Bice Parisi
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Bice Parisi
Bice, from the French ''bis'', originally meaning dark-coloured, is a green or blue pigment. In French the terms ''vert bis'' and ''azur bis'' mean dark green and dark blue respectively. Bice pigments were generally prepared from basic copper carbonates, but sometimes ultramarine or other pigments were used. Historic usage In 1522 a stone cross with gilt lead stars was erected at the Bullstake in Canterbury, and painted with bice and gilded by Florence the painter. The bice cost 6 shillings the pound. Jo Kirby of the National Gallery London notes the occurrence of the pigment ''bice'' in three grades in an account of Tudor painting at Greenwich Palace in 1527. In this case, the three grades indicate the use of the mineral azurite rather than a manufactured blue copper carbonate. Similarly, ''green bice'' in other 16th-records may sometimes have been the mineral malachite. Ian Bristow, a historian of paint, concluded that the pigment ''blue bice'' found in records of British inte ...
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Green
Green is the color between cyan and yellow on the visible spectrum. It is evoked by light which has a dominant wavelength of roughly 495570 Nanometre, nm. In subtractive color systems, used in painting and color printing, it is created by a combination of yellow and cyan; in the RGB color model, used on television and computer screens, it is one of the additive primary colors, along with red and blue, which are mixed in different combinations to create all other colors. By far the largest contributor to green in nature is chlorophyll, the chemical by which plants photosynthesis, photosynthesize and convert sunlight into chemical energy. Many creatures have adapted to their green environments by taking on a green hue themselves as camouflage. Several minerals have a green color, including the emerald, which is colored green by its chromium content. During Post-classical history, post-classical and Early modern period, early modern Europe, green was the color commonly assoc ...
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Sergeant Painter
The Serjeant Painter was an honourable and lucrative position as court painter with the English monarch. It carried with it the prerogative of painting and gilding all of the King's residences, coaches, banners, etc. and it grossed over £1,000 in a good year by the 18th century. The work itself involved painting the palaces, coaches, royal barges, and all sorts of decorations for festivities, which often had to be designed as well. The actual involvement of the serjeant painters in this gradually declined. The post itself fell out of use in the 18th century, after a period when "fine art" painters were appointed, and expected to supervise rather than execute decorative painting, for a good salary. History The post of serjeant-painter came into being with the appointment of John Browne in 1511–12. In the time of Henry VIII they seem to have acted as at least foremen for the actual workers; from 1527 better artists were made "King's Painter", like Lucas Horenbout. They may ...
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