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Bi Fang Bird
The Bi Fang () is a mythological bird, encountered in Chinese mythology. The Bi Fang is thought to have one leg. However, sources vary in terms of its description. ''Hanfeizi'' Han Fei dates back to the third century BCE.The Bi Fang bird is described by Han Fei, in his work ''Hanfeizi''. According to the ''Hanfeizi'' the Bi Fang is an auspicious bird which was a companion to Huangdi (the "Yellow Emperor") (Strassberg 2002, 110). ''Shanhaijing'' The ''Shanhaijing'' also known as the ''Classic of Mountains and Seas'' is of indeterminate age, yet a perennial favourite. The commentary by Guo Pu is subsequent. The Bi Fang bird is item sixty-nine. The Bi Fang is described here as one-legged, crane-like, red markings on green, white-beaked, named by onomatopoiesis by the sound it makes, and an omen of fire (Strassberg 2002, 110–111). According to the ''Shanhaijing'' and it's commentaries, the Bifang can be found on Mount Zhang'e and/or east of the Feathered People (Youmin) and west o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imperial Encyclopaedia - Animal Kingdom - Pic113 - 畢方圖
Imperial is that which relates to an empire, emperor, or imperialism. Imperial or The Imperial may also refer to: Places United States * Imperial, California * Imperial, Missouri * Imperial, Nebraska * Imperial, Pennsylvania * Imperial, Texas * Imperial, West Virginia * Imperial, Virginia * Imperial County, California * Imperial Valley, California * Imperial Beach, California Elsewhere * Imperial (Madrid), an administrative neighborhood in Spain * Imperial, Saskatchewan, a town in Canada Buildings * Imperial Apartments, a building in Brooklyn, New York * Imperial City, Huế, a palace in Huế, Vietnam * Imperial Palace (other) * Imperial Towers, a group of lighthouses on Lake Huron, Canada * The Imperial (Mumbai), a skyscraper apartment complex in India Animals and plants * '' Cheritra'' or imperial, a genus of butterfly Architecture, design, and fashion * Imperial, a luggage case for the top of a coach * Imperial, the top, roof or second-storey compartment o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liu An
Liú Ān (, c. 179–122 BC) was a Han dynasty Chinese prince, ruling the Huainan Kingdom, and an advisor to his nephew, Emperor Wu of Han (武帝). He is best known for editing the (139 BC) ''Huainanzi'' compendium of Daoist, Confucianist, and Legalist teachings and is credited for inventing tofu. Early texts represent Liu An in three ways: the "author-editor of a respected philosophical symposium", the "bumbling rebel who took his life to avoid arrest", and the successful Daoist adept who transformed into a ''xian'' and "rose into the air to escape prosecution for trumped-up charges of treason and flew to eternal life." Life He was the grandson of Liu Bang, the founding emperor of the Han Dynasty. After his father died, he became the Prince of Huainan, the lands south of the Huai River, at the age of 16. Liu An had two sons. The younger was Liu Qian (刘迁), who was born by his princess consort and thus became heir to Huainan, while the elder, Liu Buhai (刘不害), was bor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mythological And Legendary Chinese Birds
Myth is a folklore genre consisting of narratives that play a fundamental role in a society, such as foundational tales or origin myths. Since "myth" is widely used to imply that a story is not objectively true, the identification of a narrative as a myth can be highly controversial. Many adherents of religions view their own religions' stories as truth and so object to their characterization as myth, the way they see the stories of other religions. As such, some scholars label all religious narratives "myths" for practical reasons, such as to avoid depreciating any one tradition because cultures interpret each other differently relative to one another. Other scholars avoid using the term "myth" altogether and instead use different terms like "sacred history", "holy story", or simply "history" to avoid placing pejorative overtones on any sacred narrative. Myths are often endorsed by secular and religious authorities and are closely linked to religion or spirituality. Many soci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shangyang (rainbird)
The Shangyang (), (or shang yang) in Chinese mythology was a rainbird (i.e. it could predict rain). It was one of several important mythical birds in this tradition. The Shangyang was particularly associated with the Lord of Rain, Yu Shi. Once the Shangyang was supposed to have visited the royal court at Qi, where it performed a dance upon its one leg, whereupon an embassy was sent inquire of the meaning of this event to Confucius in the neighboring state of Lu: the Shangyang was known to Confucius, who predicted imminent heavy rain and advised the digging of drainage and the raising of dikes. As a result of following the sage's advise, Qi was spared calamity due to the ensuing inundation, whereas the other states who did not heed the advice were heavily damaged. This legendary incident has been often used to illustrate the folly of those who refuse to heed the words of the wise. Mythographer Lihui Yang associates Yu Shi with the Bi Fang bird, instead.Yang, 243 See also *Chinese m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crane In Chinese Mythology
Cranes () are an important motif in Chinese mythology. There are various myths involving cranes, and in Chinese mythology cranes are generally symbolically connected with the idea of longevity. In China, the crane mythology is associated with the divine bird worship in the animal totemism; cranes have a spiritual meaning where they are a form of divine bird which travels between heaven and man's world. Cranes regularly appear in Chinese arts such as paintings, tapestry, and decorative arts; they are also often depicted carrying the souls of the deceased to heaven. The crane is the second most important bird after the fenghuang, the symbol of the empress, in China. The motifs of cranes may vary in a range from reference to real cranes (such as the red-crowned crane) referring to transformed Taoist immortals ''(xian)'', who sometimes were said to have magical abilities to transform into cranes in order to fly on various journeys. When a taoist priest dies, it is referred as ''yuhu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Birds In Chinese Mythology
Birds in Chinese mythology and legend are of numerous types and very important in this regard. Some of them are obviously based on real birds, other ones obviously not, and some in-between. The crane is an example of a real type of bird with mythological enhancements. Cranes are linked with immortality, and may be transformed ''xian'' immortals, or ferry an immortal upon their back. The Vermilion Bird is iconic of the south. Sometimes confused with the Fenghuang, the Vermilion Bird of the south is associated with fire. The Peng was a gigantic bird phase of the gigantic Kun fish. The Jingwei is a mythical bird which tries to fill up the ocean with twigs and pebbles symbolizing indefatigable determination. The Qingniao was the messenger or servant of Xi Wangmu. Names and translation Written and spoken Chinese varieties have different character graphs and sounds representing mythological and legendary birds of China. Characters The Chinese characters or graphs used have varied ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wuxing (Chinese Philosophy)
(; Japanese: (); Korean: (); Vietnamese: ''ngũ hành'' (五行)), usually translated as Five Phases or Five Agents, is a fivefold conceptual scheme that many traditional Chinese fields used to explain a wide array of phenomena, from cosmic cycles to the interaction between internal organs, and from the succession of political regimes to the properties of medicinal drugs. The "Five Phases" are Fire ( zh, c=, p=huǒ, labels=no), Water ( zh, c=, p=shuǐ, labels=no), Wood ( zh, c=, p=mù, labels=no), Metal or Gold ( zh, c=, p=jīn, labels=no), and Earth or Soil ( zh, c=, p=tǔ, labels=no). This order of presentation is known as the " Days of the Week" sequence. In the order of "mutual generation" ( zh, c=相生, p=xiāngshēng, labels=no), they are Wood, Fire, Earth, Metal, and Water. In the order of "mutual overcoming" ( zh, c=相克, p=xiāngkè, labels=no), they are Wood, Earth, Water, Fire, and Metal. The system of five phases was used for describing interactions and rel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Huainan
Huainan () is a prefecture-level city with 3,033,528 inhabitants as of the 2020 census in north-central Anhui province, China. It is named for the Han-era Principality of Huainan. It borders the provincial capital of Hefei to the south, Lu'an to the southwest, Fuyang to the west, Bozhou to the northwest, Bengbu to the northeast and Chuzhou to the east. Huainan is one of the core cities of Hefei Metropolitan Circle and is known for its coal industry and thermal power plants. Its built-up area made of 4 urban districts (all but Panji not yet conurbated) and Fengtai County largely being urbanized, was home to 1,868,944 inhabitants as of 2020. Its city flower is the Chinese rose (''Rosa chinensis'') and its city tree is the Old-World Plane Tree (''Platanus orientalis''). It is also considered to be the hometown and birthplace of tofu. Administration The prefecture-level city of Huainan administers seven county-level divisions, including five districts and two counties. *Tianjia'a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Huainanzi
The ''Huainanzi'' is an ancient Chinese text that consists of a collection of essays that resulted from a series of scholarly debates held at the court of Liu An, Prince of Huainan, sometime before 139. The ''Huainanzi'' blends Daoist, Confucianist, and Legalist concepts, including theories such as yin and yang and Wu Xing theories. The ''Huainanzi''s essays are all connected to one primary goal: attempting to define the necessary conditions for perfect socio-political order. It concludes that perfect societal order derives mainly from a perfect ruler, and the essays are compiled in such a way as to serve as a handbook for an enlightened sovereign and his court. The book Scholars are reasonably certain regarding the date of composition for the ''Huainanzi''. Both the ''Book of Han'' and ''Records of the Grand Historian'' record that when Liu An paid a state visit to his nephew the Emperor Wu of Han in 139 BC, he presented a copy of his "recently completed" book in twenty-on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Mythology
Chinese mythology () is mythology that has been passed down in oral form or recorded in literature in the geographic area now known as Greater China. Chinese mythology includes many varied myths from regional and cultural traditions. Much of the mythology involves exciting stories full of fantastic people and beings, the use of magical powers, often taking place in an exotic mythological place or time. Like many mythologies, Chinese mythology has in the past been believed to be, at least in part, a factual recording of history. Along with Chinese folklore, Chinese mythology forms an important part of Chinese folk religion. Many stories regarding characters and events of the distant past have a double tradition: ones which present a more historicized or euhemerized version and ones which present a more mythological version. Many myths involve the creation and cosmology of the universe and its deities and inhabitants. Some mythology involves creation myths, the origin of things, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Onomatopoeia
Onomatopoeia is the process of creating a word that phonetically imitates, resembles, or suggests the sound that it describes. Such a word itself is also called an onomatopoeia. Common onomatopoeias include animal noises such as ''oink'', ''meow'' (or ''miaow''), ''roar'', and ''chirp''. Onomatopoeia can differ between languages: it conforms to some extent to the broader linguistic system; hence the sound of a clock may be expressed as ''tick tock'' in English, in Spanish and Italian (shown in the picture), in Mandarin, in Japanese, or in Hindi. The English term comes from the Ancient Greek compound ''onomatopoeia'', 'name-making', composed of ''onomato''- 'name' and -''poeia'' 'making'. Thus, words that imitate sounds can be said to be onomatopoeic or onomatopoetic. Uses In the case of a frog croaking, the spelling may vary because different frog species around the world make different sounds: Ancient Greek (only in Aristophanes' comic play ''The Frogs'') probably ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guo Pu
Guo Pu (; AD 276–324), courtesy name Jingchun () was a Chinese historian, poet, and writer during the Eastern Jin period, and is best known as one of China's foremost commentators on ancient texts. Guo was a Taoist mystic, geomancer, collector of strange tales, editor of old texts, and erudite commentator. He was the first commentator of the ''Shan Hai Jing'' and so probably, with the noted Han bibliographer Liu Xin, was instrumental in preserving this valuable mythological and religious text. Guo Pu was the well educated son of a governor. He was a natural historian and a prolific writer of the Jin dynasty. He is the author of ''The Book of Burial'', the first-ever and the most authoritative source of feng shui doctrine and the first book to address the concept of feng shui in the history of China, making Guo Pu the first person historically to define feng shui, and therefore, Guo Pu is usually called the father of feng shui in China. Life A native of Wenxi County, in what i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
