Big Beat Records (British Record Label)
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Big Beat Records (British Record Label)
Big Beat Records is a British record label and import distributor owned by Ace Records, specialising in garage rock.David Stubbs, Rob Young ''Ace Records: Labels Unlimited'' 2008 Page 87 Another example of the type of group Big Beat worked with was The Stingrays. As Alec Palao, the American-based English expat, one time member of the band and subsequent Ace consultant, recalls: "The band was an amalgam of everything we were into, be it rockabilly, garage punk, 1970s punk, surf, northern soul, folk-rock; we were omnivores." The Stingrays were the classic example of a band who had supersized on Ace's ever-increasing and eclectic output of lost music. Roster Releases include: *The Ace of Cups *Big Star * Dean Carter *The Chocolate Watchband *Count Five * Creedence Clearwater Revival *The Cramps * The Damned *Fifty Foot Hose *The Flaming Stars *Frumious Bandersnatch *The Fugs *Guana Batz * Dan Hicks *Bert Jansch * Janie Jones & the Lash * Larry and the Blue Notes *Mahogany Rus ...
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Record Label
A record label, or record company, is a brand or trademark of music recordings and music videos, or the company that owns it. Sometimes, a record label is also a publishing company that manages such brands and trademarks, coordinates the production, manufacture, distribution, marketing, promotion, and enforcement of copyright for sound recordings and music videos, while also conducting talent scouting and development of new artists, and maintaining contracts with recording artists and their managers. The term "record label", derives from the circular label in the center of a vinyl record which prominently displays the manufacturer's name, along with other information. Within the mainstream music industry, recording artists have traditionally been reliant upon record labels to broaden their consumer base, market their albums, and promote their singles on streaming services, radio, and television. Record labels also provide publicists, who assist performers in gaining positi ...
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Bert Jansch
Herbert Jansch (3 November 1943 – 5 October 2011) was a Scottish folk musician and founding member of the band Pentangle. He was born in Glasgow and came to prominence in London in the 1960s as an acoustic guitarist and singer-songwriter. He recorded more than 28 albums and toured extensively from the 1960s to the 21st century. Jansch was a leading figure in the 1960s British folk revival, touring folk clubs and recording several solo albums, as well as collaborating with other musicians such as John Renbourn and Anne Briggs. In 1968, he co-founded the band Pentangle, touring and recording with them until their break-up in 1972. He then took a few years' break from music, returning in the late 1970s to work on a series of projects with other musicians. He joined a reformed Pentangle in the early 1980s and remained with them as they evolved through various changes of personnel until 1995. Until his death, Jansch continued to work as a solo artist. Jansch's work influenced ...
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The Sonics
The Sonics are an American garage rock band from Tacoma, Washington, Tacoma, Washington (state), Washington that formed in 1960. Their aggressive, hard-edged sound has been a major influence on Punk rock, punk and Garage rock, garage music worldwide, and they have been named inspirations to the White Stripes, LCD Soundsystem, and other musical artists. The band performed several early rock standards such as "Louie, Louie", and "Skinny Minnie" as well as original compositions like "Strychnine", "Psycho", and "The Witch (song), The Witch". Their catalogue is generally based around simple chord progressions, often performed with a speed and tonal aggression that was novel for the time, making the band a notable influence on later punk rock bands, such as The Stooges and The Cramps. Biography 1960s The Sonics were formed in 1960 in Bremerton, Washington by teen-aged guitarist Larry Parypa, with the encouragement of his music-loving parents. The earliest lineup included Parypa, dru ...
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The Sting-rays
The Sting-rays (often credited The Stingrays) were a British rock band from Greater London which recorded on Ace Records' garage and psychedelic subsidiary Big Beat and Joe Foster's '' Kaleidoscope Sound'' in the 1980s.''Maximum Rocknroll'' No.15 1984 "The STINGRAYS look rockabilly, act punk, and sound more 60s than anything else (note their covers ...)" Discography Most of the band's songs were written by Alec Palao and Bal Croce ;Albums *''Dinosaurs'' (Big Beat, 1983) *''Cryptic and Coffee Time'' (Kaleidoscope Sound, 1987) *''The Essential (Early) Sting-Rays'' (Big Beat, 1987) *''From the Kitchen Sink'' (Big Beat, 2002) compilation ;EP's, Singles * ''On Self Destruct'' (Big Beat, 1983) EP *''The Crusher'' as ''Bananamen'' (Big Beat, 1983) EP *"Escalator" (Big Beat, 1984) *"Don't Break Down" (Big Beat, 1985) *''June Rhyme'' (Kaleidoscope Sound, 1986) EP *''Behind the Beyond'' (Kaleidoscope Sound, 1986) EP ;Live *''Stomping at the Klub Foot'' (1984) (with Restless, Milkshak ...
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She (American Band)
She was an all-female American garage rock band from Sacramento, California that was active between 1964 and 1971. Originally called the Id, the band later changed its name to the Hairem, where its members recorded several tracks that remained unissued for many years. Though the group was known for a raw sound, as the decade passed they incorporated psychedelic influences and eventually changed their name to She. In 1970, as She, they released the single, "Boy Little Boy" b/w "Outta Reach". Since 1999, with the release of the ''She Wants a Piece of You'' compilation, the group's work has come to the attention of garage rock enthusiasts. The group was formed in 1964 as the Id by seventeen year old guitarist and songwriter, Nancy Ross, along with her sister, Sally Ross (now Sally Ross-Moore), who was thirteen, while the two were in high school in Sacramento, California. Despite shifting lineup changes, the two sisters remained in the group's roster throughout its whole tenure. R ...
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The Screaming Blue Messiahs
The Screaming Blue Messiahs were a rock band, formed in 1983 in London by guitarist and singer Bill Carter, bass player and backing singer Chris Thompson and drummer Kenny Harris. The group emerged in the wake of the pub rock and punk scenes that had been very predominant on the UK capital's live music circuit during the late '70s/ early '80s. The band, a classic power trio, was active between 1983 and 1990 and released three major label LPs. They toured extensively throughout Europe, North America and Australasia, garnering wide critical acclaim for their aggressive blend of rhythm and blues, punk and rockabilly. History Early years Before founding the Screaming Blue Messiahs, its three members had played together as The Small Brothers. Thompson and Carter had been part of the Captain Beefheart-influenced band Motor Boys Motor; together with Tony Moon on vocals, they recorded several tracks under that name on 24 August 1981 for John Peel's show on BBC Radio 1 and released ...
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John Renbourn
John Renbourn (8 August 1944 – 26 March 2015) was an English guitarist and songwriter. He was best known for his collaboration with guitarist Bert Jansch as well as his work with the folk group Pentangle, although he maintained a solo career before, during and after that band's existence (1967–1973). He worked later in a duo with Stefan Grossman. While most commonly labelled a folk musician, Renbourn's musical tastes and interests took in early music, classical music, jazz, blues and world music. His most influential album, ''Sir John Alot'' (1968), featured his take on tunes from the medieval period. Biography John Renbourn studied classical guitar at school and it was during this period that he was introduced to early music. In the 1950s, along with many others, he was greatly influenced by the musical craze of skiffle and this eventually led him to explore the work of artists such as Lead Belly, Josh White and Big Bill Broonzy. In the 1960s, the new craze in popula ...
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The Rationals
The Rationals were an American rock band from Ann Arbor, Michigan. History The Rationals formed in 1964 and first recorded a single for a local label, A2 Records, in 1965. After scoring a local hit with the tune "Gave My Love",Richie Unterberger, The Rationalsat Allmusic they recorded a remake of Otis Redding's "Respect". This won them a contract for national distribution by Cameo/Parkway, and the single ended up reaching #92 on the ''Billboard'' Hot 100. The record didn't break everywhere in the U.S. at the same time, so it had a tough time making a decent showing on the national charts. Several further singles, including "I Need You" and "Hold On Baby", were successes in Michigan but didn't catch on nationally. Lead singer Scott Morgan was asked to join Blood, Sweat & Tears, but he declined the offer. The group's only full-length, a self-titled effort, arrived on Crewe Records at the beginning of 1970, and the group split up soon after; Morgan went on to play with several o ...
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The Nightcrawlers
The Nightcrawlers were an American garage rock band formed in Daytona Beach, Florida in 1965. The group is best known for their hit single, "The Little Black Egg", which was written in 1965 for an Easter concert in which the band opened for The Beach Boys. The single ultimately reached number 85 on the national charts after its third re-release in 1967. The group released three other singles: "Cry," "A Basket of Flowers," and "I Don't Remember." The five original members were Tommy Ruger (drums); Rob Rouse (vocal, tambourine); Charlie Conlon (bass, vocal); Sylvan Wells (lead guitar and harmonica); and Pete Thomason (rhythm guitar, vocal). Their sound is described as sparse folk rock, popularized by The Byrds, The Beau Brummels, and other post-British Invasion mid-1960s bands. They released one album on Kapp Records, but the original lineup disbanded in 1966, before the final (and most popular) release of "The Little Black Egg." The reformed Nightcrawlers did one more single for ...
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