Beyond The Valley Of The Dolls
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Beyond The Valley Of The Dolls
''Beyond the Valley of the Dolls'' is a 1970 American satirical musical melodrama film starring Dolly Read, Cynthia Myers, Marcia McBroom, Phyllis Davis, John LaZar, Michael Blodgett, and David Gurian. The film was directed by Russ Meyer and screenwritten by Roger Ebert from a story by Ebert and Meyer. Originally intended as a sequel to the 1967 film '' Valley of the Dolls''—"dolls" being a slang term for depressant pills or "downers"—''Beyond the Valley of the Dolls'' was instead revised as a parody of the commercially successful but critically reviled original. ''Beyond'' met a similar fate; it was initially panned by critics but became a box office success. The film later developed a cult following in subsequent decades, and earned some critical reappraisal for its satirical and metafictional elements. Plot Three young women—Kelly MacNamara, Casey Anderson, and Petronella "Pet" Danforth—perform in a rock band, the Kelly Affair, managed by Harris Allsworth, Kelly's boy ...
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Russ Meyer
Russell Albion Meyer (March 21, 1922 – September 18, 2004) was an American film director, producer, screenwriter, cinematographer, and editor. He is known primarily for writing and directing a series of successful sexploitation films that featured Camp (style), campy humor, sly satire and large-breasted women, such as ''Faster, Pussycat! Kill! Kill!''. Meyer often named ''Beyond the Valley of the Dolls'' (1970) as his definitive work. Early years Russ Meyer was born in San Leandro, California, the son of Lydia Lucinda (Hauck) and William Arthur Meyer, an Oakland police officer. His parents were both of German Americans, German descent. Meyer's parents divorced soon after he was born, and Meyer was to have virtually no contact with his father during his life. When he was 14 years old, his mother pawnbroker, pawned her wedding ring in order to buy him an 8 mm film camera. He made a number of amateur films at the age of 15, and served during World War II as a U.S. Army combat c ...
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Melodrama
A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or excessively sentimental, rather than action. Characters are often flat, and written to fulfill stereotypes. Melodramas are typically set in the private sphere of the home, focusing on morality and family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, filmed, or on television is usually accompanied by dramatic and suggestive music that offers cues to the audience of the drama being presented. In scholarly and historical musical contexts, ''melodramas'' are Victorian dramas in which orchestral music or song was used to accompany the action. The term is now also applied to stage performances without incidental music, novels, films, tel ...
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Meet Cute
In film and television, a meet cute is a scene in which the two people who will form a future romantic couple meet for the first time, typically under unusual, humorous, or cute circumstances. This type of scene is a staple of romantic comedies, though it can also occur in sitcoms and even soap operas. Frequently, the meet cute leads to a humorous clash of personalities or of beliefs, embarrassing situations, or comical misunderstandings that further drive the plot. Etymology The origin of the term is unknown but it appears to have been familiarly associated with Hollywood screenwriting by at least 1941. The earliest example given by the ''Oxford English Dictionary'' is from Anthony Boucher's mystery novel ''The Case of the Solid Key'' (1941), in which a character says "We met cute, as they say in story conferences." As this example implies, the term was already well-known, and in a 1996 ''The Paris Review'' interview, screenwriter Billy Wilder, referring to his 1938 screwball com ...
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One-night Stand
A one-night stand or one-night sex is a single sexual encounter in which there is an expectation that there shall be no further relations between the sexual participants. It draws its name from the common practice of a one-night stand, a single night performance by an entertainer at a venue. The practice can be described as "sexual activity without emotional commitment or future involvement".Jeffrey S. Turner, ''American Families in Crisis: A Reference Handbook'' (2009), p. 47. Views The one-night stand is the most common form of infidelity and is often used in research, polls and surveys to define the level of promiscuity in a society at any given time. It has been suggested that such an act can be as threatening to a relationship as a long-term affair: Some women have suggested that women who feel sexually insecure or unfulfilled should seek out one-night stands for personal growth and fulfillment. One writes, " one-night stand is the erotic manifestation of carpe diem ...
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Male Prostitution
Male prostitution is the act or practice of men providing sexual services in return for payment. It is a form of sex work. Although clients can be of any gender, the vast majority are older males looking to fulfill their sexual needs. Male prostitutes have been far less studied than female prostitutes by researchers. Even so, male prostitution has an extensive history including regulation through homosexuality, conceptual developments on sexuality, and the HIV/AIDS, monkeypox, and COVID-19 epidemic impact. In the last century, male sex work has seen various advancements. Popularizing new sexual acts, methods of exchange, and carving out a spot in cinema. Today, there is a focus on improving the work conditions, treatment, and mental health of male sex workers. Terminology The terms used for male prostitutes generally differ from those used for females. Some terms vary by clientele or method of business. Where prostitution is illegal or taboo, it is common for male prostitutes t ...
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Carrie Nation
Caroline Amelia Nation (November 25, 1846June 9, 1911), often referred to by Carrie, Carry Nation, Carrie A. Nation, or Hatchet Granny, was a radical member of the temperance movement, which opposed alcohol before the advent of Prohibition. Nation is noted for attacking alcohol-serving establishments (most often taverns) with a hatchet. Nation was also concerned about tight clothing for women; she refused to wear a corset and urged women not to wear them because of their harmful effects on vital organs. She described herself as "a bulldog running along at the feet of Jesus, barking at what He doesn't like", and claimed a divine ordination to promote temperance by destroying bars. Early life and first marriage Caroline Amelia Moore was born in Garrard County, Kentucky, to George Moore and Mary Campbell. Her father was a successful farmer, stock trader, and slaveholder of Irish descent. During much of her early life, Moore's health was poor and her family experienced financial s ...
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Svengali
Svengali () is a character in the novel ''Trilby'' which was first published in 1894 by George du Maurier. Svengali is a man who seduces, dominates and exploits Trilby, a young half-Irish girl, and makes her into a famous singer. Definition After the book’s publication in 1894, the word “svengali” has come to refer to a person who, with evil intent, dominates, manipulates and controls another. In court, the ''Svengali Defence'' is a legal tactic that portrays the defendant as a pawn in the scheme of a greater, and more influential, criminal mastermind. Novel Svengali is a typical antisemitic portrayal of an Ashkenazic (eastern European) Jew, complete with “bold, black, beady Jew’s eyes” and a “hoarse, rasping, nasal, throaty rook’s caw, his big yellow teeth baring themselves in a mongrel canine snarl”. He is continually filthy and yet still “clean enough to suit (his own) kind”. George Orwell wrote that Svengali, who while cleverer than the Englishmen ...
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Strawberry Alarm Clock
Strawberry Alarm Clock is a psychedelic rock band formed in 1967 with origins in Glendale, California, a city about ten miles north of downtown Los Angeles. They are best known for their 1967 hit single "Incense and Peppermints". Categorized as acid rock, psychedelic pop and sunshine pop, they charted five songs, including two Top 40 hits. Career 1966–1967: Formation and early success A history of the band written by George Bunnell stated that "The Strawberry Alarm Clock came about by parts of two bands, Thee Sixpence and Waterfyrd Traene, morphing into one." The group originally named Thee Sixpence initially consisted of Ed King (lead guitar, vocals), Michael Luciano (vocals), Lee Freeman (rhythm guitar, harmonica, vocals), Gary Lovetro (bass), Steve Rabe (guitar, vocals), and Gene Gunnels (drums). Randy Seol (drums, vibes, percussion, vocals) and Mark Weitz ( keyboards, vocals) joined to replace the departing Gunnels, Rabe, and Luciano just as the name change to Strawber ...
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