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Bibliography Of Carlo Pollonera
This bibliography lists publications authored by the Italian malacology, malacologist and painter Carlo Pollonera (1849-1923). The article endeavours to be comprehensive, and includes all works listed in previous bibliographies of Pollonera. ''Zoological Record'' and ''AnimalBase'' have also been utilised. Works listed without an internet link have generally not been examined directly. Dates given here follow those printed on the individual issue wrappers (where these were available to inspect or where there were other reliable sources), which sometimes differ from those on the title page of the volume. The last section considers some works to which Pollonera contributed without being an author; this part of the list is far more likely not to be comprehensive. Non-scientific publications * * Scientific publications * [Reprinted as Lessona & Pollonera 1884.] * [Reprint of Lessona & Pollonera 1882.] * * [pp. 412–432 in some copies.] * * [pp. 409–426 in some copie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bibliography
Bibliography (from and ), as a discipline, is traditionally the academic study of books as physical, cultural objects; in this sense, it is also known as bibliology (from ). English author and bibliographer John Carter describes ''bibliography'' as a word having two senses: one, a list of books for further study or of works consulted by an author (or enumerative bibliography); the other one, applicable for collectors, is "the study of books as physical objects" and "the systematic description of books as objects" (or descriptive bibliography). Etymology The word was used by Greek writers in the first three centuries CE to mean the copying of books by hand. In the 12th century, the word started being used for "the intellectual activity of composing books." The 17th century then saw the emergence of the modern meaning, that of description of books. Currently, the field of bibliography has expanded to include studies that consider the book as a material object. Bibliography, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malacology
Malacology is the branch of invertebrate zoology that deals with the study of the Mollusca (mollusks or molluscs), the second-largest phylum of animals in terms of described species after the arthropods. Mollusks include snails and slugs, clams, and cephalopods, along with numerous other kinds, many of which have shells. One division of malacology, conchology, is devoted to the study of mollusk shells. Malacology derives . Fields within malacological research include taxonomy, ecology and evolution. Applied malacology studies medical, veterinary, and agricultural applications; for example, mollusks as vectors of disease, as in schistosomiasis. Archaeology employs malacology to understand the evolution of the climate, the biota of the area, and the usage of the site. In 1681, Filippo Bonanni wrote the first book ever published that was solely about seashells, the shells of marine mollusks. The book was entitled: In 1868, the German Malacological Society was founded. Zoologica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Pollonera
Carlo Pollonera (Alexandria, Egypt, March 27, 1849 – Turin, June 17, 1923) was an Italian painter, particularly of landscapes, and also an important malacologist. Biography Carlo Pollonera's father, Giovanni B. Pollonera, was a lawyer in Alexandria. He died when Carlo was a child, after which his mother returned to Italy (Genoa) and remarried. As a seventeen-year-old, Carlo fought with Garibaldi on the Trentino campaign of 1866. In 1865, the family had moved to Turin, where Pollonera began studying painting with Alberto Maso Gilli. He enrolled at the Accademia Albertina and studied under Gamba and Andrea Gastaldi. Pollonera was a rebellious pupil, wanting to paint exactly what he saw, rather than, for instance, changing a distracting background. This principle not to improve on what he saw remained a hallmark of his painting throughout Pollonera's career. After four years with Gastaldi, in 1873 he switched to study in the private school of Antonio Fontanesi. In January 1875, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pollonera Lehmannia Valentiana BollMusZoolAnatCompTor V2T1
Carlo Pollonera ( Alexandria, Egypt, March 27, 1849 – Turin, June 17, 1923) was an Italian painter, particularly of landscapes, and also an important malacologist. Biography Carlo Pollonera's father, Giovanni B. Pollonera, was a lawyer in Alexandria. He died when Carlo was a child, after which his mother returned to Italy ( Genoa) and remarried. As a seventeen-year-old, Carlo fought with Garibaldi on the Trentino campaign of 1866. In 1865, the family had moved to Turin, where Pollonera began studying painting with Alberto Maso Gilli. He enrolled at the Accademia Albertina and studied under Gamba and Andrea Gastaldi. Pollonera was a rebellious pupil, wanting to paint exactly what he saw, rather than, for instance, changing a distracting background. This principle not to improve on what he saw remained a hallmark of his painting throughout Pollonera's career. After four years with Gastaldi, in 1873 he switched to study in the private school of Antonio Fontanesi. In January ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pollonera Xerosecta Cespitum BullSocMalacItal V18T1
Carlo Pollonera ( Alexandria, Egypt, March 27, 1849 – Turin, June 17, 1923) was an Italian painter, particularly of landscapes, and also an important malacologist. Biography Carlo Pollonera's father, Giovanni B. Pollonera, was a lawyer in Alexandria. He died when Carlo was a child, after which his mother returned to Italy ( Genoa) and remarried. As a seventeen-year-old, Carlo fought with Garibaldi on the Trentino campaign of 1866. In 1865, the family had moved to Turin, where Pollonera began studying painting with Alberto Maso Gilli. He enrolled at the Accademia Albertina and studied under Gamba and Andrea Gastaldi. Pollonera was a rebellious pupil, wanting to paint exactly what he saw, rather than, for instance, changing a distracting background. This principle not to improve on what he saw remained a hallmark of his painting throughout Pollonera's career. After four years with Gastaldi, in 1873 he switched to study in the private school of Antonio Fontanesi. In January ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pollonera Vitrina Demissa BollMusZoolAnatCompTor V13
Carlo Pollonera ( Alexandria, Egypt, March 27, 1849 – Turin, June 17, 1923) was an Italian painter, particularly of landscapes, and also an important malacologist. Biography Carlo Pollonera's father, Giovanni B. Pollonera, was a lawyer in Alexandria. He died when Carlo was a child, after which his mother returned to Italy ( Genoa) and remarried. As a seventeen-year-old, Carlo fought with Garibaldi on the Trentino campaign of 1866. In 1865, the family had moved to Turin, where Pollonera began studying painting with Alberto Maso Gilli. He enrolled at the Accademia Albertina and studied under Gamba and Andrea Gastaldi. Pollonera was a rebellious pupil, wanting to paint exactly what he saw, rather than, for instance, changing a distracting background. This principle not to improve on what he saw remained a hallmark of his painting throughout Pollonera's career. After four years with Gastaldi, in 1873 he switched to study in the private school of Antonio Fontanesi. In January ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Code Of Zoological Nomenclature
The International Code of Zoological Nomenclature (ICZN) is a widely accepted convention in zoology that rules the formal scientific naming of organisms treated as animals. It is also informally known as the ICZN Code, for its publisher, the International Commission on Zoological Nomenclature (which shares the acronym "ICZN"). The rules principally regulate: * How names are correctly established in the frame of binominal nomenclature * Which name must be used in case of name conflicts * How scientific literature must cite names Zoological nomenclature is independent of other systems of nomenclature, for example botanical nomenclature. This implies that animals can have the same generic names as plants (e.g. there is a genus ''Abronia'' in both animals and plants). The rules and recommendations have one fundamental aim: to provide the maximum universality and continuity in the naming of all animals, except where taxonomic judgment dictates otherwise. The code is meant to guid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bibliographies By Writer
Bibliography (from and ), as a discipline, is traditionally the academic study of books as physical, cultural objects; in this sense, it is also known as bibliology (from ). English author and bibliographer John Carter describes ''bibliography'' as a word having two senses: one, a list of books for further study or of works consulted by an author (or enumerative bibliography); the other one, applicable for collectors, is "the study of books as physical objects" and "the systematic description of books as objects" (or descriptive bibliography). Etymology The word was used by Greek writers in the first three centuries CE to mean the copying of books by hand. In the 12th century, the word started being used for "the intellectual activity of composing books." The 17th century then saw the emergence of the modern meaning, that of description of books. Currently, the field of bibliography has expanded to include studies that consider the book as a material object. Bibliography, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
