Biagio Marini
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Biagio Marini
Biagio Marini (5 February 1594 – 20 March 1663) was an Italian virtuoso violinist and composer in the first half of the seventeenth century. Marini was born in Brescia. He may have studied with his uncle Giacinto Bondioli. His works were printed and influential throughout the European musical world. He traveled throughout his life, and occupied posts in Brussels, over thirty years in Neuburg an der Donau and Düsseldorf, and Venice in 1615, joining Monteverdi's group at St. Mark's Cathedral, Padua, Parma, Ferrara, Milan, Bergamo, and Brescia in Italy. There is evidence that he married three times and fathered five children. He died in Venice. Although he wrote both instrumental and vocal music, he is better known for his innovative instrumental compositions. He contributed to the early development of the string idiom by expanding the performance range of the solo and accompanied violin and incorporating slur, double and even triple stopping, and the first explicitly no ...
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Virtuoso
A virtuoso (from Italian ''virtuoso'' or , "virtuous", Late Latin ''virtuosus'', Latin ''virtus'', "virtue", "excellence" or "skill") is an individual who possesses outstanding talent and technical ability in a particular art or field such as fine arts, music, singing, playing a musical instrument, or composition. Meaning This word also refers to a person who has cultivated appreciation of artistic excellence, either as a connoisseur or collector. The plural form of ''virtuoso'' is either ''virtuosi'' or the Anglicisation ''virtuosos'', and the feminine forms are ''virtuosa'' and ''virtuose''. According to ''Music in the Western civilization'' by Piero Weiss and Richard Taruskin: ...a virtuoso was, originally, a highly accomplished musician, but by the nineteenth century the term had become restricted to performers, both vocal and instrumental, whose technical accomplishments were so pronounced as to dazzle the public. The defining element of virtuosity is the perfor ...
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Tremolo
In music, ''tremolo'' (), or ''tremolando'' (), is a trembling effect. There are two types of tremolo. The first is a rapid reiteration: * Of a single note, particularly used on bowed string instruments, by rapidly moving the bow back and forth; plucked strings such as on a harp, where it is called '' bisbigliando'' () or "whispering". Tremolo picking, on traditionally plucked string instruments including guitar and mandolin, is the rapid articulation of single notes or a group of notes with a plectrum (pick) or with fingers. Tremolo playing sustains notes that would otherwise rapidly decay (fade to silence). * Between two notes or chords in alternation, an imitation (not to be confused with a trill) of the preceding that is more common on keyboard instruments. Mallet instruments such as the marimba are capable of either method. * A roll on any percussion instrument, whether tuned or untuned. A second type of tremolo is a variation in amplitude: * As produced on organs b ...
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1594 Births
Events January–June * March 21 – Henry IV enters his capital of Paris for the first time. * April 17 – Hyacinth of Poland is canonized. * May ** Uprising in Banat of Serbs against Ottoman rule ends with the public burning of Saint Sava's bones in Belgrade, Serbia. ** Nine Years' War (Ireland): Hugh O'Neill, 2nd Earl of Tyrone and Hugh Roe O'Donnell form an alliance to try to overthrow English domination. * June 5 – Willem Barents makes his first voyage to the Arctic Ocean, in search of the Northeast Passage. * June 11 – Philip II of Spain recognizes the rights and privileges of the local nobles and chieftains in the Philippines, which paves the way for the stabilization of the rule of the Principalía. * June 22– 23 – Anglo-Spanish War: Action of Faial – In the Azores, an English attempt to capture the large Portuguese carrack ''Cinco Chagas'', reputedly one of the richest ever to set sail from the East Indies, ca ...
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Playing The Violin
Playing the violin entails holding the instrument between the jaw and the collar bone (see below for variations of this posture). The strings are sounded either by drawing the bow across them (''arco''), or by plucking them (''pizzicato''). The left hand regulates the sounding length of the strings by stopping them against the fingerboard with the fingers, producing different pitches. Posture It is possible to play the violin holding it in a variety of ways. Most players hold the lower bout of the instrument between the left shoulder and the jaw, often assisted by a semi-permanently attached chinrest and detachable shoulder rest. If held properly under the chin, the violinist can let go of the instrument with their hands and it will stay there firmly. Other common ways to hold the instrument include the seated Carnatic attitude, with the scroll resting on a foot, or the dancing-master's "kit" or "''pochette''" hold, along the forearm, by the lower margin of the rib cage, eve ...
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Extended Technique
In music, extended technique is unconventional, unorthodox, or non-traditional methods of singing or of playing musical instruments employed to obtain unusual sounds or timbres.Burtner, Matthew (2005).Making Noise: Extended Techniques after Experimentalism, ''NewMusicBox.org''. Composers’ use of extended techniques is not specific to contemporary music (for instance, Hector Berlioz’s use of ''col legno'' in his ''Symphonie Fantastique'' is an extended technique) and it transcends compositional schools and styles. Extended techniques have also flourished in popular music. Nearly all jazz performers make significant use of extended techniques of one sort or another, particularly in more recent styles like free jazz or avant-garde jazz. Musicians in free improvisation have also made heavy use of extended techniques. Examples of extended techniques include bowing under the bridge of a string instrument or with two different bows, using key clicks on a wind instrument, blowing and ...
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Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language '' Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890 ...
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Harmonia Mundi
Harmonia Mundi is an independent record label which specializes in classical music, jazz, and world music (on the World Village label). It was founded in France in 1958 and is now a subsidiary of PIAS Entertainment Group. Its Latin name ''harmonia mundi'' translates as "harmony of the world". History In the 1950s, two music entrepreneurs, Frenchman Bernard Coutaz and German Rudolf Ruby, met by chance on a train journey and started a friendship based on their musical interests. They formed a business relationship and set up two classical music record labels, both named ''Harmonia Mundi ''. Coutaz's Harmonia Mundi (France) was founded in Saint-Michel-de-Provence, France, in 1958, and around the same time, Rudolf Ruby set up Deutsche Harmonia Mundi. The two labels shared similar aims and specialised in recordings of Early and Baroque music, with an emphasis on scholarly, historically informed performance and high-quality sound and production values. They also shared the ''Harmo ...
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Andrew Manze
Andrew Manze (born 14 January 1965) is a British conductor and violinist living in Germany. Born in Beckenham, United Kingdom, Manze read Classics at Cambridge University. Manze studied violin and worked with Ton Koopman (his director in the Amsterdam Baroque Orchestra) and Simon Standage (his teacher in the Royal Academy of Music). He began his musical career as a specialist in Early Music, and has recorded as a soloist for such labels as Harmonia Mundi. He became associate director of The Academy of Ancient Music in 1996. From 2003 to 2007, he was artistic director of The English Concert, with whom he recorded commercially for Harmonia Mundi. He has also conducted recordings on labels such as Onyx and Pentatone. Manze was associate guest conductor of the BBC Scottish Symphony Orchestra (BBC SSO) from September 2010 to August 2014, and recorded with the BBC SSO for Hyperion. Outside of the UK, from 2006 to 2014, Manze was principal conductor and artistic direc ...
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Sackbut
The term sackbut refers to the early forms of the trombone commonly used during the Renaissance and Baroque eras. A sackbut has the characteristic telescopic slide of a trombone, used to vary the length of the tube to change pitch, but is distinct from later trombones by its smaller, more cylindrically-proportioned bore, and its less-flared bell. Unlike the earlier slide trumpet from which it evolved, the sackbut possesses a U-shaped slide with two parallel sliding tubes, rather than just one. Records of the term ''trombone'' predate the term ''sackbut'' by two decades, and evidence for the German term ''Posaune'' is even older.Timeline of trombone history (15th century)
Will Kimball
''Sackbut'', originally a French term, was used in England until the instrum ...
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Dulcian
The dulcian is a Renaissance woodwind instrument, with a double reed and a folded conical bore. Equivalent terms include en, curtal, german: Dulzian, french: douçaine, nl, dulciaan, it, dulciana, es, bajón, and pt, baixão. The predecessor of the modern bassoon, it flourished between 1550 and 1700, but was probably invented earlier. Towards the end of this period it co-existed with, and was then superseded by, the baroque bassoon. It was played in both secular and sacred contexts, throughout northern and western Europe, as well as in the New World. Construction The dulcian is generally made from a single piece of maple, with the bores being drilled and reamed first, and then the outside planed to shape. The reed is attached to the end of a metal bocal, inserted into the top of the small bore. Unlike the bassoon it normally has a flared bell, sometimes made from a separate piece of timber. This bell can sometimes be muted, the mute being either detachable, or built into ...
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Cornett
The cornett, cornetto, or zink is an early wind instrument that dates from the Medieval, Renaissance and Baroque periods, popular from 1500 to 1650. It was used in what are now called alta capellas or wind ensembles. It is not to be confused with the modern cornet. The sound of the cornett is produced by lip vibrations against a cup mouthpiece, similar to modern brass instruments. A cornett consists of a conical wooden pipe covered in leather, is about long, and has finger holes and a small horn, ivory, or bone mouthpiece. The range is from A3 to A5, however the bottom note can be lipped as far as G3 and a good player can get up to E6. Construction The ordinary treble cornett is made by splitting a length of wood and gouging out the two halves to make the gently conical, curved bore. The halves are then glued together, and the outside planed to an octagonal cross section, the whole being bound in thin black leather. Six front finger holes and a thumb hole on the back (like on ...
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Tonality
Tonality is the arrangement of pitches and/or chords of a musical work in a hierarchy of perceived relations, stabilities, attractions and directionality. In this hierarchy, the single pitch or triadic chord with the greatest stability is called the tonic. The root of the tonic chord forms the name given to the key, so in the key of C major, the note C is both the tonic of the scale and the root of the tonic chord (which is C–E–G). Simple folk music songs often start and end with the tonic note. The most common use of the term "is to designate the arrangement of musical phenomena around a referential tonic in European music from about 1600 to about 1910". Contemporary classical music from 1910 to the 2000s may practice or avoid any sort of tonality—but harmony in almost all Western popular music remains tonal. Harmony in jazz includes many but not all tonal characteristics of the European common practice period, usually known as "classical music". "All harmonic idi ...
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