Bill Rieflin
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Bill Rieflin
William Frederick Rieflin (September 30, 1960 – March 24, 2020) was an American musician. Rieflin came to prominence in the 1990s mainly for his work as a drummer with groups (particularly in the industrial rock and industrial metal scenes) such as Ministry, the Revolting Cocks, Lard, KMFDM, Pigface, Swans, Chris Connelly, and Nine Inch Nails. He worked regularly with R.E.M. following the retirement of Bill Berry in 1997. He was a member of King Crimson from 2013 until his death in 2020. Career Rieflin was born on September 30, 1960 (some sources say September 29) and began his professional career in his hometown of Seattle. In 1975, he was in The Telepaths, a band which played backup for a couple of live gigs by the pre-The Screamers band The Tupperwares. He played drums for The Blackouts starting in 1979. His bandmates included Mike Davidson, Paul Barker, Roland Barker and Erich Werner. Eventually that band dissolved and Paul Barker joined the nascent Ministry. His e ...
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Robyn Hitchcock
Robyn Rowan Hitchcock (born 3 March 1953) is an English singer-songwriter and guitarist. While primarily a vocalist and guitarist, he also plays harmonica, piano, and bass guitar. After leading the Soft Boys in the late 1970s and releasing the influential ''Underwater Moonlight'', Hitchcock launched a prolific solo career. His musical and lyrical styles have been influenced by Bob Dylan, John Lennon, Syd Barrett, Captain Beefheart, Martin Carthy, Lou Reed, Roger McGuinn and Bryan Ferry. Hitchcock's earliest lyrics mined a rich vein of English surrealist comic tradition and tended to depict a particular type of eccentric and sardonic English worldview. His music and performance style was originally (and remains) heavily influenced by Bob Dylan, but also by the English folk music revival of the 1960s and early 1970s, and this was soon filtered through a then-unfashionable psychedelic rock lens during the punk rock and New Wave music eras of the late 1970s and early 1980s. This ...
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Swans (band)
Swans is an American experimental rock band formed in 1982 by singer, songwriter and multi-instrumentalist Michael Gira. One of the few acts to emerge from the New York City-based no wave scene and stay intact into the next decade, Swans have become recognized for an ever-changing sound, exploring genres such as noise rock, post-punk, industrial music, industrial and post-rock. Initially, their music was known for its sonic brutality and misanthropic lyrics. Following the addition of singer, songwriter and keyboardist Jarboe in 1986, Swans began to incorporate melody and intricacy into their music. Jarboe remained the band's only constant member except Gira and semi-constant guitarist Norman Westberg until their dissolution in 1997. In 2010, Gira re-formed the band without Jarboe, establishing a stable lineup of musicians which has toured worldwide and released four albums to critical acclaim. This iteration of the group performed its last shows in November 2017, ending the tour ...
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Industrial Music
Industrial music is a genre of music that draws on harsh, mechanical, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments (tape music, musique concrète, white noise, synthesizers, sequencers, etc.) and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries. The first industrial artists experimented with noise and aesthetically controversial topics, musically and visually, such as fascism, sexual perversion, and the occult. Prominent industrial musicians include Throbbing Gristle, Monte Cazazza, SPK, Boyd Rice, Cabaret Voltaire, and Z'E ...
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Filth Pig
Filth or The Filth may refer to: Common uses * Dirt, unclean matter * Police officer, a pejorative in British slang Arts, entertainment, and media Films * ''Filth'' (film), a 2013 film based on the novel * ''Filth'', an alternative title for ''Sauna'', a 2008 horror film * '' Filth: The Mary Whitehouse Story'', a 2008 BBC docudrama Literature * ''Filth'' (novel), a 1998 novel by Irvine Welsh * ''FILTH'' by Jingan Young, the first English language play commissioned by the Hong Kong Arts Festival Music Albums * ''Filth'' (Andrew Dice Clay album), Andrew Dice Clay comedy album * ''Filth'' (Maranatha album), 2015 * ''Filth'' (Swans album), 1983 * ''Filth'' (Venetian Snares album), 2009 * ''The Filth'' (album), a 1987 album by Sonny Black's Blues Band, or the title song Other uses in music * Filth (Artist), an American alternative hyperpop artist * Filth (band), an American hardcore punk band * The Filth, or Philip Pilf and the Filth, purported working name of English band ...
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Martin Atkins
Martin Clive Atkins (born 3 August 1959) is an English drummer and session musician, best known for his work in post-punk and industrial groups including Public Image Ltd, Ministry, Nine Inch Nails, Pigface, and Killing Joke. He also works as a consultant, has written books, and is the music business program coordinator at Millikin University in Decatur, IL. Atkins is an honorary board member of the Chicago-based nonprofit organisation Rock For Kids. Early life Atkins was born in Coventry, England. Career 1979–1981 Atkins' first major exposure as a drummer was with John Lydon's post-Sex Pistols band, Public Image Ltd. He joined in 1979, just in time to contribute to the song "Bad Baby" on the album ''Metal Box''. Atkins' first live show with PiL was recorded and released as a live album '' Paris au Printemps'' and his first year with the band included appearances on The John Peel Sessions for the BBC, ''American Bandstand'' and the BBC's live ''Old Grey Whistle Test'' ...
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In Case You Didn't Feel Like Showing Up
''In Case You Didn't Feel Like Showing Up'' is a live album by American industrial metal band Ministry, released on September 4, 1990, by Sire Records. Critical reception and legacy Audio from the live performance of "Breathe", subtitled "Live from Gulag", has been featured in Warner Bros. Records' 1990 compilation album ''Just Say Da'', volume four of the ''Just Say Yes'' series. In 2005, ''In Case You Didn't Feel Like Showing Up'' was ranked number 328 in ''Rock Hard'' magazine's book of ''The 500 Greatest Rock & Metal Albums of All Time''. Track listing ''Live Necronomicon'' This 2017 re-release features more songs including covers from side-projects & bands like Lard, a Jourgensen and Barker side project featuring Jello Biafra, and Skinny Puppy with their frontman Nivek Ogre on vocals. In addition, the songs that had already appeared on ''In Case You Didn't Feel Like Showing Up'' (eg. The Missing) are presented raw and without any of the overdubbing present on the initia ...
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The Land Of Rape And Honey
''The Land of Rape and Honey'' is the third studio album by American industrial metal band Ministry, released on October 11, 1988, by Sire Records. This is the first Ministry album to include bassist Paul Barker and marks a departure from the band's previous two synthpop and EBM records. It incorporates heavy metal guitars and industrial music influences, and Al Jourgensen uses distorted vocals in his natural accent, rather than the faux British accent of previous albums. The resulting sound was influential in the industrial metal genre and is Jourgensen's favorite Ministry album. The album was certified gold by the RIAA in January 1996. The album title comes from the slogan of Tisdale, Saskatchewan, whose motto at that time was "The Land of Rape and Honey", a reference to the agricultural products rapeseed and honey. The band chose the name after seeing the slogan on a souvenir mug. Background Jourgensen credited his work with Adrian Sherwood on the preceding album, ''Tw ...
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Slicing Up Eyeballs
''Slicing Up Eyeballs'' is an American website dedicated to rock music, in particular 1980s college rock. Founded in 2009 by journalist and music critic Matt Sebastian, the site publishes content including news, interviews, and polls. It has been identified as one of the Internet's most reliable resources for 1980s rock music. Background ''Slicing Up Eyeballs'' was founded in 2009 by Denver-based writer Matt Sebastian. A graduate of the University of Colorado, Sebastian had a 20-year career at the ''Daily Camera'', where he worked as a music critic. He also wrote for various newspapers in Utah and the San Francisco Bay Area, and in 2018 joined ''The Denver Post'' as an editor. Sebastian has alternately served as a radio presenter, hosting a Sunday night dark wave show for Sirius XM, as well as a Tuesday night show on Strangeways Radio. He penned a guest column for ''USA Today'' in 2012, stating, "''Slicing Up Eyeballs''... is devoted to the genre that first turned me into a lifelo ...
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Paul Barker
Paul Gordon Barker (born February 8, 1959), also referred to as Hermes Pan, is the former bass guitarist, producer and engineer of the industrial metal band Ministry from 1986 to 2003. Prior to Ministry, Barker provided bass for the Seattle post-punk ensemble The Blackouts alongside future Ministry drummer Bill Rieflin and his brother, one-time Ministry touring keyboardist/saxophonist Roland Barker, from 1979 until 1985. Ministry Beginning as touring bassist for Ministry's 1986 '' Twitch'' tour, Barker collaborated with frontman Al Jourgensen and collectively released ''The Land of Rape and Honey'' in 1988. Although many musicians briefly contributed to Ministry in the nearly two-decade period after Barker joined the band, he and Jourgensen were the only continuous members. The dynamics between these two different personalities came to shape Ministry's sound, along with a number of side-projects which they were involved in together. In 2003, Barker left the band a year aft ...
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The Blackouts
The Blackouts were a punk rock band formed in Seattle in 1979 by singer/guitarist Erich Werner, bassist Mike Davidson, and drummer Bill Rieflin, who were all former members of a local punk band, The Telepaths. They were joined by Roland Barker, first on synthesizer and later on saxophone. Following a single and EP on small local labels, Davidson was replaced by Roland's brother Paul Barker in 1981. This line-up recorded the "Exchange of Goods" single for English label Situation Two, and relocated to Boston in 1982. There they met Al Jourgensen of Ministry, who produced their last recording, the ''Lost Soul's Club'' EP for Wax Trax! Records. The band relocated a second time to San Francisco in 1984, and toured the East Coast with Ministry that year before breaking up. Jourgensen recruited Paul and Roland Barker and Rieflin to the line-up of Ministry, playing a major part in the transformation of Ministry from a synth-driven dance band to one of the top exponents of industrial ...
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The Screamers
The Screamers were an American electropunk group founded in 1975. They were among the first wave of the L.A. punk rock scene. The Los Angeles Times applied the label "techno-punk" to the band in 1978. In the documentary '' Punk: Attitude'' (2005), vocalist Jello Biafra of the Dead Kennedys cites the Screamers as a key influence on their group and as one of the great unrecorded groups in rock history. The Screamers were noted for unusual instrumentation (a drummer and two keyboardists usually on ARP Odyssey synthesizer and Fender Rhodes electric piano). Additional musicians, including violinists and a female vocalist, were occasionally incorporated into their performances. The group featured a theatrical presentation that centered on manic lead vocalist, Tomata du Plenty. DuPlenty and Tommy Gear, a keyboard player and vocalist, were the band's principal songwriters. History The Screamers' founders Tomata du Plenty (born David Xavier Harrigan) and Tommy Gear first collabo ...
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Bill Berry
William Thomas Berry (born July 31, 1958) is an American musician who was the drummer for the alternative rock band R.E.M. Although best known for his economical drumming style, Berry also played other instruments, including guitar, bass guitar and piano, both for songwriting and on R.E.M. albums. In 1995, Berry suffered a cerebral aneurysm onstage and collapsed. After a successful recovery he left the music industry two years later to become a farmer, and has since maintained a low profile, making sporadic reunions with R.E.M. and appearing on other artists's recordings. His departure made him the only member of the band to not remain with them during their entire run. Berry eventually returned to the industry in 2022. Early years (1958–1980) William Thomas Berry was born on July 31, 1958, in Duluth, Minnesota, the fifth child of Don and Anna Berry. At the age of three, Berry moved with his family to Wauwatosa, Wisconsin, a suburb of Milwaukee, where they would remain for the ...
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