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Bhavani Shankar
Bhavani Shankar is an Indian pakhawaj drum player. Bhavani Shankar was born into a musical family, beginning his study of pakhawaj and tabla at the age of eight. His father Babulalji was a renowned Kathak performer, a style of Indian classical dance. He has played with many Indian artists including bansuri player Hariprasad Chaurasia, santoor player Shiv Kumar Sharma and tabla players Zakir Hussain and Anindo Chatterjee Pandit Anindo Chatterjee is an Indian tabla player of the Farukhabad gharana school. He was born into a musical family. Chatterjee is a disciple of Pandit Jnan Prakash Ghosh. As director of the Farrukhabad Gharana of Tabla, founded by Haji .... In the last years he has made his mark as a composer for films and experimental fusion projects. References External linksItunes.apple.com [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pakhawaj
The pakhavaj is a barrel-shaped, two-headed drum, originating from the Indian subcontinent, the oldest version of double sided drums and its descendants are mridangam of Southern India and kendang of Maritime Southeast Asia and other South Asian double-headed drums. Its older forms were made with clay. It is the percussion instrument most commonly used in the dhrupad style of Indian classical music and less often used as a rhythm accompaniment for various other sub-forms of music and dance performances (e.g. kathak, odissi, marathi). It has a low, mellow tone that is quite rich in harmonics. The sides of the pakhawaj are made with animal skin (often goat, cow skin). The pakhavaj players place the instrument horizontally in front of themselves as they sit on the floor with legs crossed. The players may sometimes place a cushion under the narrower treble face to lift it slightly. A right-handed person places the larger bass-skin on the left side and the treble skin on the right. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Classical Music
Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sitar and sarod. Its origins from the 12th century CE, when it diverged from Carnatic music, the classical tradition in South India. Hindustani classical music arose in the Ganga-Jamuni Tehzeeb, a period of great influence of Perso-Arabic arts in the subcontinent, especially the Northern parts. This music combines the Indian classical music tradition with Perso-Arab musical knowledge, resulting in a unique tradition of gharana system of music education. History Around the 12th century, Hindustani classical music diverged from what eventually came to be identified as Carnatic classical music.The central notion in both systems is that of a melodic musical mode or '' raga'', sung to a rhythmic cycle or '' tala''. It is melodic music, with no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Score
A film score is original music written specifically to accompany a film. The score comprises a number of orchestral, instrumental, or choral pieces called cues, which are timed to begin and end at specific points during the film in order to enhance the dramatic narrative and the emotional impact of the scene in question. Scores are written by one or more composers under the guidance of or in collaboration with the film's director or producer and are then most often performed by an ensemble of musicians – usually including an orchestra (most likely a symphony orchestra) or band, instrumental soloists, and choir or vocalists – known as playback singers – and recorded by a sound engineer. The term is less frequently applied to music written for other media such as live theatre, television and radio programs, and video game, and said music is typically referred to as either the soundtrack or incidental music. Film scores encompass an enormous variety of styles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Still Of Shri Bhawani Shankar Kathak Who Will Be Presented With The Sangeet Natak Akademi Award For Hindustani Music- Instrumental (Pakhawaj) By The President Dr
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pakhawaj
The pakhavaj is a barrel-shaped, two-headed drum, originating from the Indian subcontinent, the oldest version of double sided drums and its descendants are mridangam of Southern India and kendang of Maritime Southeast Asia and other South Asian double-headed drums. Its older forms were made with clay. It is the percussion instrument most commonly used in the dhrupad style of Indian classical music and less often used as a rhythm accompaniment for various other sub-forms of music and dance performances (e.g. kathak, odissi, marathi). It has a low, mellow tone that is quite rich in harmonics. The sides of the pakhawaj are made with animal skin (often goat, cow skin). The pakhavaj players place the instrument horizontally in front of themselves as they sit on the floor with legs crossed. The players may sometimes place a cushion under the narrower treble face to lift it slightly. A right-handed person places the larger bass-skin on the left side and the treble skin on the right. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hariprasad Chaurasia Bhavani Shankar
Swaminarayan (IAST: ', 3 April 1781 – 1 June 1830), also known as Sahajanand Swami, was a yogi and ascetic, who is believed by followers to be a manifestation of God Krishna, or as the highest manifestation of Purushottam, and around whom the Swaminarayan Sampradaya developed. In 1800, he was initiated into the ''Uddhav'' '' sampradaya'' by his guru, Swami Ramanand, and was given the name Sahajanand Swami. Despite opposition, in 1802 Ramanand handed over the leadership of the Uddhav Sampraday to him before his death. According to the Swaminarayan-tradition, Sahajanand Swami became known as Swaminarayan, and the Uddhav Sampraday as the Swaminarayan Sampradaya, after a gathering in which he taught the Swaminarayan Mantra to his followers. He emphasized "moral, personal, and social betterment," and ''ahimsa'', and is also remembered within the sect for undertaking reforms for women and the poor, and performing non-violent yajñas (fire sacrifices) on a large sca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kathak
Kathak ( hi, कथक; ur, کتھک) is one of the eight major forms of Indian classical dance. It is the classical dance from of Uttar Pradesh. The origin of Kathak is traditionally attributed to the traveling bards in ancient northern India known as Kathakars or storytellers. The term Kathak is derived from the Vedic Sanskrit word which means "story", and ''Kathakar'' which means "the one who tells a story", or "to do with stories". Wandering Kathakars communicated stories from the great epics and ancient mythology through dance, songs and music. Kathak dancers tell various stories through their hand movements and extensive footwork, their body movements and flexibility but most importantly through their facial expressions. Kathak evolved during the Bhakti movement, particularly by incorporating the childhood and stories of the Hindu god Krishna, as well as independently in the courts of north Indian kingdoms. During the period of Mughal rule, the emperors were patrons of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hariprasad Chaurasia
Hariprasad Chaurasia (born 1 July 1938) is an Indian music director and classical flautist, who plays the bansuri, in the Hindustani classical tradition. Early life Chaurasia was born in Allahabad (1938) (officially called Prayagraj) in the Indian state of Uttar Pradesh. His mother died when he was six years old. He had to learn music without his father's knowledge, as his father wanted him to become a wrestler. Chaurasia did go to the Akhada and trained with his father for some time, although he also started learning music and practising at his friend's house. He has stated, Career Chaurasia started learning vocal music from his neighbour, Rajaram, at the age of 15. Later, he switched to playing the flute under the tutelage of Bholanath Prasanna of Varanasi for eight years. He joined the All India Radio, Cuttack, Odisha in 1957 and worked as a composer and performer. Much later, while working for All India Radio, he received guidance from the reclusive Annapurna Devi, d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shiv Kumar Sharma
Pandit Shivkumar Sharma (13 January 1938 – 10 May 2022) was an Indian classical musician and santoor player who is credited with adapting the santoor for Indian classical music. As a music composer, he collaborated with Indian flautist Hariprasad Chaurasia under the collaborative name Shiv–Hari and composed music for such hit Indian films as ''Faasle'' (1985), '' Chandni'' (1989), and ''Lamhe'' (1991). Sharma was awarded the Sangeet Natak Akademi Award in 1986 and the Padma Shri and Padma Bhushan (India's fourth and third highest civilian awards) in 1991 and 2001. Early life Sharma was born on 13 January 1938, in Jammu, which was part of the Jammu and Kashmir princely state then. His father Uma Dutt Sharma was a vocalist and a tabla player. His father started teaching him vocals and tabla, when he was just five. His father saw an opportunity to introduce him to the santoor, a hammered dulcimer, which was a folk instrument that traced its origins to ancient Persia, but wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zakir Hussain (musician)
Ustad Zakir Hussain (born 9 March 1951) is an Indian tabla player, composer, percussionist, music producer and film actor. He is the eldest son of tabla player Alla Rakha. He was awarded the Padma Shri in 1988, and the Padma Bhushan in 2002, by the Government of India presented by A. P. J. Abdul Kalam, President Abdul Kalam. He was also awarded the Sangeet Natak Akademi Award in 1990, given by the Sangeet Natak Academy, India's National Academy of Music, Dance and Drama. In 1999, he was awarded the United States National Endowment for the Arts' National Heritage Fellowship, the highest award given to traditional artists and musicians. Early life and education Hussain attended St. Michael's High School in Mahim, and was graduated from the St. Xavier's College, Mumbai. Career Hussain played on George Harrison's 1973 album ''Living in the Material World'' and John Handy's 1973 album ''Hard Work''. He also performed on Van Morrison's 1979 album ''Into the Music'' and Earth, Wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anindo Chatterjee
Pandit Anindo Chatterjee is an Indian tabla player of the Farukhabad gharana school. He was born into a musical family. Chatterjee is a disciple of Pandit Jnan Prakash Ghosh. As director of the Farrukhabad Gharana of Tabla, founded by Haji Vilayat Khan Saheb, Chatterjee continues to give new voice to his instrument. In addition to solo performances and recordings, Chatterjee has worked with sitar players Nikhil Banerjee, Imrat Khan, Budhaditya Mukherjee, Rais Khan, Pandit Ravi Shankar, Shahid Parvez, Manilal Nag and Krishna Bhatt; sarod players Buddhadev Das Gupta, Ali Akbar Khan, Ustad Amjad Ali Khan, and Tejendra Narayan Majumdar; flutist Pandit Hariprasad Chaurasia; santoor player Pandit Shivkumar Sharma; and vocalists Pandit Mallikarjun Mansur and Gangubai Hangal. Inspired by his uncle, Pandit Biswanath Chatterjee, Anindo Chatterjee began playing tabla at the age of five. Studying briefly with Ustad Afaq Hussain Khan of the Lucknow Gharana, he advanced to studying und ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pakhavaj Players
The pakhavaj is a barrel-shaped, two-headed drum, originating from the Indian subcontinent, the oldest version of double sided drums and its descendants are mridangam of Southern India and kendang of Maritime Southeast Asia and other South Asian double-headed drums. Its older forms were made with clay. It is the percussion instrument most commonly used in the dhrupad style of Indian classical music and less often used as a rhythm accompaniment for various other sub-forms of music and dance performances (e.g. kathak, odissi, marathi). It has a low, mellow tone that is quite rich in harmonics. The sides of the pakhawaj are made with animal skin (often goat, cow skin). The pakhavaj players place the instrument horizontally in front of themselves as they sit on the floor with legs crossed. The players may sometimes place a cushion under the narrower treble face to lift it slightly. A right-handed person places the larger bass-skin on the left side and the treble skin on the right. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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