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Bhumara
Bhumara Temple, sometimes called Bhumra, Bhubhara or Bharkuleswar, is a 5th or 6th-century Gupta era Hindu stone temple site dedicated to Shiva near Satna, in the Indian state Madhya Pradesh. The temple has a square plan with a sanctum and Mandapa. While much of it is in ruins, enough of the temple structure and works of art have survived for scholarly studies. The temple is notable as one of the early examples of an architecture that included an enclosed concentric ''pradakshina-patha'' (circumambulation path). Like other early Gupta era Hindu temples, it includes a decorated entrance to the sanctum flanked by Ganga and Yamuna goddesses, and intricately carved sculptures. The temple's Ekamukha Linga, a ''mukhalinga'' or faced lingam, with a detailed head of Shiva, is a much studied example of Gupta art. The temple reliefs include those for Mahishasura-mardini (Durga), Ganesha, Brahma, Vishnu, Yama, Kubera, Kartikeya, Surya, Kama and others. A 5th-century relief sculpture at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ganesha At Bhumara
Ganesha ( sa, गणेश, ), also known as Ganapati, Vinayaka, and Pillaiyar, is one of the best-known and most worshipped deities in the Hindu pantheon and is the Supreme God in Ganapatya sect. His image is found throughout India. Hindu denominations worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends to Jains and Buddhists and includes Nepal, Sri Lanka, Thailand, Indonesia (Java and Bali), Singapore, Malaysia, Philippines, and Bangladesh and in countries with large ethnic Indian populations including Fiji, Guyana, Mauritius, and Trinidad and Tobago. Although Ganesha has many attributes, he is readily identified by his elephant head. He is widely revered, more specifically, as the remover of obstacles and thought to bring good luck; the patron of arts and sciences; and the deva of intellect and wisdom. As the god of beginnings, he is honoured at the start of rites and ceremonies. Ganesha is also invoked as a patron of letters and lea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ganesha
Ganesha ( sa, गणेश, ), also known as Ganapati, Vinayaka, and Pillaiyar, is one of the best-known and most worshipped deities in the Hindu pantheon and is the Supreme God in Ganapatya sect. His image is found throughout India. Hindu denominations worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends to Jains and Buddhists and includes Nepal, Sri Lanka, Thailand, Indonesia (Java and Bali), Singapore, Malaysia, Philippines, and Bangladesh and in countries with large ethnic Indian populations including Fiji, Guyana, Mauritius, and Trinidad and Tobago. Although Ganesha has many attributes, he is readily identified by his elephant head. He is widely revered, more specifically, as the remover of obstacles and thought to bring good luck; the patron of arts and sciences; and the deva of intellect and wisdom. As the god of beginnings, he is honoured at the start of rites and ceremonies. Ganesha is also invoked as a patron of letters ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nachna Hindu Temples
Nachna Hindu temples, also referred to as Nachana temples or Hindu temples at Nachna-Kuthara, in Panna district, Madhya Pradesh, India are some of the earliest surviving stone temples in central India along with those at Bhumara and Deogarh. Their dating is uncertain, but comparing their style to structures that can be dated, some of the Nachna temples are variously dated to the 5th- or 6th-century Gupta Empire era. The Chaturmukha temple is dated to the 9th century. These temples illustrate a North Indian style of Hindu temple architecture. Most of the temples in the area are in ruins. The best preserved and most studied monument is the Parvati temple at Nachna. The temples are built on a raised and moulded plinth, a square plan, a square sanctum that is surrounded by a circumambulation passage with perforated screen stone windows. The entrance into the sanctum is flanked by goddess Ganga and Yamuna. The Parvati temple has an upper storey with a doorway. The temple includes both ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dashavatara Temple, Deogarh
The Dashavatara Temple is an early 6th century Vishnu Hindu temple located at Deogarh, Uttar Pradesh which is 125 kilometers from Jhansi, in the Betwa River valley in northern-central India.Dehejia, Vidya. Indian Art. New York, NY: Phaidon Press Limited, 1997, p. 143 It has a simple, one cell square plan and is one of the earliest Hindu stone temples still surviving today. Built in the Gupta Period, the Dashavatara Temple at Deogarh shows the ornate Gupta style architecture. The temple at Deogarh is dedicated to Vishnu but includes in its small footprint images of various deities such as Shiva, Parvati, Kartikeya, Brahma, Indra, River goddesses Ganga and Yamuna, as well as a panel showing the five Pandavas of the Hindu epic ''Mahabharata''. The Temple was built out of stone and masonry brick.Dye, Joseph. The Arts of India. Virginia Museum of Fine Arts. 2001. p. 112 Legends associated with Vishnu are sculpted in the interior and exterior walls of the temple. Also carved are secul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gupta Art
Gupta art is the art of the Gupta Empire, which ruled most of northern India, with its peak between about 300 and 480 CE, surviving in much reduced form until c. 550. The Gupta period is generally regarded as a classic peak and golden age of North Indian art for all the major religious groups. Gupta art is characterized by its "Classical decorum", in contrast to the subsequent Indian medieval art, which "subordinated the figure to the larger religious purpose". Although painting was evidently widespread, the surviving works are almost all religious sculpture. The period saw the emergence of the iconic carved stone deity in Hindu art, while the production of the Buddha-figure and Jain ''tirthankara'' figures continued to expand, the latter often on a very large scale. The traditional main centre of sculpture was Mathura, which continued to flourish, with the art of Gandhara, the centre of Greco-Buddhist art just beyond the northern border of Gupta territory, continuing to exert in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mukhalinga
In Hindu iconography, Mukhalinga or Mukhalingam (literally "''linga with a face''", ) is a linga with one or more human faces. The linga is an aniconic representation of the Hindu god Shiva. Mukhalingas may be of stone or can be made of a metal sheath, which covers the normal linga. The mukhalinga generally has one, four or five faces. Mukhalingas having four faces are also regarded to have an invisible fifth face at the top of the linga. The four- and five-faced mukhalingas represent the five aspects of Shiva, which also relate to the classical elements and the cardinal directions. The omnipotent, omnipresent and omniscient God Siva for facilitating the individual souls to worship him has manifested himself into different forms. Among them the formless form of Sivalinga is classified as "Nishkala". And the Shivalingas with the head of Shiva on their face are called as Mukhalinga and are classified as "Sakala nishkala" form.ALAYAM : The Hindu Temple;An Epitome of Hindu Culture; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lingam
A lingam ( sa, लिङ्ग , lit. "sign, symbol or mark"), sometimes referred to as linga or Shiva linga, is an abstract or aniconic representation of the Hindu god Shiva in Shaivism. It is typically the primary ''murti'' or devotional image in Hindu temples dedicated to Shiva, also found in smaller shrines, or as self-manifested natural objects. It is often represented within a disc-shaped platform, the ''yoni'' – its feminine counterpart, consisting of a flat element, horizontal compared to the vertical lingam, and designed to allow liquid offerings to drain away for collection. Together, they symbolize the merging of microcosmos and macrocosmos, the divine eternal process of creation and regeneration, and the union of the feminine and the masculine that recreates all of existence. The original meaning of ''lingam'' as "sign" is used in Shvetashvatara Upanishad, which says "Shiva, the Supreme Lord, has no liūga", liuga ( sa, लिऊग ) meaning he is transcen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gupta Period
The Gupta Empire was an ancient Indian empire which existed from the early 4th century CE to late 6th century CE. At its zenith, from approximately 319 to 467 CE, it covered much of the Indian subcontinent. This period is considered as the Golden Age of India by historians. The ruling dynasty of the empire was founded by the king Sri Gupta; the most notable rulers of the dynasty were Chandragupta I, Samudragupta, Chandragupta II and Skandagupta. The 5th-century CE Sanskrit poet Kalidasa credits the Guptas with having conquered about twenty-one kingdoms, both in and outside India, including the kingdoms of Parasikas, the Hunas, the Kambojas, tribes located in the west and east Oxus valleys, the Kinnaras, Kiratas, and others.Raghu Vamsa v 4.60–75 The high points of this period are the great cultural developments which took place primarily during the reigns of Samudragupta, Chandragupta II and Kumaragupta I. Many Hindu epics and literary sources, such as Mahabharata and Rama ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erotes
In Ancient Greek religion and mythology, the Erotes () are a collective of winged gods associated with love and sexual intercourse. They are part of Aphrodite's retinue. ''Erotes'' (Greek ) is the plural of ''Eros'' ("Love, Desire"), who as a singular deity has a more complex mythology. Other named Erotes are Anteros ("Love Returned"), Hedylogos ("Sweet-talk"), Hermaphroditus ("Hermaphrodite" or "Effeminate"), Himeros ("Impetuous Love" or "Pressing Desire"), Hymenaios ("Bridal-Hymn"), and Pothos ("Desire, Longing," especially for one who is absent). The Erotes became a motif of Hellenistic art, and may appear in Roman art in the alternate form of multiple Cupids or Cupids and Psyches. In the later tradition of Western art, Erotes become indistinguishable from figures also known as Cupids, amorini, or amoretti. General role and attributes The Erotes are a group of winged gods in Classical mythology. They are associated with love and sexual desire, and form part of Aphrodite ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vishnu
Vishnu ( ; , ), also known as Narayana and Hari, is one of the principal deities of Hinduism. He is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism. Vishnu is known as "The Preserver" within the Trimurti, the triple deity of supreme divinity that includes Brahma and Shiva.Gavin Flood, An Introduction to Hinduism' (1996), p. 17. In Vaishnavism, Vishnu is the supreme being who creates, protects, and transforms the universe. In the Shaktism tradition, the Goddess, or Adi Shakti, is described as the supreme Para Brahman, yet Vishnu is revered along with Shiva and Brahma. Tridevi is stated to be the energy and creative power (Shakti) of each, with Lakshmi being the equal complementary partner of Vishnu. He is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. According to Vaishnavism, the highest form of Ishvara is with qualities (Saguna), and have certain form, but is limitless, transcend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nataraja
Nataraja () also known as Adalvallaan () is a depiction of the Hindu god Shiva as the divine cosmic dancer. His dance is called Tandava.''Encyclopædia Britannica'' (2015) The pose and artwork are described in many Hindu texts such as the ''Tevaram'', ''Thiruvasagam'' in Tamil and ''Anshumadbhed agama'' and ''Uttarakamika agama'' in Sanskrit and Grantha texts, the dance murti featured in all major Hindu temples of Shaivism, and is a well-known sculptural symbol in India and popularly used as a symbol of Indian culture, in particular as one of the finest illustrations of Hindu art. He is commonly referred as Koothan(), Sabesan() and Ambalavanan () in various Tamil texts. The sculpture is symbolic of Shiva as the lord of dance and dramatic arts, with its style and proportions made according to Hindu texts on arts. Tamil Devotional texts such as Tirumurai (The twelve books of Southern Shaivism) speaks that Nataraja is the form of Shiva in which he does Creation, destruction, Pres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chaitya Window - Surya - Circa 5th Century CE - Bhumara - Madhya Pradesh - Indian Museum - Kolkata 2013-04-10 7799
A chaitya, chaitya hall, chaitya-griha, (Sanskrit:''Caitya''; Pāli: ''Cetiya'') refers to a shrine, sanctuary, temple or prayer hall in Indian religions. The term is most common in Buddhism, where it refers to a space with a stupa and a rounded apse at the end opposite the entrance, and a high roof with a rounded profile. Strictly speaking, the chaitya is the stupa itself, and the Indian buildings are chaitya halls, but this distinction is often not observed. Outside India, the term is used by Buddhists for local styles of small stupa-like monuments in Nepal, Cambodia, Indonesia and elsewhere. In Thailand a stupa, not a stupa hall, is called a chedi. In the historical texts of Jainism and Hinduism, including those relating to architecture, ''chaitya'' refers to a temple, sanctuary or any sacred monument. Most early examples of chaitya that survive are Indian rock-cut architecture. Scholars agree that the standard form follows a tradition of free-standing halls made of wood and o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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