Big Girls Don't Cry (The Weather Girls Album)
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Big Girls Don't Cry (The Weather Girls Album)
''Big Girls Don't Cry'' is an album by American music duo The Weather Girls, released in 1985. It was the group's final album on Columbia Records,. The music drew on influences from 1960's sounds. It was less successful than its predecessor, '' Success'' (1983). Critical reception Writing for AllMusic, Ron Wynn gave a mixed review to the record, describing the songs on it as "formula pop-soul and dance filler." Wynn also stated that group "never really were allowed to showcase their real personalities or styles." Music critic Robert Christgau thought that the duo "takes it one step further and make soul a cartoon, with the title cut the masterstroke." Christgau further commented: "They'll cop material anywhere--debut single's from Jesse Winchester. And if at first their tricks seem inspired, by the time you get to Creedence and Neil Sedaka they're beginning to sound obvious." Track listing # "Lock Me Up" (Doug James, Michael Bolton) – 4:16 # "Big Girls Don't Cry" (Bob Crewe, B ...
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The Weather Girls
The Weather Girls are an American female duo whose best-known line-up comprised Martha Wash and Izora Armstead. Formed in 1976 in San Francisco, California, The Weather Girls members began their musical career as Two Tons O' Fun, the female backup duo for disco singer Sylvester. After years of limited success singing background for Sylvester, the duo was signed in 1979 to Fantasy Records. The Weather Girls were launched into mainstream recognition following the release of their best-selling single, "It's Raining Men" (1982), which became their first number-one dance song. Despite critical and commercial success, the duo struggled to repeat the success of "It's Raining Men" and ultimately disbanded after the release of their self-titled fifth album ''The Weather Girls'' in 1988. In 1991, Armstead reformed the duo with her daughter Dynelle Rhodes. Over the course of a decade, the duo released three albums: ''Double Tons of Fun'' (1993), ''Think Big!'', and ''Puttin' On The Hits'' ...
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Down On The Corner
"Down on the Corner" is a song by the American band Creedence Clearwater Revival. It appeared on their fourth studio album, ''Willy and the Poor Boys'' (1969). The song peaked at No. 3 on the ''Billboard'' Hot 100 on 20 December 1969. The flip side, "Fortunate Son", reached No. 14 on the United States charts on 22 November 1969, the week before ''Billboard'' changed its methodology on double-sided hits. In Canada, the single reached No. 4 in December 1969, and No. 5 in New Zealand. The song performed better in much of Continental Europe, where it made number 2 in Germany, number 9 in Austria, number 8 in the Netherlands, number 17 in Flemish-speaking Belgium and number 6 in French-speaking Belgium than in the United Kingdom, where it stalled at number 31. Content The song chronicles the tale of the fictional band Willy and the Poor Boys, and how they play on street corners to cheer people up and ask for nickels. Songwriter John Fogerty explained how the lyrics were derived: ...
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Charles Koppelman
Charles Koppelman (March 30, 1940 – November 25, 2022) was an American musician, music producer, and businessman. He held executive positions at EMI and Steve Madden, and he was Chairman of Martha Stewart Living Omnimedia. At the time of his death, he was the CEO of CAK Entertainment. Early life Koppelman was born to a Jewish family, the son of Ruth and Irving Koppelman. His uncle, Morris Koppelman, held a patent for inventing the egg carton. Career Koppelman broke into the music business as a member of the musical group The Ivy Three which had a Top 10 hit in 1960 entitled "Yogi", after the cartoon Yogi Bear. Soon, Koppelman and bandmate and future business partner Don Rubin joined the songwriting staff of Aldon Music under CEO Don Kirshner, a group that included Carole King, Neil Sedaka, Barry Mann, and Cynthia Weil. When Columbia Pictures purchased Aldon Music, Koppelman was promoted to director of Screen Gems/Columbia Music, the new company that resulted from the merger ...
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picture info

Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ...
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Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound * Audio signal, an electrical representation of sound *Audio frequency, a frequency in the audio spectrum * Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing *Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment *AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 *Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD Computing *, an HTML element, see HTML5 audio See also *Acoustic (other) *Audible (other) *A ...
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Jimmy Maelen
Jimmy may refer to: Arts and entertainment Film and television * ''Jimmy'' (2008 film), a 2008 Hindi thriller directed by Raj N. Sippy * ''Jimmy'' (1979 film), a 1979 Indian Malayalam film directed by Melattoor Ravi Varma * ''Jimmy'' (2013 film), a 2013 drama directed by Mark Freiburger * "The Jimmy", a 1995 episode of the sitcom ''Seinfeld'' * "Jimmy", a 2002 episode of ''Static Shock'' Music * ''Jimmy'' (musical), a 1969 musical Songs * "Jimmy" (song), a song by M.I.A. from the 2007 album ''Kala'' * "Jimmy", a song by Irving Berlin, see also List of songs written by Irving Berlin * "Jimmy", a song by Tones and I from her EP '' The Kids Are Coming'' * "Jimmy", a song by Tool from their 1996 album ''Ænima'' * "Jimmy", a song by dutch artist Boudewijn de Groot * "Jimmy", a song by Jay Thompson for the 1967 film ''Thoroughly Modern Millie'' Theater * Jimmy Awards, annual awards given by the Broadway League to high school musical theater performers in the United States ...
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Leon Pendarvis
Leroy Leon Pendarvis (born 1945) is an American session musician. He plays keyboards and is a background vocalist. He is also an occasional guitarist. The artists he has worked with over the years include Bonnie Raitt on her ''Streetlights'' album which was released in 1974, Van McCoy on his '' Disco Baby'' album which was released in 1975, Barbra Streisand on her ''Songbird'' album which was released in 1978, Eric Clapton on his ''August'' album which was released in 1986, Don Johnson on his '' Let It Roll'' album which was released in 1989, Avril Lavigne on her '' Keep Holding On'' album which was released on 2007, and many more. He was at one time a member of the group Passion. He is also the musical director and conductor for NBC's ''Saturday Night Live'' (SNL) Band. Since 1986 he has been a member of The Blues Brothers band. He was the husband of singer and chorist Janice Pendarvis (born Janice Gadsden), who sang for Roberta Flack, Sting, Philip Glass, David Bowie, and ...
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David Sanborn
David William Sanborn (born July 30, 1945) is an American alto saxophonist. Though Sanborn has worked in many genres, his solo recordings typically blend jazz with instrumental pop and R&B. He released his first solo album ''Taking Off'' in 1975, but has been playing the saxophone since before he was in high school. One of the most commercially successful American saxophonists to earn prominence since the 1980s, Sanborn is described by critic Scott Yannow as "the most influential saxophonist on pop, R&B, and crossover players of the past 20 years." He is often identified with radio-friendly smooth jazz, but he has expressed a disinclination for the genre and his association with it. Early life Sanborn was born in Tampa, Florida, and grew up in Kirkwood, Missouri. He suffered from polio for eight years in his youth. He began playing saxophone on a physician's advice to strengthen his weakened chest muscles and improve his breathing, instead of studying piano. Alto saxophonis ...
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Georg Wadenius
Georg "Jojje" Wadenius (born 4 May 1945) is a Swedish multi-instrumentalist, singer, and composer who was particularly active during the 1970s and 1980s as a studio and session guitarist and bassist, as well as for a series of albums of children's songs in Sweden. Biography Wadenius was born in Stockholm, Sweden, where he attended Adolf Fredrik's Music School. After appearing on a number of Swedish hit records and being founder-member of two Swedish supergroups of the early 1970s, Made in Sweden (1966–1972 and 1976) and (1971–1972), he relocated to the United States to become lead guitarist of the US group Blood, Sweat & Tears from 1972 to 1975. In 1979, he joined The Saturday Night Live Band on television. He stayed on until 1985 and has since worked for many important artists as a session player and/or touring musician, among them Steely Dan, Aretha Franklin, Diana Ross, Dr. John, David Sanborn, James Brown, Marianne Faithfull, Kent, Paul Simon, Joe Thomas, Dionne Warwi ...
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Elliott Randall
Elliott Randall (born June 15, 1947) is an American guitarist best known for being a session musician with popular artists. Randall played the well-known guitar solos from Steely Dan's song "Reelin' in the Years" and Irene Cara's song " Fame". The former solo was ranked as the 40th best guitar solo of all time by the readers of ''Guitar World'' magazine and the eighth best guitar solo by Q4 Music. Career Randall began taking piano lessons at age five. At nine, in 1956, he switched to guitar. He attended New York City's High School of Music & Art, where he was classmates with Laura Nyro and Michael Kamen. In 1963, at sixteen, Randall met Richie Havens in Greenwich Village and began gigging. Randall did some early work behind the Capris and the Ronettes, and by 1964 was recording "small-time" demos. Between 1966 and 1967, he taught music in Ohio. Returning to New York, he began working as a staff musician for the Musicor record company. During 1968, he recorded with the Druids o ...
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Ben Weisman
Benjamin Weisman (November 16, 1921 – May 20, 2007) was an American composer. He wrote 57 songs recorded by Elvis Presley, more than any other songwriter. Biography Weisman was born in Providence, Rhode Island, and grew up in Brooklyn, New York. He studied classical piano as a child, and then at the Juilliard School of Music. After being drafted, he became Special Services Music Director for the U.S. Army Air Force, before returning to New York and a career in Tin Pan Alley. Initially, he found success writing with Fred Wise and Kay Twomey, often using the collective pseudonym "Al Hill". Their early successes included "Let Me Go, Lover!", written with Jenny Lou Carson and recorded by Joan Weber, Patti Page, and many others. Songs written by Ben Weisman, ''MusicVf''

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Evie Sands
Evie Sands (born July 18, 1946) is an American singer, songwriter and musician. Sands' music career spans more than 50 years. She began her career as a teenager in the mid-1960s. After a rocky start, she eventually found chart success in 1969, before retiring from performing in 1979 to concentrate on writing and production. She experienced a fashionable, UK-led surge in cult popularity beginning in the 1990s and returned to live performance in mid-1998. Sands continues to write and perform. Early life Evie Sands was born in Brooklyn, New York, into a musical family. Her mother was a singer, and Sands grew up listening to artists like Billie Holiday, Dinah Washington, Frank Sinatra, Jackie Wilson, Little Willie John and The Beatles. She was inspired by these artists to learn keyboard and guitar and to develop her own ability as a singer and songwriter. She cut her first singles by her mid-teens: "The Roll / My Dog" (ABC 10458/1963), "Danny Boy" "I Love You So" / "I Was Moved" (Gold ...
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