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Bhavai Dance
Bhavai is a genre of folk dance popular in Rajasthan state in northern India. The male or female performers balance a number of earthen pots or brass/metal pitchers as they dance nimbly, pirouetting and then swaying with the soles of their feet perched on the top of a glass bottles, on the edge of the sword, on the rim of a brass/metal ''thali'' (plate) and on the broken glass during the performance. The first Bhavai Dancer of India was Mrs. Krishna Vyas Chhangani, who was born in Jodhpur (Rajasthan). The Dance form consists of veiled women dancers balancing up to 22 brass/metal pitchers on their head with lit the fire up to 9 pitchers as they dance nimbly, pirouetting and then swaying with the soles of their feet perched on the top of a glass or on the edge of the sword. There is a sense of cutting-edge suspense and nail-biting acts in the dance. The accompaniment to the dance is provided by the male performers singing melodious songs and playing a number of musical instrumen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhavai Is A Genre Of Folk Dance Popular In Rajasthan
Bhavai, also known as ''Vesha'' or ''Swang'', is a popular folk theatre form of western India, especially in Gujarat. Etymology ''Bhavai'' may derive from the Sanskrit word ''Bhava'', meaning expression or emotion. It is also associated with Hindu goddess Durga, Amba. ''Bhav'' means universe and ''Aai'' means mother, so it may be also considered an art form dedicated to the Mother of the Universe, Amba. Bhavai is also known as ''Vesha'' or ''Swang'', which literally means 'get-up'. History Bhavai is believed to have originated in the 14th century. Asaita Thakar is traditionally credited for its origin. Folklore In 14th century, Ganga, daughter of Unjha headman Hema Patel, was kidnapped by Muslim subedar. Their family priest, Asaita Thakar who was a brahmin, went to subedar claiming Ganga as his daughter. To prove, subedar asked him to dine with Ganga as during those time, brahmins did not dine with lower castes. He dined with her to save her but upon return, he was outcaste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
India
India, officially the Republic of India (Hindi: ), is a country in South Asia. It is the seventh-largest country by area, the second-most populous country, and the most populous democracy in the world. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is in the vicinity of Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. Modern humans arrived on the Indian subcontinent from Africa no later than 55,000 years ago., "Y-Chromosome and Mt-DNA data support the colonization of South Asia by modern humans originating in Africa. ... Coalescence dates for most non-European populations average to between 73–55 ka.", "Modern human beings—''Homo sapiens''—originated in Africa. Then, int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dholak
The ''dholak'' is a two-headed hand drum, a folk percussion instrument. The instrument is about 45 cm in length and 27 cm in breadth and is widely used in ''qawwali'', '' kirtan'', '' lavani'' and '' bhangra''. The drum has two different sized drumheads. The smaller drumhead is made of goat skin for sharp notes while the bigger drumhead is made of buffalo skin for low pitch. The two drumheads allow a combination of bass and treble with rhythmic high and low pitches. The body or shell of the Dholak is made of sheesham or mango wood. The larger membrane has a compound (Syahi) applied which helps to lower the pitch and produce the sound. The smaller drumhead is played with the left hand which produces a high pitch. A cotton rope lacing and screw-turnbuckle are used to release tension while playing. Steel rings/pegs are twisted inside the laces to attain fine tuning. Dholak can be played in three ways — on the player’s lap, while standing, or pressed down with one knee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarangi
The sārangī is a bowed, short-necked string instrument played in traditional music from South Asia – Punjabi folk music, Rajasthani folk music, and Boro folk music (there known as the ''serja'') – in Pakistan, India and Bangladesh. It is said to most resemble the sound of the human voice through its ability to imitate vocal ornaments such as ''gamaks'' (shakes) and ''meends'' (sliding movements). The sarangi (Nepali) is a different instrument, traditional to Nepal. History Sarangi derives its name from the bow of Lord Vishnu and probably as it is played with a bow it is named sarangi. According to some musicians, the word ''sarangi'' is a combination of two words: ''seh'' ('three' in Persian) and ''rangi'' ('coloured' in Persian) or Persian ''sad-rangi'', ''sad'' for 'hundred' in Persian ('hundred coloured) corrupted as ''sarangi''. The term ''seh-rangi'' represents the three melody strings. However, the most common folk etymology is that ''sarangi'' is derived from ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pump Organ
The pump organ is a type of free-reed organ that generates sound as air flows past a vibrating piece of thin metal in a frame. The piece of metal is called a reed. Specific types of pump organ include the reed organ, harmonium, and melodeon. The idea for the free reed was imported from China through Russia after 1750, and the first Western free-reed instrument was made in 1780 in Denmark. More portable than pipe organs, free-reed organs were widely used in smaller churches and in private homes in the 19th century, but their volume and tonal range were limited. They generally had one or sometimes two manuals, with pedal-boards being rare. The finer pump organs had a wider range of tones, and the cabinets of those intended for churches and affluent homes were often excellent pieces of furniture. Several million free-reed organs and melodeons were made in the US and Canada between the 1850s and the 1920s, some of which were exported. The Cable Company, Estey Organ, and Mason & ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhil
Bhil or Bheel is an ethnic group in western India. They speak the Bhil languages, a subgroup of the Western Zone of the Indo-Aryan languages. As of 2013, Bhils were the largest tribal group in India. Bhils are listed as tribal people of the states of Gujarat, Madhya Pradesh, Chhattisgarh, Maharashtra and Rajasthan—all in the western Deccan regions and central India—as well as in Tripura in far-eastern India, on the border with Bangladesh. Bhils are divided into a number of endogamous territorial divisions, which in turn have a number of clans and lineages. Many Bhils now speak the dominant later language of the region they reside in, such as Marathi, Gujarati or a Bhili language dialect. Etymology Some scholars suggest that the term Bhil is derived from the word ''billa'' or ''billu'' which means bow in the Dravidian lexis. The term Bhil is used to refer to "various ethnic communities" living in the forests and hills of Rajasthan's southern parts and surrounding regions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raigar
Chamar is a Dalit community classified as a Scheduled Caste under modern India's system of affirmative action. Historically subject to untouchability, they were traditionally outside the Hindu ritual ranking system of castes known as varna. They are found throughout the Indian subcontinent, mainly in the northern states of India and in Pakistan and Nepal. History Ramnarayan Rawat posits that the association of the Chamar community with a traditional occupation of tanning was constructed, and that the Chamars were instead historically agriculturists. The term ''chamar'' is used as a pejorative word for dalits in general. It has been described as a casteist slur by the Supreme Court of India and the use of the term to address a person as a violation of the Scheduled Caste and Scheduled Tribe (Prevention of Atrocities) Act, 1989. Chamars have remained one of the most discriminated community within Hinduism. In reference to villages of Rohtas and Bhojpur district of Bihar, pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meenas
Meena () is a sub-group of Bhils. They speak Meena language. They started adopting the Brahmin worship system. Its name is also transliterated as ''Meenanda'' or ''Mina''. Historians claim that they belong to the Matsya tribe. They got the status of Scheduled Tribe by the Government of India in 1954. The Zamindar Meena, Chowkidar Meena, Gurjar Meena, Padiyar Meena, Bhil Meena, Rawat Meena, Takur Meena and Rajput Meena are a subgroup of Meenas. Etymology The word Meena or Mina is derived from the Sanskrit word Meen, which means fish. Ethnography The Meenas were originally a ''nomadic tribe''. They were described as a ''semi-wild'' and ''hill tribe'' similar to the Bhils. But in the British Raj, for the fulfillment of its purpose by the British Government, they were described as a ''criminal tribe'' by adding them to the Criminal Tribes Act. Presently they are described as ''Scheduled Tribe'' by the Indian Government. Geography The book ''Civilizations of India'', pub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kumhar
Kumhar is a caste or community in India, Nepal and Pakistan. Kumhar have historically been associated with art of pottery. Etymology The Kumhars derive their name from the Sanskrit word ''Kumbhakar'' meaning earthen-pot maker. Dravidian languages conform to the same meaning of the term ''Kumbhakar''. The term ''Bhande'', used to designate the Kumhar caste, also means pot. The potters of Amritsar are called ''Kulal'' or ''Kalal'', the term used in Yajurveda to denote the potter class. Mythological origin A section of Hindu Kumhars honorifically call themselves ''Prajapati'' after Vedic Prajapati, the Lord, who created the universe. According to a legend prevalent among Kumhars There is an opinion that this is because of their traditional creative skills of pottery, they are regarded as ''Prajapati''. Divisions The potters are classified into Hindu and Muslim cultural groups. Among Hindus, inclusion of artisan castes, such as potters, in the Shudra varna is indisputab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalbelia
The Kalbelia are a snake charming tribe from the Thar Desert in Rajasthan, India. The dance is an integral part of their culture and performed by men and women. Kalbelia tribe Kalbelias are followers of Sage Kanifnath, who drank a bowl of poison and was blessed with control over venomous snakes and animals. Kalbelias are divided in two main groups, the Daliwal and Mewara. The Kalbelias moved frequently from one place to another in ancient times. Their traditional occupation is catching snakes and trading snake venom. They rear snakes, dogs, hens, horses, donkeys, pigs and goats. Hence, the dance movements and the costumes of their community bear a resemblance to those of the serpents. They are also called Sapera and Jogira, Gattiwala and Poogiwara. The largest cluster of the Kalbelias is in Pali district, followed by significant other groups in Ajmer, Chittorgarh and Udaipur district. They live a nomadic life and belong to the scheduled tribes. Traditionally, Kalbelia men car ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance In India
Dance in India comprises numerous styles of dances, generally classified as Indian classical dance, classical or Folk dance in India, folk. As with other aspects of Indian culture, different forms of dances originated in different parts of India, developed according to the local traditions and also imbibed elements from other parts of the country. Sangeet Natya Academy, the national academy for performing arts in India, recognizes eight traditional dances as Indian classical dances, while other sources and scholars recognize more. These have roots in the Sanskrit text ''Natya Shastra'',, Quote: "the Natyashastra remains the ultimate authority for any dance form that claims to be 'classical' dance, rather than 'folk' dance". and the Religion, religious performance arts of Hinduism., Quote: Hindu classical dance-forms, like Hindu music, are associated with worship. References to dance and music are found in the vedic literature, (...)"., Quote: All of the dances considered to b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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