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Bibliography Of Jazz
General and history * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * Autobiography and biography Louis Armstrong * * * * * * * * Teachout, Terry. ''Pops: A Life of Louis Armstrong''. (2009) * Count Basie * * * * * Art Blakey * * * John Coltrane * * * * * * * * * * Bing Crosby * Giddins, Gary. ''Bing Crosby: A Pocketful of Dreams'' (2001) * Giddins, Gary. ''Bing Crosby: Swinging on a Star'' (2018) Miles Davis * * * * * Duke Ellington * * * * * * Teachout, Terry. ''Duke''. (2013) * * Bill Evans * * Ella Fitzgerald * * * * * * Dizzy Gillespie * * * * * Benny Goodman * * * * * Billie Holiday * * * * * * Pat Metheny * Cooke, Mervyn. ''Pat Metheny: The ECM Years'' (2017) * Niles, Richard. ''The Pat Metheny Interviews'' (2009) Charles Mingus * * * * Thelonious Monk * * * * Char ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A History Of The New York Scene
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish it fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cambridge Companions To Music
The Cambridge Companions to Music form a book series published by Cambridge University Press Cambridge University Press is the university press of the University of Cambridge. Granted letters patent by Henry VIII of England, King Henry VIII in 1534, it is the oldest university press A university press is an academic publishing hou .... Each book is a collection of essays on the topic commissioned by the publisher. on Cambridge University Press website, accessed 21 September 2015. Volumes (sortable table) References External links ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Penguin Guide To Jazz
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Guide To The Repertoire
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish it fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beneath The Underdog
''Beneath the Underdog: His World as Composed by Mingus'' is the autobiography of jazz bassist and composer Charles Mingus. It was first published in 1971, by Alfred A. Knopf. Background Mingus worked on his autobiography for more than two decades. One newspaper indicated in October 1961 that the book "is due out in a couple of weeks". The following year, ''The New York Times'' reported that author Louis Lomax was collaborating with Mingus in the writing and editing of "an eight-year-old, portly, angry manuscript of 1,500 pages", and that publishers in France and Japan had bid for the book. The original proposed title was ''Memoirs of a Half Yellow Schitt Covered Nigger''. It was finally published by Alfred A. Knopf in 1971. The published form, edited by Nel King, reduced the original manuscript by more than two thirds.Harrington, Richard (June 2, 1993) "Mementos of Mingus: Library of Congress Acquires Works of Composer". ''The Washington Post''. p. B1. Before editing, the typescr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Story Of Art Pepper
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Jazz Piano Book
''The Jazz Piano Book'' is a method book written by Mark Levine. It was first published on January 1 1989. It aims to summarise the musical theory, including jazz harmony, required by an aspiring jazz pianist. Its target readership appears to be reading musicians who are new to jazz, implicitly classical musicians—there is very little discussion of physical pianistic technique, and only a very brief summary of musical intervals intended as a refresher. Another significant omission is any discussion of post-stride solo piano techniques—it is generally assumed that a bass player will be present to provide a root for the voicings that are discussed. The book covers a range of topics including left-hand voicings, scales and modes, improvisation, chords Chord may refer to: * Chord (music), an aggregate of musical pitches sounded simultaneously ** Guitar chord a chord played on a guitar, which has a particular tuning * Chord (geometry), a line segment joining two points on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Jazz Theory Book
''The Jazz Theory Book'' is an influential work by Mark Levine (musician), Mark Levine, first published in 1995. The book is a staple in jazz theory, and contains a wide range of jazz concepts from melodic minor scales and whole tone scale to bebop scales, diminished scales and "John Coltrane, Coltrane" reharmonization. Levine assumes that the reader can read music, and gives over 750 musical examples. See also *''The Jazz Piano Book'' References Jazz books 1995 non-fiction books Music textbooks {{Music-publication-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Bibliographies
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal ja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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