such chart-topping hits as: *" Are You Lonesome Tonight" *"It's All the Same to Me" *"My Sweetie Went Away" - a popular song in 1923 with versions by Billy Murray & Ed Smalle, and by Dolly Kay. *"One Night of Love" *"Two Ton Tessie" *"You've Got Those Wanna Go Back Again Blues" *"I'm Gonna Charleston Back to Charleston" *"Me and the Moon" Other hits were: *"Give Me a Smile and a Kiss" *"I Can't Get the One I Want" *"What Good Would it Do?" *"Is My Baby Blue Tonight?" *"No Nothing" *"Was it Rain?" *"Don't Ever Change" *"Baby Me" *"Puddin' Head Jones" *"Blue (And Broken Hearted)" - a hit for Marion Harris in 1923. Handman died in Flushing, New York in 1956 and was inducted into the Songwriters Hall of Fame in 1975. References Songwriters Ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jess Stacy
Jesse Alexandria Stacy (August 11, 1904 – January 1, 1995) was an American jazz pianist who gained prominence during the swing era. He is perhaps best known for his years with the Benny Goodman band during the late 1930s, particularly his performance at Goodman's Carnegie Hall concert in 1938. Early life Stacy was born in Bird's Point, Missouri, United States, a small town across the Mississippi River from Cairo, Illinois. His first piano teacher was Mabel Irene Bailey, who played piano for silent movies. In 1918 Stacy moved to Cape Girardeau, Missouri. He received his only formal music training with Clyde Brandt, a professor of piano and violin at Southeast Missouri State Teachers College ( Southeast Missouri State University)Allen, Steve. "The Return of Jess Stacy", unknown newspaper, undated. Jess Stacy Collection, Box 1036, Folder 7, Item B, Special Collections and Archives, Kent Library, Southeast Missouri State Universitybut see 'Discussion' while sweeping at Clark's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Miller (jazz Saxophonist)
Edward Raymond Müller (June 23, 1911 – April 1, 1991) known professionally as Eddie Miller, was an American jazz musician who played tenor saxophone and clarinet. Early life Miller was born in New Orleans, Louisiana. In his early teens, Miller got a job selling newspapers, so he would be eligible for a newsboys' band. Career Miller professional career began in New Orleans at 16, with his recording debut occurring in 1930 with Julie Wintz. He worked in Ben Pollack's orchestra and then stayed when Bob Crosby took over its leadership. He stayed with Crosby until the band broke up in 1942. He had his own band for a brief time after that, before being drafted. However, he was discharged from the military early because of illness and settled in Los Angeles. After that he worked with Pete Fountain, appeared in most of Crosby's reunions, and did club work. He also played with trumpeter Al Hirt. Miller was also a songwriter, with his best-known song being "Slow Mood," later kn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matty Matlock
Julian Clifton "Matty" Matlock (April 27, 1907 – June 14, 1978) was an American Dixieland jazz clarinettist, saxophonist and arranger. Early years Matlock was born in Paducah, Kentucky, April 27, 1907, and raised in Nashville beginning in 1917. He began playing clarinet when he was 12. Career From 1929 to 1934, Matlock replaced Benny Goodman in the Ben Pollack band doing arrangements and performing on clarinet. Matlock was one of the main arrangers for Bob Crosby's band. He had joined Crosby's group in 1935 as clarinettist, playing with both the main Crosby band and the smaller Bobcats group, but "he was often seconded to write full-time for the orchestra and the Bobcats." He stayed with Crosby until the band broke up in 1942. Matlock's entry in ''The Rough Guide to Jazz'' says of him (in part): "Matty Matlock was, with Irving Fazola, the most inspired and spontaneous clarinettist in the Dixieland style, and as a truly original arranger he perfected the sound of 'arranged whit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Floyd O'Brien
Floyd O'Brien (May 7, 1904 – November 26, 1968) was an American jazz trombonist. He was born in Chicago, Illinois, United States. O'Brien first played in Chicago in the 1920s with the Austin High School Gang; later in the decade he played with Earl Fuller, Floyd Town, Charles Pierce, Thelma Terry, and Husk O'Hare. During 1930-31 he worked in a pit band at a theater in Des Moines, Iowa. He moved to New York City and played with Mal Hallett, Joe Venuti, Smith Ballew, Mike Durso (1933–34), Phil Harris (1935–39), Gene Krupa (1939–40), and Bob Crosby (1940–42). In 1943, he relocated to Los Angeles and played with Eddie Miller, Bunk Johnson, Shorty Sherock, Jack Teagarden, and Wingy Manone. In 1948, he moved back to Chicago and there worked with Bud Freeman, Art Hodes and Danny Alvin. O'Brien had recorded with Freeman as early as 1928; other recordings include with Eddie Condon (1933 and later), Fats Waller, Mezz Mezzrow, George Wettling (1940), Charles LaVere (1944), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yank Lawson
John Rhea "Yank" Lawson (May 3, 1911 – February 18, 1995) was an American jazz trumpeter known for Dixieland and swing music. Born John Lausen in 1911, from 1933 to 1935 he worked in Ben Pollack's orchestra and after that became a founding member of the Bob Crosby Orchestra. He later worked with Benny Goodman and Tommy Dorsey, but also worked with Crosby again in 1941–42. Later in the 1940s he became a studio musician leading his own Dixieland sessions. In the 1950s he and Bob Haggart created the Lawson-Haggart band and they worked together in 1968 to form the World's Greatest Jazz Band, a Dixieland group which performed for the next ten years. References External links Yank Lawson recordingsat the Discography of American Historical Recordings The Discography of American Historical Recordings (DAHR) is a database of master recordings made by American record companies during the 78rpm era. The DAHR provides some of these original recordings, free of charge, via audio s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Dubin
Alexander Dubin (June 10, 1891 – February 11, 1945) was an American lyricist. He is best known for his collaborations with the composer Harry Warren. Life Al Dubin came from a Russian Jewish family that emigrated to the United States from Switzerland when he was two years old. Born in Zürich, Switzerland, he grew up in Philadelphia. Between ages of thirteen and sixteen, Dubin played hookey from school in order to travel into New York City to see Broadway musical shows. At age 14 he began writing special material for a vaudeville entertainer on 28th Street between 5th and Broadway in New York City, otherwise known as Tin Pan Alley. Dubin was accepted and enrolled at Perkiomen Seminary in September 1909, but was expelled in 1911, after writing their Alma Mater. After leaving Perkiomen, Dubin got himself a job as a singing waiter at a Philadelphia restaurant. He continued to write lyrics and tried selling them to area publishing firms. During this time, Dubin met composer J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burton Lane
Burton Lane ( Levy; February 2, 1912 – January 5, 1997) was an American composer and lyricist primarily known for his theatre and film scores. His most popular and successful works include ''Finian's Rainbow'' in 1947 and '' On a Clear Day You Can See Forever'' in 1965. Biography He was born Burton Levy, in New York City; his father was Lazarus Levy. At some later time he became known as Burton Lane. One source erroneously gives his birth name as "Morris Hyman Kushner". Burton Lane studied classical piano as a child. At age 14 the theatrical producers the Shuberts commissioned him to write songs for a revue, ''Greenwich Village Follies''. At the age of 18, he contributed the music for at least two songs for the revue, '' Three's A Crowd'': "Forget All Your Books" and "Out in the Open Air." He was known for his Broadway musicals, ''Finian's Rainbow'' (1947) and '' On a Clear Day You Can See Forever'' (1965). He also wrote the music for the less remembered Broadway shows ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Creamer
Henry Sterling Creamer (June 21, 1879 – October 14, 1930) was an African American popular song lyricist and theater producer. He was born in Richmond, Virginia and died in New York. He co-wrote many popular songs in the years from 1900 to 1929, often collaborating with Turner Layton, with whom he also appeared in vaudeville. Career Henry Creamer was a singer, dancer, songwriter and stage producer/director. He first performed on the vaudeville circuit in the U.S. and in Europe as a duo with pianist Turner Layton, with whom he also co-wrote songs. Two of their most enduring songs, for which Creamer wrote the lyrics, are " After You've Gone" (1918), which was popularized by Sophie Tucker, and " Way Down Yonder in New Orleans" (1922), which was included in the soundtrack for one of the dance numbers in the Fred Astaire / Ginger Rogers 1939 movie ''The Story of Vernon and Irene Castle''. Way Down Yonder in New Orleans became a hit again in 1959 when the rocked up recording by Freddy C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turner Layton
Turner Layton (July 2, 1894 – February 6, 1978), born John Turner Layton, Jr., was an African American songwriter, singer and pianist. He frequently worked with Henry Creamer. Life Born in Washington, D.C., United States, in 1894, he was the son of John Turner Layton, "a bass singer, music educator and hymn composer."Peterson, Bernard L. ''Profiles of African American Stage Performers and Theatre People, 1816-1890)'', Greenwood Press, 2000, p. 164 After receiving a musical education from his father, he attended the Howard University Dental School, later coming to New York City in the early 1900s, where he met future songwriting partner, lyricist Henry Creamer. Layton is best known for his many compositions with Creamer, the best known of which is the standard " After You've Gone", written in 1918 and first popularized by Sophie Tucker. Turner and Creamer had another hit with Way Down Yonder in New Orleans in 1922. It was recorded in 1927 by Frank Trumbauer (with Bix Beider ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
After You've Gone (song)
"After You've Gone" is a 1918 popular song composed by Turner Layton with lyrics by Henry Creamer. History It was recorded by Marion Harris on July 22, 1918, and released by Victor Records. The song became so popular that the sheet music was later decorated with tiny photographs of the 45 men who made the song famous, including Paul Whiteman, Rudy Vallée, B.A. Rolfe, Guy Lombardo, and Louis Armstrong. Composition The chorus adheres to a standard ABAC pattern but is only 20 measures long. There are four 4-bar phrases, followed by a 4 measure tag. The song is harmonically active, with chord changes almost every measure. The opening four notes are identical to the opening notes of "Peg o' My Heart" (1912) — at the time songwriters often borrowed the first few notes of a hit melody. Notable recordings See also *List of pre-1920 jazz standards References External links "After You've Goneby Marion Harris, the original 1918 version at the Internet Archive"After You've G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
